Dizzy Gillespie - Night in Tunisia: The Very Best of Dizzy Gillespie '2006

Artist	Dizzy Gillespie Related artists
Album name	Night in Tunisia: The Very Best of Dizzy Gillespie
Country
Date	2006
Genre	Jazz
Play time	42:31
Format / Bitrate	Stereo 1420 Kbps / 44.1 kHz MP3 320 Kbps
Media	CD
Size	188 MB(+3\%)
Price	Download $1.95

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Tracks list

Tracklist

01. Night in Tunisia (3:09)
02. 52nd Street Theme (take 2) (3:08)
03. Anthropology (take 1) (2:40)
04. Oop-Pop-a-Da (3:15)
05. Two Bass Hit (2:49)
06. Stay on It (3:16)
07. Algo Bueno (Woody n You) (3:01)
08. Cubana Be (2:43)
09. Cubana Bop (3:19)
10. Manteca (3:09)
11. Good Bait (2:49)
12. Ool-Ya-Koo (2:53)
13. Guarachi Guaro (3:14)
14. Jumpin with Symphony Sid (3:06)

Many arguments can be made as to which cuts constitute the very best of Dizzy
Gillespie. These 14 cuts can certainly be argued for in making a solid case for
the great trumpeter, bandleader, and composer. These tracks, all of which were
cut for RCA between February of 1946 and July of 1949, still sound vital and
progressive in the 21st century. The set kicks off with the title tune,
featuring Diz with Don Byas, Milt Jackson, Al Haig, Ray Brown, J.C. Heard, and
Bill DeArango. Clocking in at just over three minutes, the advanced harmonics
and rhythmic invention is still startling. Thelonious Monks 52nd Street Theme
and the Charlie Parker/Diz Anthropology are also included from this session.
Check out DeArangos guitar solo on this last cut; its blazing yet fluid and
deeply bluesy. There are many big-band sides on this platter as well. There are
three from an August 1947 session that feature James Moody, Cecil Payne, John
Lewis, Jackson, Brown, and one, Stay on It, arranged by Tadd Dameron, the cuts
composer. Two Bass Hit is another excellent selection from this session. The big
band changed a bit in December of 1947 when Al McKibbon, Chano Pozo, and Kenny
Clarke entered the ranks -- check the cut Algo Bueno (Woody n You) for the new
rhythmic intensity this band displayed. From the same session listeners also get
Oop-Pop-A-Da, with Kenny Hagood and Diz sharing scat vocals to add not only
something humorous but also innovative to the mix (the pair appear on another
tune from a later session -- eight days later to be exact -- entitled
Ool-Ya-Koo). Cubana Bop -- with killer chanting from Pozo -- and Cubana Be (both
arranged by George Russell) are also included. Guarachi Guaro, a Diz tune with
Gerald Wilson arranging (SabÃº MartÃnez plays congas with Joe Harris, Ernie
Henry appears on alto, and Budd Johnson plays tenor), comes from December of
1948. The final tune is a bona fide jazz classic updated for the bop era. Lester
Youngs Jumpin with Symphony Sid was recorded in July of 1949 and features Yusef
Lateef, Charles Greenlea, Al Gibson, and conguero Vince Guerra. So while it can
be argued to the death about what the very best of Dizzy Gillespie actually is,
there is no debate concerning the sheer excellence of these tracks and how they
represented a small but important slice of Gillespies development as both a
student of and innovator in jazz. The Legacy issue also gets high marks for fine
sound throughout.~Thom Jurek

Â X Lossless Decoder version 20181019 (151.1)

XLD extraction logfile from 2018-11-01 17:30:29 -0700

Dizzy Gillespie / Night in Tunisia: The Very Best of Dizzy Gillespie

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