Bud Powell - Birdland 1953 '2013

Tracks list

Tracklist

CD1:

01. Theme: Lullaby of Birdland/Announcer Introduction (0:50)
02. Tea for Two (5:38)
03. It Could Happen to You (3:34)
04. Bean and the Boys (6:59)
05. Theme: Lullaby of Birdland (2:57)
06. I Want to Be Happy (3:32)
07. Embraceable You (4:16)
08. Ive Got You Under My Skin (2:44)
09. Ornithology (2:59)
10. Theme: Lullaby of Birdland (0:47)
11. Theme: Lullaby of Birdland (1:46)
12. Hallelujah! (2:51)
13. Ive Got You Under My Skin (2:43)
14. Embraceable You (4:37)
15. How High the Moon/Ornithology (3:00)
16. Budo (3:04)

CD2:

01. I Want to Be Happy (3:12)
02. Ive Got You Under My Skin (2:35)
03. Sure Thing (2:05)
04. Embraceable You (3:36)
05. Woodyn You (2:59)
06. Salt Peanuts (4:21)
07. Theme: Lullaby of Birdland (1:16)
08. Woodyn You (6:28)
09. Salt Peanuts (3:25)
10. Dance of the Infidels (5:31)
11. Ive Got You Under My Skin (2:38)
12. Autumn in New York (2:13)
13. I Want to Be Happy (4:24)
14. Moose the Mooche (5:01)
15. Cheryl (7:04)
16. Budo (2:05)
17. My Heart Stood Still (3:00)

CD3:

01. Dance of the Infidels (4:08)
02. Dance of the Infidels (4:52)
03. Un Poco Loco (4:24)
04. Parisian Thoroughfare (2:58)
05. Dance of the Infidels (2:58)
06. Glass Enclosure (2:25)
07. My Heart Stood Still (2:46)
08. Parisian Thoroughfare (3:20)
09. Dance of the Infidels (2:42)
10. Un Poco Loco (3:31)
11. Oblivion (2:40)
12. Parisian Thoroughfare (3:55)
13. Dance of the Infidels (3:06)
14. Embraceable You (4:15)
15. Un Poco Loco (4:03)
16. Oblivion (2:44)


Bud Powell ranks as one of the most influential pianists in jazz history, his
style having provided the template for innumerable bebop pianists who followed
in his wake. This newly compiled and mastered three-CD set captures Powell at
his peak on his home turf at the famed Birdland club, recorded onsite (these are
not air checks taped from radio), and mostly working with top-notch sidemen such
as Charles Mingus, Oscar Pettiford, Roy Haynes, and Art Taylor, along with guest
appearances by Charlie Parker and Dizzy Gillespie. Producer Michael D. Anderson
fixed pitch problems and personnel listings that have plagued previous versions
of some of this material from the collection of Boris Rose as issued on other
labels.
From Russ Mustos booklet essay: Powell biographer Peter Pullman noted, in his
carefully researched volume Wail: The Life of Bud Powell, that 1953 was the
busiest year of Powell’s career. After having spent more than sixteen
months in various mental institutions, where he was subjected to electroshock
therapy, the great pianist was finally released early in that year. Declared
incompetent by the state of New York, he was placed under the supervision of
Oscar Goodstein, his personal manager and the manager of Birdland, who booked
Powell to play for twenty weeks at the club, according to Pullman. The regular
work that the pianist had during the year allowed him to regain much of the
virtuoso technique that had often eluded him after repeated nervous breakdowns;
on good nights (several of which are documented here) he once again proved that
he was indeed The Amazing Bud Powell.

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