Police, The - The Bottom Line 1979 (live) '1979 / 2022

Tracks list

Tracklist:

1. Can't Stand Losing You (live) (05:54)
2. Truth Hurts Everybody (live) (02:30)
3. So Lonely (live) (07:10)
4. Fallout (live) (02:44)
5. Born In The 50's (live) (05:18)
6. Hole In My Life (live) (03:50)
7. Be My Girl (live) (03:47)
8. Peanuts (live) (04:09)
9. Roxanne (live) (09:58)
10. Landlord (live) (02:27)
11. Next To You (live) (03:08)
12. Can't Stand Losing You (extended) (live) (07:41)



 moreStewart Copeland and Sting (born Gordon Sumner) formed the Police in
1977. Prior to the band's formation, Copeland, the son of a CIA agent, had
attended college in California, before he moved to England and joined the
progressive rock band Curved Air. Sting was a teacher and a ditch digger who
played in jazz-rock bands, including Last Exit, on the side. The two musicians
met at a local jazz club and decided to form a progressive pop band with
guitarist Henri Padovani. For the first few months, the group played local
London pubs. Soon, they were hired to appear as a bleached-blonde punk band in a
chewing gum commercial. While the commercial provided exposure, it drew the
scorn of genuine punkers. Late in 1977, the band released its first single,
"Fall Out," on IRS, an independent label Stewart Copeland founded with his
brother Miles, who was also the manager of the Police. The single was a sizable
hit for an independent release, selling about 70,000 copies.

Padovani was replaced by Andy Summers, a veteran of the British Invasion,
following the release of "Fall Out." Summers had previous played with Eric
Burdon's second lineup of the Animals, the Zoot Money's Big Roll Band, the Kevin
Ayers Band, and Neil Sedaka. The Police signed with A&M by the spring of 1978,
committing to a contract that gave the group a higher royalty rate in lieu of a
large advance. A&M released "Roxanne" in the spring of 1978, but it failed to
chart. The Police set out on a tour of America in the summer of 1978 without any
record to support, traveling across the country in a rented van and playing with
rented equipment. Released in the fall of 1978, Outlandos d'Amour began a slow
climb into the British Top Ten and American Top 30. Immediately after its
release, the group began a U.K. tour supporting Alberto y los Trios Paranoias
and released the "So Lonely" single. By the spring of 1979, the re-released
"Roxanne" had climbed to number 12 on the U.K. charts, taking Outlandos d'Amour
to number six. In the summer of 1979, Sting appeared in Quadrophenia, a British
film based on the Who album of the same name; later that year, he acted in Radio
On.

Preceded by the number one British single "Message in a Bottle," Reggatta de
Blanc (fall 1979) established the group as stars in England and Europe, topping
the U.K. charts for four weeks. Following its release, Miles Copeland had the
band tour several countries that rarely received concerts from foreign
performers, including Thailand, India, Mexico, Greece, and Egypt. Zenyatta
Mondatta, released in the fall of 1980, became the Police's North American
breakthrough, reaching the Top Ten in the U.S. and Canada; in England, the album
spent four weeks at number one. "Don't Stand So Close to Me," the album's first
single, became the group's second number one single in the U.K.; in America, the
single became their second Top Ten hit in the spring of 1981, following the
number ten placing of "De Do Do Do, De Da Da Da" in the winter. By the beginning
of 1981, the Police were able to sell out Madison Square Garden. Capitalizing on
their success, the band returned to the studio in the summer of 1981 to record
their fourth album with producer Hugh Padgham. The sessions, which were filmed
for a BBC documentary hosted by Jools Holland, were completed within a couple
months, and the album, Ghost in the Machine, appeared in the fall of 1981. Ghost
in the Machine became an instant hit, reaching number one in the U.K. and number
two in the U.S. as "Every Little Thing She Does Is Magic" became their biggest
hit to date.

Following their whirlwind success of 1980 and 1981, in which they were named the
Best British Group at the first Brit Awards and won three Grammys, the band took
a break in 1982. Though they played their first arena concerts and headlined the
U.S. Festival, each member pursued side projects during the course of the year.
Sting acted in Brimstone and Treacle, releasing a solo single, "Spread a Little
Happiness," from the soundtrack; the song became a British hit. Copeland scored
Francis Ford Coppola's Rumble Fish, as well as the San Francisco Ballet's King
Lear, and released an album under the name Klark Kent; he also played on several
sessions for Peter Gabriel. Summers recorded an instrumental album, I Advance
Masked, with Robert Fripp. The Police returned in the summer of 1983 with
Synchronicity, which entered the U.K. charts at number one and quickly climbed
to the same position in the U.S., where it would stay for 17 weeks.
Synchronicity became a blockbuster success on the strength of the ballad "Every
Breath You Take." Spending eight weeks at the top of the U.S. charts, "Every
Breath You Take" became one of the biggest American hits of all time; it spent
four weeks at the top of the U.K. charts. "King of Pain" and "Wrapped Around
Your Finger" became hits over the course of 1983, sending Synchronicity to
multi-platinum status in America and Britain. The Police supported the album
with a blockbuster, record-breaking world tour that set precedents for tours for
the remainder of the '80s. Once the tour was completed, the band announced they
were going on "sabbatical" in order to pursue outside interests.

The Police never returned from sabbatical. During the Synchronicity tour,
personal and creative tensions between the bandmembers had escalated greatly,
and they had no desire to work together for a while. Sting began working on a
jazz-tinged solo project immediately, releasing The Dream of the Blue Turtles in
1985. The album became an international hit, establishing him as a commercial
force outside of the band. Copeland and Summers demonstrated no inclination to
follow their bandmate's path. Copeland recorded the worldbeat exploration The
Rhythmatist in 1985, and continued to compose scores for film and television; he
later formed the prog rock band Animal Logic. With his solo career -- which
didn't officially begin until the release of 1987's XYZ -- Summers continued his
art rock and jazz fusion experiments; he also occasionally collaborated Fripp
and John Etheridge.

During 1986, the Police made a few attempts to reunite, playing an Amnesty
International concert and attempting to record a handful of new tracks for a
greatest-hits album in the summer. As the studio session unraveled, it became
apparent that Sting had no intention of giving the band his new songs to record,
so the group re-recorded a couple of old songs, but even those were thrown off
track after Copeland suffered a polo injury. Featuring a new version of "Don't
Stand So Close to Me," the compilation Every Breath You Take: The Singles was
released for the 1986 Christmas season, becoming the group's fifth straight
British number one and their fourth American Top Ten.

A few more quiet years passed, but 1992 found Summers taking the helm as musical
director for Dennis Miller's late-night show and Sting taking his vows with
Trudie Styler. At the wedding, the three Policemen hopped on-stage for a very
impromptu set, then, just as quickly, dismissed any rumors of an official Police
reunion in the future. That same year a Greatest Hits album was released in the
U.K., and in 1994 the box set Message in a Box: The Complete Recordings was
released, followed in 1995 by the double album Live. Things again went quite on
the Police front as the millennium rolled around. Then, in 2003, the Rock and
Roll Hall of Fame inducted the group into its pantheon. The band did reorganize
enough to perform three tunes at the induction ceremony, but again, it looked as
if that single show was going to be the extent of their collaboration.

There was a brief reunion of sorts with original Police guitarist Henri
Padovani, on his 2004 album A Croire Que C'Etait Pour la Vie, where Copeland and
Sting appeared on one track together -- but still no signs of a full-blown
reunion. Sting released his autobiography, Broken Music, in 2003, and by 2006
Copeland's documentary, Everyone Stares: The Police Inside Out, and Summers'
autobiography, One Train Later, had joined the ranks. Odd side projects and
collaborations with other musicians continued, but the real Police news came in
conjunction with another seemingly one-off reunion gig -- this time for the 49th
Annual Grammy Awards. Amid the hoopla, it was announced that the Police would
indeed be embarking on a world tour, beginning on May 28, 2007, in Vancouver. ~
Stephen Thomas Erlewine

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