David Bowie - Time May Change Me: From Stardust To Stardom '2015
Artist | David Bowie Related artists |
Album name | Time May Change Me: From Stardust To Stardom |
Country | |
Date | 2015 |
Genre | Pop |
Play time | 7:39:02 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 2.20 gb / 4.53 gb |
Price | Download $8.95 |
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:: TRACKLIST :: Disc 1 - Hemel Hempstead Pavilion, Hertfordshire, UK; May 7, 1972 01. Hang On To Yourself 02. Ziggy Stardust 03. The Supermen 04. Queen Bitch 05. Song For Bob Dylan 06. Changes 07. Starman 08. Five Years 09. Space Oddity 10. Andy Warhol 11. Amsterdam 12. I Feel Free 13. The Wild Eyed Boy From Freecloud 14. Moonage Daydream 15. White Light, White Heat 16. Gotta Get A Job 17. Suffragette City 18. Waiting For The Man Disc 1 (75:00) Hang On To Yourself, Ziggy Stardust, The Supermen, Queen Bitch, Song For Bob Dylan, Changes, Starman, Five Years, Space Oddity, Andy Warhol, Amsterdam, I Feel Free, The Wild Eyed Boy From Freecloud, Moonage Daydream, White Light White Heat, Gotta Get A Job, Suffragette City, Waiting For The Man The recording from Hempstead was a long hoarded show that finally saw its release in 2014, the audience source has sound is good and clear, if I was to describe its sound I would use Luis Rey’s description of Led Zeppelins January 10, 1969 concert being like a “yellowed manuscriptâ€. Bowie’s voice and the drums are clear in the mix, the guitars are just a tad lower, the taper paused his machine during the songs so much of the banter or tuning is cut. That being said this is one of the best recordings of the early Ziggy concerts, there has been one prior release, Ziggy In Hemel Hempstead 1972 (Delden DEN-25). Hang On To Yourself and Ziggy Stardust make for great openers, the two songs would stay in this spot for all the Ziggy concerts. The Superman is quite powerful, the acoustic verse sections are in direct contrast to the electric chorus, Mick Ronson’s guitar playing is superb. Song for Bob Dylan finds Bowie singing more in his own voice versus the album version where he seems to emulate Dylan’s vocal style. Changes is greeted with a nice round of applause, but the real highlight of this recording is a rare live version of Starman. Curious as to why the song did not have a longer life in the set, it is great live and the band play a great version of the song, again Mick Ronson’s guitar playing is excellent. Space Oddity is the acoustic version, for me just as effective as the full band versions thanks to David’s wonderful vocals that harken back to his early folk influences. The backing vocals are perfect, Ronson accentuates the choruses and one of the Spiders can be heard early on in the back doing the “countdownâ€. Trevor Bolder’s bass runs later in the song take the place of the guitar solo, great version of the beloved classic. Andy Warhol is greeted by polite applause, what a great song and the rarity Amsterdam round off a mini acoustic set, Bowie does an excellent vocal on the latter. To take the concert back in an electric phase, they tackle Cream’s I Feel Free, Ronson’s leads throughout the song are superlative, the group gets into a jam like they would later expand upon during Width Of A Circle, a bit of flexing the chops. Another deep cut in this recording is Wild Eyed Boy From Freecloud from his self titled second record, the last bit of eclectic folk musing before the rock and roll finale. Great version of Moonage Daydream, sounds as if Mick has not yet settled on his solo as he starts off a bit tentatively then unleashes his full fury. David introduces White Light, White Heat as being from the American composer Lou Reed. Bowie meeting him as well as Andy Warhol would have a significant impact on him and would solidify future projects with the avant guard styling of Reed. The Spiders would always do great versions of Lou’s songs, this song and Waiting For The Man are perfect examples. One of the first samples of this concert would be the improvisational piece Gotta Get A Job, it sounds like an early attempt at funk and soul music and in true James Brown fashion he includes a snippet of Hot Pants. Suffragette City brings the set to a rousing conclusion, and the band come back for “some more rock and roll†and finish the show with Lou Reed’s Waiting For The Man. Well played and energetic early Ziggy concert. Disc 2 - Cleveland Public Hall, Cleveland, Ohio; November 25, 1972 01. Hang On To Yourself 02. Ziggy Stardust 03. Changes 04. The Supermen 05. Life On Mars 06. Five Years 07. Space Oddity 08. Andy Warhol 09. Drive In Saturday - Omitted (official release) 10. The Width Of A Circle 11. John, I’m Only Dancing 12. Moonage Daydream 13. Band intro 14. Waiting For The Man 15. The Jean Genie 16. Suffragette City 17. Rock’n Roll Suicide Disc 2 (74;01) Hang On To Yourself, Ziggy Stardust, Changes, The Supermen, Life On Mars, Five Years, Space Oddity, Andy Warhol, Drive In Saturday, The Width Of A Circle, John I’m Only Dancing, Moonage Daydream, Band Intro, Waiting For The Man, The Jean Jeanie, Suffragette City, Rock ‘n’ Roll Suicide The second show of the Ziggy Rises portion is from the first of two concerts in Cleveland in November 1972. The audience recording is very good and was done close to the stage picking up the vocals and instruments nicely and gives us, the listeners, a wonderfully ambient recording with the atmosphere perfectly captured. There have been a few prior releases of this material, Va Va Va Voom (Savage Hippo SH-120), Ziggy’s Invasion Of America (Stardust 721125), and Cleveland Music Hall (Gold Standard). While the Heampstead recording finds the band in the formative stages of the Ziggy character and stage presentation, a mere five months later the set and performances are pure rock and roll theater The confidence in the group, especially Bowie, is blatantly obvious and the space alien persona is certainly “on†for this concert. Hang On and Ziggy Stardust get the audience warmed up, Changes is moved up making for a real rock and roll extravaganza to begin the show. Gone is the deep tracks found earlier in the UK tour, Life On Mars is added to the set with Mike Garson faithfully reproducing Rick Wakeman’s beautiful piano so wonderfully melodic. A semi acoustic interlude is played consisting of Space Oddity, Andy Warhol and a new song. While on tour in the USA, Bowie would begin writing much of the material that would be found on Aladdin Sane, Drive In Saturday is one of those songs that was premiered in November 1972, in fact in introducing the song Bowie asks anyone recording the concert to turn off the recorder for the song! The audience listens intently to the music and is respectfully quiet throughout the song, The Width Of A Circle is the audiences reward. The band gets a couple extra minutes to flex their muscle during the song, The Spiders were a great unit and this song is a perfect vehicle for their improv amid one hell of a riff. The Cleveland audience is treated to a song most had probably not heard prior, John, I’m Only Dancing was a single deemed too risque to be released in the US and is very much the version from earlier in the tour on the now official Santa Monica concert. Moonage Daydream is starting to become a real show stopper, Ronson’s guitar playing in superb and the aforementioned Mike Garson adds some great spacey type effects to accentuate the music. There is a tape cut after David introduces the band and the first minute or so on Waiting For The Man is missing, the ending is real rock and roll, curiously David had just recently produced Lou Reeds famous Transformer record. Bowie tells the audience that Jean Jeanie is something that’s been out for a couple weeks, a somewhat lackluster to a song that would be a major hit for him. Suffragette City finishes the set in a rollicking mood, the sole encore is introduced by David as being “one of Ziggy’s songs†Rock ‘N’ Roll Suicide is excellent, Ronson’s driving guitar, together with David’s cries of “Your not alone†propels the concert (and the first Ziggy phase) to a dramatic ending. Disc 3 - Long Beach Arena, CA; March 10, 1973 01. Ode To Joy 02. Hang On To Yourself 03. Ziggy Stardust 04. Changes 05. Moonage Daydream 06. Watch That Man 07. Panic In Detroit 08. Aladdin Sane 09. My Death 10. The Width Of A Circle 11. Time 12. Five Years 13. Suffragette City Disc 3 (59:45) Ode To Joy, Hang On To Yourself, Ziggy Stardust, Changes, Moonage Daydream, Watch That Man, Panic In Detroit, Aladdin Sane, My Death, The Width Of A Circle, Time, Five Years, Suffragette City Bowie’s show on March 10, 1973 at the Long Beach Arena came towards the end of the second tour in support of Ziggy Stardust, a full recording has never surfaced and what we have here is what is known to circulate thanks to two old vinyl bootlegs, The All American Bowie (TMOQ 71074) and My Radio Sweetheart (Dragonfly Records), typical with old vinyl boots, someone hacked the hell out of the source tape so this is a composite of both LP’s with someone taking a hell of a lot of time to clean it up and move the songs to their original running order. Needless to say most of the between song chatter is also missing, the positives are the edits and seams are well handled. The recording is a good audience source, while it is the same source the Ode To Joy intro, Hang On To Yourself, Moonage Daydream and Watch That Man all sound brighter and are close to being very good. The mix favors the vocals and guitars while the drums can be heard they are just a tad lower, the recording does a perfect job of picking up the ambience and energy of the show. The missing songs are John, I’m Only Dancing, Space Oddity, The Jean Jeanie, Let’s Spend The Night Together, Starman, and Rock ‘N’ Roll Suicide. What makes this recording so valuable to a collection like this is the inclusion of material from the as of yet unreleased Aladdin Sane material. Panic In Detroit is excellent, the band sounds much fuller thanks to the ‘spiders being augmented by a backing singer, another guitarist, and a sax section. These other musicians also made it so David would be free of his guitar and further incorporate the Ziggy character to the stage. Sadly the first part of Aladdin Sane is missing, the recording picks up with Mike Garson leading the band on piano led improvisation set to the beat of the song, the melody is so close that David easily starts singing “On Broadway†lyrics, at the time probably inspired by The Drifters. Other stand out songs are an almost metallic Moonage Daydream and a wonderful Time and Five Years. From what I’ve read the guy who taped this show was close to the stage and sold the tape for $100.00, I am guessing he did not make a copy, what a shame as this is as great show. Disc 4 - Shinjuku Koseinenkin Kaikan Hall, Tokyo, Japan; April 10, 1973 01. Ode To Joy 02. Hang On To Yourself 03. Ziggy Stardust 04. Changes 05. Moonage Daydream 06. John, I’m Only Dancing 07. Watch That Man 08. The Width Of A Circle 09. Space Oddity 10. The Jean Genie 11. Five Years 12. Let’s Spend The Night Together 13. Suffragette City 14. My Death Disc 4 (68:45) Ode To Joy, Hang On To Yourself, Ziggy Stardust, Changes, Moonage Daydream, John I’m Only Dancing, Watch That Man, The Width Of A Circle, Space Oddity, The Jean Jeanie, Five Years, Let’s Spend The Night Together, Suffragette City, Rock ‘N†Roll Suicide David Bowie took Ziggy to Japan for a 9 date tour in mid April of 1973, this recording comes from the second of five concerts he would play in Tokyo. There are a couple other releases of this concert, The Ziggy Stardust Tour (Masterport Records MR 206) and recently as part of the Truth Value Of Moment (Helden DEN 40/41/42), an interesting looking release as it features recordings of the first three Tokyo dates. The source for this concert is a wonderful audience source, the audience is very respectful, almost too much and are barely heard except between songs when they politely applaud. It is just slightly distant but very clear and detailed with no real hiss to be heard, there is a nice frequency range. A great recording does not always mean great performance, this one comes in as a solid performance it lacks some of the energy of the others in this set. There is a mistake on the covers and in the booklet, Rock ‘N’ Roll Suicide is listed as My Death. The set list is standard, no real surprises, the Ode To Joy intro is complete, the band plow through the first five songs before David speaks, giving a short introduction “A song from an album called Aladdin Sane, this song is called Watch That Manâ€. The song picks up the concerts energy a bit, the band jam in the middle of Width Of A Circle shows Ronson flexing his muscles a bit with Trevor pushing him with his bass playing and for me the song is the highlight of this concert. Space Oddity is the full version that is very nice, while I enjoy the acoustic versions, to hear a nice, lush sounding version is special. Mick’s guitar just prior to the chorus is superb as he adds some outer space ala Hendrix leads. Rock ‘N’ Roll Suicide comes from a different source, it is far more distant yet very clear, the difference in the atmosphere sounds different, while the rest of the recording sounds sterile this has lots of cheering and whistling and is more lively, makes me wonder if it’s from this show or another uncredited concert. Disc 5 - Boston Music Hall, Boston, MA; July 16, 1974 01. 1984 02. Rebel Rebel 03. Moonage Daydream 04. Sweet Thing 05. Changes 06. Suffragette City 07. Aladdin Sane 08. All The Young Dudes 09. Cracked Actor 10. Rock’n Roll Suicide Disc 6 01. Watch That Man 02. Knock On Wood 03. Space Oddity 04. Future Legend 05. Diamond Dogs 06. Panic In Detroit 07. Big Brother 08. Chant Of The Ever Circling Skeletal Family 09. Time 10. The Width Of A Circle 11. The Jean Genie 12. Rock’n Roll Suicide Disc 5 (45:24) 1984, Rebel Rebel, Moonage Daydream, Sweet Thing, Changes, Suffragette City, Aladdin Sane, All The Young Dudes, Cracked Actor, Rock ‘N’ Roll With Me Disc 6 (58:19) Watch That Man, Knock On Wood, Space Oddity, Future Legend, Diamond Dogs, Panic In Detroit, Big Brother, Chant Of The Ever Circling Skeletal Family, Time, Width Of A Circle, The Jean Jeanie, Rock ‘N’ Roll Suicide A year after ditching the Spiders, Bowie emerged with a new album, Diamond Dogs, and a spectacular stage presentation featuring futuristic themes inspired by the album cover. This presentation would push the boundaries of theatrical visual presentation set to rock music. The staging was so elaborated and difficult to maintain that there were constant issues with the props and since the group was behind the curtains for much of the performances, it was David who had to be “on†every night. The concert featured here comes right after Bowie’s multi night engagement at The Tower Theater in Philadelphia that was the source for the David Live LP. The recording comes from the archives of the famous East coast taper, Joe Maloney. There is an alternate and lesser recording that was the source for an old vinyl title, Subway (FLAT 8211) that was a 10 song bootleg LP. The Music Hall had excellent acoustics and Joe’s tape captures the atmosphere and excitement of the performance perfectly. The recording is a bit distant and picks up a great balance of music to audience. The instruments are clear and well defined, and while it’s a tad distant it sounds better at loud volumes. The set list is strong and Bowie’s new 10 person band creates a full musical backdrop to recreate the new music as well as offer new interpretations of his back catalog. 1984 serves as opener and is based on the famous Orwell novel yet it is the pop of Rebel Rebel that gets the audience up on their feet. Moonage Daydream telling the audience defiantly “I Was The Space Invader†in homage to his former alter ego Ziggy Stardust. Sweet Thing features the band at their best, the interaction between the guitars and the sax section is powerful. Changes has the vaudeville intro, but the highlight of this tour was the Aladdin Sane material, while the band routinely did much of the album. The title song features the Lights On Broadway reference, Cracked Actor even borders on swing, save for Earl Slick playing some blistering leads. The soul inspired Rock ‘N’ Roll With Me would resonate deep within Bowie, so much the style would change the direction of the later part of the tour. Bowie does an admiral job on Eddie Floyd’s Knock On Wood, so enamored with the song Bowie would actually release it as a single from the David Live record. Space Oddity is excellent, the warp speed sounds as the ship lifts off are excellent and the version of the song makes for a really nice one. There are a couple of deep tracks on this recording, Future Legend and Chant of The Ever Circling Skeletal Family are nice to have, since neither were found on the David Live disc. Width Of A Circle is almost completely unrecognizable in its new arrangement, but is strangely compelling, the percussive Jean Jeanie is quite nice also and after the obligatory Rock ‘N’ Roll Suicide, the audience cheer loudly and the announcer comes out a couple times to tell them that “David Bowie Has Left The Theater†to a round of boos, shades of Elvis! This is a great companion piece to those of us who love the David Live LP as it gives you a feeling of what it was like to “be thereâ€. Disc 7 - Boston Music Hall, Boston, MA; November 15, 1974 01. Memory Of A Free Festival (Mike Garson Band) 02. Rebel Rebel 03. John, I’m Only Dancing (Again) 04. Sorrow 05. Changes 06. Young Americans 07. 1984 08. Footstompin’ 09. Rock n Roll With Me 10. The Jean Genie (Love Me Do) 11. Moonage Daydream 12. Band intro 13. Can You Hear Me 14. Somebody Up There Likes Me 15. Suffragette City 16. Rock’n Roll Suicide 17. Diamond Dogs Disc 7 (77:46) Memory Of A Free Festival (Mike Garson band), Rebel Rebel, John I’m Only Dancing, Sorrow, Changes, Young Americans, 1984, Footstompin’, Rock ‘N’ Roll With Me, The Jean Jeanie (Love Me Do), Moonage Daydream, Band Intro, Can You Hear Me, Somebody Up There Likes Me, Suffragette City, Rock ‘N’ Roll Suicide, Diamond Dogs After the second leg of the Diamond Dogs tour, Bowie scraps much of the elaborate staging of the previous dates and adds a full regiment of black backing singers (including the legendary Luther Vandross) and moves the tour into its “Plastic Soul†stage, of course Bowie was also working on the Young Americans record and was fully immersed into the Philly sound. In the Five Years documentary they look at this phase of his career and while the soul sound is not my favorite period of his music it does give you an interesting glimpse to Bowie’s diverse creations. For this final disc in the set, we finish with another Joe Maloney audience recording from the Boston Music Hall a scant four months after the previous set. The recording is similar to the July show, very good, and a bit distant that captures the atmosphere well. There are times where the upper frequencies distort and the recording gets slightly muddy at times when the band is jamming and the voices are wailing. If anything the audience’s energy level is up a notch and one could imagine dancing in the isles as they seem very into the concert. Memory Of A Free Festival is like the calling to the congregation to come on down, the ceremony is about to begin. The set list is slightly shorter, it is well documented that David was quite “medicated†on this tour. John, I’m Only Dancing gets a workout that gets the audience on their feet clapping along, yet the highlight of this tape is the pre release versions of songs from 1975’s Young Americans record. Footstompin’ was originally written by The Flairs, Carlos Alomar transformed it into Fame, as soon as they break into it the audience reacts by clapping perfectly in time. David gets a harmonica out as the band get into a soul rendition of The Beatles’ Love Me Do as an intro to The Jean Jeannie much to the delight of the audience. The versions of Can You Hear Me and Somebody Up There Likes Me sound similar to the record versions and one could surmise that the material had been recently recorded. The audiences rapturous applause brings the house down when the band encore with Diamond Dogs, a well paid and most interesting second†in Bowie’s career. Final Word? Yes, a couple. With Bowie’s passing the collectors market has been flooded with a myriad of releases. This is a wonderful comprehensive view of the early genius of David Bowie, from his rise as a mod looking singer from London to Rock and Roll chameleon ala the avant garde. Excellent subject matter, great sound quality and excellent presentation make this new box set from Magic Bus recommended. Limited edition 500 copies
David Bowie
Album
- 2023 Laughing with Liza
- 2023 BBC - Sound of The 70's 1971 - 1972 (Live)
- 2023 Dutch Courage
- 2023 Let’s Dance [2]
- 2023 Small Club Broadcast
- 2023 Tokyo 1990
- 2023 Ziggy's Last Stand
- 2022 Toy
- 2022 Ten songs for you
- 2022 Moonage Daydream: A Brett Morgen Film
- 2022 Brilliant Adventure EP
- 2022 David Bowie - Live In Tokio 1990
- 2022 David Bowie꞉ Live in Chile 1990
- 2022 Dead Man Walking Mix E.P. (2022 Remaster)
- 2022 I’m Afraid Of Americans E.P. (Remaster)
- 2022 Karma Man 1965-1969
- 2022 Little Wonder Mix E.P. [2]
- 2022 Little Wonder: David Bowie (Live)
- 2022 Live Budokan 1992 (live)
- 2022 Live In Berlin 1978
- 2022 London Bye Ta Ta
- 2022 Telling Lies E.P.
- 2022 Toy E.P. "You've Got It Made With All The Toys"
- 2021 Like Some Cat From Japan
- 2021 Tryin To Get To Heaven / Mother
- 2020 Is It Any Wonder?
- 2020 Bridge School Festival Live 1996 Part 1 (Live)
- 2020 Bridge School Festival Live 1996 Part 2 (Live)
- 2020 ChangesNowBowie
- 2020 Liveandwell.com (2020 Remaster)
- 2019 Spying Through A Keyhole
- 2019 The 'mercury' Demos (With John 'hutch' Hutchinson)
- 2019 Conversation Piece [2]
- 2019 Clareville Grove Demos
- 2019 Unplugged & Slightly Phased
- 2019 Live At Beeb Again
- 2019 Never Let Me Down (Remaster) [Japanese Version]
- 2019 Outside In Budapest
- 2019 The Mercury Demos (with John Hutch Hutchinson)
- 2018 Re: Call 4
- 2018 Dance
- 2018 Lets Dance
- 2018 Bowie Now
- 2018 Transmission Impossible - Legendary Radio Broadcasts From The 1970s - 1990s
- 2017 Re: Call 3
- 2017 1971
- 2017 BOWPROMO
- 2017 Definitive Earls Court 1978
- 2017 Live In Berlin
- 2017 No Plan EP
- 2016 Blackstar [5]
- 2016 Legacy (2CD)
- 2016 Re:Call 2
- 2016 A Reality In Osaka: The Last Concert In Japan
- 2016 Hello Birmingham
- 2016 The Many Faces Of David Bowie
- 2015 Re: Call 1
- 2015 Day In Day Out: Radio Broadcast Australia 1987
- 2015 Time May Change Me: From Stardust To Stardom
- 2014 Nothing Has Changed: The Very Best Of Bowie (3CD)
- 2014 Nothing Has Changed (The Best of David Bowie) (Deluxe Edition)
- 2013 The Next Day Extra [2]
- 2013 The Next Day [5]
- 2010 / 2023 A Reality Tour (Bonus Track Version) [Live]
- 2009 A Reality Tour (2CD)
- 2008 Iselect
- 2007 The Man Who Sold The World
- 2007 Glass Spider (2CD)
- 2007 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 2007 Space Oddity
- 2007 Hunky Dory
- 2004 Black Tie White Noise (2CD)
- 2003 Reality [8]
- 2003 Ziggy Stardust And The Spiders From Mars [2]
- 2003 Black Tie White Noise [2]
- 2003 Club Bowie
- 2002 Heathen [5]
- 2000 Bowie At The Beeb / Sampler
- 1999/2015 Hours... (Expanded Edition)
- 1999 Hours... [8]
- 1999 Hunky Dory
- 1999 Hours... (CD3) (Original Album Classics 2012)
- 1999 Freddi & The Dreamer - The Arnold Corns Sessions {Switch On! DEVIL KWSK 99-04}
- 1999 Emerged From Shadows (The Essential David Bowie, vol.1)
- 1999 Kiss The Viper's Fang (The Essential David Bowie, vol.2)
- 1999 Nobody's Children (The Essential David Bowie, vol.3)
- 1998 Very Best
- 1997/2018 The Deram Anthology 1966-1968
- 1997 Earthling [6]
- 1997 Eart Hl I Ng
- 1997 Songbook [2]
- 1997 Earthling In The City
- 1997 50 Dead Dogs
- 1997 Seven Months in America Live
- 1996 1.Outside (Version 2)
- 1995/2015 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) [Expanded Edition]
- 1995 1. Outside [4]
- 1995 1. Outside Version 2 [2]
- 1995 The Outside Sampler
- 1995 Excerpts From Outside [2]
- 1995 London Boy
- 1993; 2021 Black Tie White Noise (2021 Remaster)
- 1993 Black Tie White Noise [5]
- 1993 The Gospel According To David Bowie
- 1993 Buddha of Suburbia
- 1991 Naked & Wired (1969-1980)
- 1991 Early On 1964-1966 & 1991
- 1991 Early On (1964-1966)
- 1990 Changesbowie
- 1990 Thin White Duke Live (Recorded In The Usa Between 1972 And 1990)
- 1990 Milton Keynes Live
- 1989 Tin Machine [4]
- 1989 Shadow Man (outtakes)
- 1989 I Dig Everything: The 1966 Pye Singles
- 1989 Sound+Vision
- 1988 1966
- 1987 Never Let Me Down [5]
- 1987 Glass Spider (2CD) (2018 Remaster)
- 1984 Tonight [6]
- 1984 Fame And Fashion (David Bowies All Time Greatest Hits)
- 1983/2003 Ziggy Stardust and The Spiders From Mars: The Motion Picture Soundtrack
- 1983 Let's Dance [8]
- 1983 Ziggy Stardust Soundtrack (2CD)
- 1983 Golden Years
- 1983 Modern Love
- 1983 Ziggy Stardust: The Motion Picture
- 1983 Ziggy Stardust and the Spiders from Mars: The Motion Picture Soundtrack (Live, 50th Anniversary Edition, 2023 Remaster)
- 1982 Rare
- 1981 ChangesTwoBowie (2018, Re-Issue)
- 1981 Changestwobowie
- 1981 Another Face
- 1980 / 1984 Scary Monsters (And Super Creeps
- 1980 Scary Monsters [9]
- 1979 Lodger [7]
- 1978 Stage [3]
- 1977 / 1984 Heroes
- 1977 ''Heroes'' [8]
- 1977 Low [8]
- 1976 Station To Station [10]
- 1975 Young Americans [7]
- 1974 Diamond Dogs [9]
- 1974 The Gouster [2]
- 1973 Pinups [6]
- 1973 Aladdin Sane [11]
- 1973 Pin Ups [2]
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars [13]
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (1984 Remaster)
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
- 1972 The Man Who Sold The World
- 1971 Hunky Dory [7]
- 1970 The Man Who Sold The World [9]
- 1970 Metrobolist [2]
- 1969 Space Oddity [12]
- 1967-2004 Studio Discogrphy
- 1967 David Bowie [6]
- 1966-68/2020 David Bowie the Early Years
Bootleg
Compilation
- 2023 Hi-Res Masters David Bowie Live
- 2019 Conversation Piece
- 2018 Transmission Impossible (3CD)
- 2018 Loving The Alien [2]
- 2018 Loving The Alien 1983-1988
- 2017 A New Career In A New Town (1977-1982), Part 3
- 2017 A New Career In A New Town (1977-1982), Part 1
- 2017 A New Career In A New Town (1977-1982), Part 2
- 2017 A New Career In A New Town [1977-1982]
- 2016 Legacy
- 2016 Who Can I Be Now? [6]
- 2015 [3]
- 2014 Nothing Has Changed (The Very Best Of Bowie)
- 2012 Original Album Classics
- 2010 Greatest Hits
- 2010 2CD Originals
- 2008 iSelect
- 2007 David Bowie Box
- 2005 The Best Of David Bowie 1980/1987
- 2005 The Platinum Collection
- 2004 Experts From Outside (2CD)
- 2002 All Time Hits 1980-2002
- 2002 Best Of Bowie [3]
- 2001 All Saints. Collected Instrumentals 1977-1999
- 2000 Bowie At The Beeb [2]
- 2000 Single Hits 5 [2]
- 2000 Nantes (2CD)
- 1998 The Best Of David Bowie 1974/1979
- 1997 The Best Of David Bowie 1969/1974
- 1997 Best Of David Bowie 1969/1974
- 1997 Earthling In The City
- 1997 The Deram Anthology 1966 - 1968
- 1995 London Boy
- 1995 The Outside Sampler
- 1993 The Singles Collection [3]
- 1992 Thin White Duke Live
- 1991 Early On 1964-1966
- 1990 ChangesBowie
- 1989 Sound + Vision
- 1989 The Shadow Man 1971
- 1987 1966
- 1984 Fame And Fashion (david Bowie's All Time Greatest Hits)
- 1981 ChangesTwoBowie
- 1976 ChangesOneBowie [2]
- 1967 David Bowie [2]
EP
- 2023 LetYs Dance (40th Anniversary Remix E.P.)
- 2021 The Width Of A Circle [2]
- 1977 Heroes EP
Live album
- 2023 Rome 1996
- 2020 Ouvrez Le Chien (Live Dallas 95)
- 2020 Something In The Air (Live Paris 99)
- 2019 Serious Moonlight Live 83
- 2018 Glastonbury 2000
- 2018 Transmission Impossible (Legendary Radio Broadcasts From The 1970s - 1990s)
- 2018 Breaking Glass
- 2017 Cracked Actor (Live Los Angeles '74)
- 2007 Glass Spider
- 2004 A Reality Tour [2]
- 2000 Live At The Bbc Radio Theatre
- 2000 BBC Radio Theatre, London, June 27, 2000
- 1999 At The Kit Kat Klub (Live New York 99)
- 1997 Looking at the Moon! (Live Phoenix Festival 97)
- 1994 Santa Monica '72
- 1990 Milton Keynes Live (2CD)
- 1990 Tokyo FM 1990
- 1985 Live Aid (Live at Wembley Stadium, 13th July 1985)
- 1983 Montreal
- 1978 Live In Berlin [1978] E.P. (2017 Remaster)
- 1978 Stage [2]
- 1978 Welcome To The Blackout (Live London '78)
- 1978 Welcome to the Blackout (Live in London '78)
- 1977 Stage
- 1976 Live Nassau Coliseum 76
- 1974 David Live [2]
- 1974 Im Only Dancing [2]
- 1972 Thin White Duke Live
- 1972 Live Santa Monica '72
Remix
- 2023 China Girl (Riff & Vox Mixes)
- 2021 Changes
- 2019 Space Oddity [2]
- 1974 David Live
- 1972 Ziggy Stardust
- 1970 Metrobolist (aka The Man Who Sold The World)
- 1969 Space Oddity [2]
Single
- 2004 Never Get Old
- 2002 Slow Burn
- 2000 Survive
- 1999 Seven [2]
- 1999 Thursday's Child
- 1997 Little Wonder
- 1997 I'm Afraid Of Americans
- 1996 Hallo Spaceboy
- 1993 Jump They Say (maxi CD Single)
- 1993 Black Tie White Noise
- 1993 Miracle Goodnight
- 1993 The Buddha Of Suburbia
- 1992 Real Cool World
- 1988 Tv Rebell [CDS]
Soundtrack
- 2016 Lazarus
- 1993 The Buddha Of Suburbia [3]
- 1983 Ziggy Stardust And The Spiders From Mars [2]
- 1981 Christiane F. - Wir Kinder Vom Bahnhof Zoo