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Kemp English - Koželuch: Complete Keyboard Sonatas, Vol. 11 '2018
24bit
| Artist | Kemp English Related artists |
| Album name | Koželuch: Complete Keyboard Sonatas, Vol. 11 |
| Country | |
| Date | 2018 |
| Genre | |
| Play time | 01:03:06 |
| Format / Bitrate | 24 BIT Stereo 1420 Kbps / 44.1 kHz |
| Media | CD |
| Size | 334 / 666 mb |
| Price | Download $5.95 |
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Tracks list
Tracklist --------- 01. Keyboard Sonata No. 42 in F Major, Op. 53 No. 2, P. XII:47: I. Poco adagio-Allegro molto 02. Keyboard Sonata No. 42 in F Major, Op. 53 No. 2, P. XII:47: II. Rondo. Allegretto 03. Keyboard Sonata No. 43 in E-Flat Major, Op. 53 No. 3, P. XII:48: I. Allegro 04. Keyboard Sonata No. 43 in E-Flat Major, Op. 53 No. 3, P. XII:48: II. Rondo. Allegretto 05. Keyboard Sonata No. 44 in F Major, P. XII:1 : I. Allegro 06. Keyboard Sonata No. 44 in F Major, P. XII:1 : II. Andante molto con espressione 07. Keyboard Sonata No. 44 in F Major, P. XII:1 : III. Finale. Presto 08. Keyboard Sonata No. 45 in A Major, P. XII:2: I. Arietta con variazioni. Andante 09. Keyboard Sonata No. 45 in A Major, P. XII:2: II. Menuetto. Vivace-Trio 10. Keyboard Sonata No. 45 in A Major, P. XII:2: III. Rondo. Allegretto 11. Keyboard Sonata No. 46 in C Major, P. XII:41: I. Arietta con variazioni. Andantino 12. Keyboard Sonata No. 46 in C Major, P. XII:41: II. Allegro ma non tanto This penultimate volume juxtaposes three early works dating from the 1770s with two mature sonatas from 1809, revealing how far Koželuch’s style changed over a thirty-year period. The early sonatas, though harmonically modest, fizz with Rococo charm and elegance. The late sonatas, meanwhile, were intended for a fortepiano, which had eclipsed the harpsichord, and are two-movement works featuring bustling rondos and deft janissary devices, one of which is the buzzing effect generated by a knee lever on the original 1815 Johann Fritz instrument used in this recording. Kemp English is one of New Zealand’s leading concert performers. Renowned as an exuberant entertainer, he is much in demand as a solo organist, collaborative pianist and specialist fortepiano exponent, relishing the opportunity to work in a diverse array of styles and periods.