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Sarah Vaughan - The Chronological Classics: 1944-1946 '1997

The Chronological Classics: 1944-1946
ArtistSarah Vaughan Related artists
Album name The Chronological Classics: 1944-1946
Country
Date 1997
GenreJazz
Play time 63:20
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 213 MB(+3\%)
PriceDownload $1.95
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Tracks list

Tracklist

01. Ill Wait and Pray (2:57)
02. Signing Off (2:43)
03. Interlude (Night in Tunisia) (2:33)
04. No Smoke Blues (2:29)
05. East of the Sun (2:54)
06. Lover Man (3:28)
07. What More Can a Woman Do? (3:03)
08. Id Rather Have a Memory Than a Dream (2:43)
09. Mean to Me (2:38)
10. Time and Again (3:23)
11. Im Scared (2:36)
12. You Go to My Head (3:03)
13. I Could Make You Love Me (2:48)
14. It Might as Well Be Spring (3:02)
15. All Too Soon (2:57)
16. Were Through (2:42)
17. A Hundred Years from Today (2:58)
18. If You Could See Me Now (2:52)
19. I Can Make You Love Me (3:04)
20. Youre Not the Kind (2:47)
21. My Kinda Love (2:39)
22. Youre Blase (3:01)

This first installment in the complete chronological recordings of Sarah Vaughan
is a gold mine of great jazz dating from turbulent and transitional times. Its
also one of the very best Sarah Vaughan retrospectives ever made available to
the public. Vaughan positively glows in front of every ensemble lucky enough to
back her, as she performs in an almost bewildering series of outstanding
recordings on the De Luxe, Continental, Guild, Crown, Gotham, H.R.S., and
Musicraft labels. She appears as a 20-year-old featured with Billy Eckstines
Orchestra, then sitting in with Dizzy Gillespie and Charlie Parker, with
violinist Stuff Smiths Trio, and with the amazing John Kirby Sextet (here billed
as his orchestra). She rubs shoulders with Trummy Young, Dicky Wells, Tony
Scott, Ben Webster, Freddy Webster, Al Cohn, Serge Chaloff, Flip Phillips, Tadd
Dameron, Bud Powell, Dexter Gordon, Gene Ammons, Leo Parker, Georgie Auld, Art
Blakey, Max Roach, Sid Catlett, Max Roach, and pianist Jimmy Jones, destined to
accompany Vaughan intermittently until 1958. The jazz talent assembled on this
one disc is nothing short of formidable. Sarah Vaughan began her recording
career in the eye of the hurricane of jazz in New York during the mid-40s. This
incredible compilation documents exactly how she went about it.

Sarah Vaughan


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