Dwight Yoakam - Guitars, Cadillacs, Etc., Etc. '2006
24bit
Artist | Dwight Yoakam Related artists |
Album name | Guitars, Cadillacs, Etc., Etc. |
Country | |
Date | 2006 |
Genre | Country |
Play time | 31:15 |
Format / Bitrate | 24 BIT Stereo 5375 Kbps / 192 kHz |
Media | WEB |
Size | 696 MB; 1.2 GB |
Price | Download $9.95 |
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Pre-order albumTracks list
Dwight Yoakams Guitars, Cadillacs, Etc., Etc. began as an EP issued on the California Oak label. When Reprise signed him, they added four more tracks to the mix to round it out as an album. Yoakam, a Kentuckian, brought country music back into its own medium by reviving the classic Bakersfield sound with the help of his producer and lead guitarist, former Detroiter Pete Anderson. As a result, the new traditionalist movement was born, but Yoakam was always a cut or three above the rest, as this album displays in spades. Guitars, Cadillacs, Etc., Etc. kicks off with a smoking cover of Johnny Hortons Honky Tonk Man, a song now so closely associated with Yoakam, the original has all but been forgotten. But this is only the beginning. Yoakams own songs such as Bury Me, a duet with Maria McKee, and South of Cincinnati reference both the pastoral and dark sides of his native state. South of Cincinnati is a paean to those who left Kentucky for Ohio in search of jobs, and Bury Me celebrates the land itself. In addition, the title track, with Andersons Don Rich-influenced guitar style, walks the Buck Owens line until the line extends to Yoakam. With fiddles and backing vocals, Yoakams street poetry is both poignant and profound, built into a barroom anthem. In addition to this there is the gorgeous Miners Prayer, an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakams singing of his grandfather and generations like him who lived and died in the mines of Kentucky. Here Bill Monroe meets Ralph Stanley meets Bob Dylan. In the grain of Yoakams voice there isnt one hint of irony, only empathy and raw emotion. Yoakam also does a more than acceptable version of June Carters Ring of Fire, the Cherokee of country music — meaning that if you can play it and pull it off, youre taken seriously by the veterans. The album closes with the Harlan Howard classic Heartaches by the Number. Because of Ed Blacks steel playing, Brantley Kearns fiddle, and Andersons guitar, the accompaniment is stronger and far edgier than the Ray Price version, but from Yoakams throat comes an entirely different story than Prices. In Prices case the song was a plea; in Yoakams its a statement of fact. An astonishing debut, Guitars, Cadillacs, Etc., Etc. changed the face of country music single-handedly and remains one hell of a party record. Dwight Yoakams debut was a fantastically twangy blend of tears, beers, and blue-collar grit... (Q) This is a darn good release for Yoakam fans who really want to get a sense of his output and energy back when he made a name for himself... (Dirty Linen) Dwight Yoakam, vocals, acoustic guitar, background vocals Maria McKee, vocals Pete Anderson, electric guitar, 6-string bass Jay Dee Maness, steel guitar, pedal steel guitar Ed Black, pedal steel David Mansfield, mandolin, dobro Brantley Kearns, fiddle, background vocals Glen D. Hardin, piano Gene Taylor, piano J.D. Foster, bass, background vocals Jeff Donavan, drums Tracklist: 01. Dwight Yoakam - Honky Tonk Man (2:48) 02. Dwight Yoakam - It Wont Hurt (3:05) 03. Dwight Yoakam - Ill Be Gone (2:46) 04. Dwight Yoakam - South of Cinncinnati (4:51) 05. Dwight Yoakam - Bury Me (feat. Maria McKee) (3:18) 06. Dwight Yoakam - Guitars, Cadillacs (3:03) 07. Dwight Yoakam - Twenty Years (2:42) 08. Dwight Yoakam - Ring of Fire (3:11) 09. Dwight Yoakam - Miners Prayer (2:20) 10. Dwight Yoakam - Heartaches by the Number (3:12)
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