Artie Shaw And His Orchestra - The Chronological Classics: 1951-1954 '2006

Tracks list

Tracklist

01. My Kinda Love (2:53)
02. Dancing On The Ceiling (2:58)
03. I Waited A Little Too Long (2:55)
04. I May Hate Myself In The Morning (2:38)
05. Travelin' (2:52)
06. Where There's Smoke, There's Fire (3:11)
07. My Little Nest Of Heavenly Blue (3:08)
08. These Foolish Things (3:13)
09. In The Still Of The Night (3:01)
10. That Old Black Magic (2:55)
11. I'll Be Seeing You (2:44)
12. It Could Happen To You (2:49)
13. They Can't Take That Away From Me (3:02)
14. All The Things You Are (3:08)
15. September Song (2:54)
16. Besame Mucho (3:00)
17. That Old Feeling (2:57)
18. Tenderly (3:03)
19. Stop And Go Mambo (2:57)
20. Sequence In B Flat (8:43)
21. I've Got A Crush On You (3:55)

Volume 16 in the Classics Artie Shaw chronology covers a time line from January
30 1951 to March of 1954, combining ten of his excellent latter-day Gramercy
Five recordings with 11 performances by what is now recognized as his last big
band. The ensembles used on the sessions that took place in July of 1953 were
positively gargantuan, with the group that was squeezed into the studio on July
2 weighing in as Brobdingnagian: 20 pieces + 17 string players = 37 musicians, a
jazz orchestra monstrous enough to have handled one of Stan Kenton's Innovations
charts, although the arrangements used here were so sugary as to suggest instead
a Jackie Gleason midnight cocktail lounge set. Although those who suffer from an
allergy to string ensembles might balk at the prospect, Shaw's inspired clarinet
technique transforms even the sweetest of these marzipans into an intoxicating
daydream of Cinemascopic proportions. The Gramercy Five sides are exceptionally
satisfying, with attractive vocals by June Hutton, a mature Connee Boswell and
sensuous Trudy Richards, who seems to have modeled her singing style after Dinah
Washington. Of the three quintets heard in this part of the chronology, the one
Shaw led during September 1953 and again in early 1954 was a particularly fine
unit composed of pianist Hank Jones, vibraphonist Joe Roland, guitarist Tal
Farlow, bassist Tommy Potter and drummer Irv Kluger, who got to show off during
the "Stop and Go Mambo." The nearly nine minute "Sequence in B Flat" is a
full-fledged exercise in modern bop. Altogether a fascinating segment of Artie
Shaw's late period, this compilation features the last of his Decca recordings,
a transitional date for the tiny Bell record label, and the first of Shaw's
wonderful collaborations with producer Norman Granz. 
 EAC LogExact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. October 2014, 18:14

Artie Shaw / Classics 1951-54

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All tracks accurately ripped

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