Oscar Pettiford - Oscar Pettiford Modern Quintet (Remastered 2013) '2024

Tracks list

Oscar Pettiford was one of the top bassist of the 1945-1960 period, and the
successor to the late Jimmy Blanton. In addition, he was the first major jazz
soloist on the cello. After starting piano, Pettiford switched to bass when he
was 14 and played in a family band. He played with Charlie Barnet’s band
in 1942 as one of two bassists and then hit the big time in 1943, participating
on Coleman Hawkins’ famous “The Man I Love” session; he also
recorded with Earl Hines and Ben Webster during this period. Pettiford co-led an
early bop group with Dizzy Gillespie in 1944, and in 1945 went with Coleman
Hawkins to the west coast, appearing on one song in the film The Crimson Canary
with Hawkins and Howard McGhee.

Pettiford was part of Duke Ellington’s orchestra during much of
1945-1948, and worked with Woody Herman in 1949. Throughout the 1950s, he mostly
worked as a leader.

„If I had to sum up Oscar, I would say that he should be ranked with the
select group of great jazz artists, beyond merely one of the great
bassists”, so says Ira Gitler in the book The Masters Of Bebop: A
Listener’s Guide. This new release on the Bethlehem label of the original
1954 recording Oscar Pettiford Modern Quintet demonstrated the boundless talent
that the group possessed all of which was guided by Pettiford whether on bass or
cello.

While the music is outstanding, each composition comes in at under three minutes
per track for a very slim session of just slightly over fifteen minutes. For
those cost-conscious consumers, the most efficient way of acquiring this music
would be by digital download which can be purchased, by shopping around the
internet, for around $6 for the entire album. The Gerry Mulligan composition
“Sextette” opens with Watkins’ French horn and Rouse’s
tenor in unison for several bars over Pettiford’s bass, then
Rouse’s tenor takes brief but delightful solo. On the Quincy Jones piece
“Golden Touch”, Pettiford uses the cello throughout and in effect
carries the composition with Jordan’s piano in a supporting role.

There are three original compositions by Oscar Pettiford starting with
“Cable Car” which features Watkins on French horn and a sprightly
Duke Jordan on piano. “Trictatism” is bass feature for Pettiford
with a fine solo interlude by Rouse on tenor. Finally “Rides Again”
has a pleasing ensemble sound with Pettiford on both bass and cello with the
latter being over-dubbed, with a couple of flashy solos from both Rouse and
Jordan.

Despite its very skimpy length, this is a delightful offering with tight
ensemble playing along with some skillful solos and confirms the old adage that
good things come in small packages.“ (Pierre Giroux, Audiophile Audition)

Oscar Pettiford, cello, bass
Julius Watkins, french horn
Charlie Rouse, tenor saxophone
Duke Jordan, piano
Ron Jefferson, drums

Digitally remastered

Tracklist:
1 Sextette
2 Golden Touch
3 Cable Car
4 Trictatism
5 Edge of Love
6 Rides Again

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