Mildred Bailey - The Chronological Classics: 1929-1932 '1999

Tracks list

Tracklist

01. What Kind o' Man Is You? (3:25)
02. I Like to Do Things for You (3:27)
03. Blues in My Heart (3:09)
04. You Call It Madness (3:08)
05. When It's Sleepy Time Down South (3:01)
06. Wrap Your Troubles in Dreams (3:07)
07. When It's Sleepy Time Down South (3:22)
08. Can't You See (3:20)
09. My Goodbye to You (3:09)
10. Too Late (3:30)
11. Georgia on My Mind (3:27)
12. Concentratin' (2:51)
13. Home (3:10)
14. Lies (3:00)
15. Medley Geo White Scandals (That's Why Darkies Were Born) (3:23)
16. 'Leven Pounds of Heaven (3:32)
17. I'm Sorry Dear (2:38)
18. All of Me (3:17)
19. Dear Old Mother Dixie (3:16)
20. Hot-Cha Medley (4:05)
21. Stop the Sun, Stop the Moon (2:39)
22. Strangers (2:43)
23. I'll Never Be the Same (3:20)
24. We Just Couldn't Say Goodbye (3:19)

This is the first volume in the Classics label's chronological profile of
vocalist Mildred Bailey. It documents the beginning of her recording career with
24 titles she waxed for the Parlophone, Okeh, Brunswick and Victor labels
between October 5, 1929 and August 11, 1932. She was born Mildred Rinker on a
wheat farm inside of an Indian reservation near the Idaho panhandle in Tekoa WA
on February 27, 1907. Mildred and her family were members of the First Nation
Coeur d'Alene or Schitsu'umsh tribe. Mildred's mother Josie Rinker was an
accomplished pianist who specialized in ragtime. In 1913, the family moved to
Spokane, where Mildred and her brothers befriended a boy named Harry Lillis
"Bing" Crosby. By the age of 17, Mildred was living with relatives in Seattle
and working as a singer demonstrating songs in a sheet music store. She entered
showbiz using the surname of her first husband, Ted Bailey. After developing her
skills by singing in speakeasies and over the radio in the Northwest, Mildred
Bailey married a bootlegger named Benny Stafford and moved to Los Angeles where
she began attracting a lot of attention by singing in nightclubs on the Sunset
Strip. (Legend has it she also operated her own highly acclaimed illicit
microbrewery.) In 1925, Bing Crosby and Al Rinker dropped out of college, hopped
in a Model T and drove from Spokane to Hollywood where Mildred Bailey showed
them around and hooked them up with her best showbiz contacts. By October 1926
Crosby and Rinker were working for society bandleader Paul Whiteman. Teamed with
Harry Barris in a trio nationally recognized as The Rhythm Boys, they eventually
expressed their gratitude by introducing Mildred Bailey to Whiteman in 1929.
Whiteman hired her at once; her voice was soon heard on national radio
broadcasts and by 1930 she was his highest-paid performer. (The ethical nadir of
her discography occurred on November 30, 1931 when Whiteman had her sing "That's
Why Darkies Were Born.") Apart from four attractive sides cut with the Casa Loma
Orchestra in September 1931, most of the recordings making up this segment of
Mildred Bailey's chronology involve either the Paul Whiteman Orchestra or
smaller ensembles largely composed of musicians who were affiliated with the
self-styled "King of Jazz." Mildred's first two session bands were led by
guitarist Eddie Lang and saxophonist Frankie Trumbauer, with cornet passages by
Andy Secrest that were carefully patterned after the style of Bix Beiderbecke,
who had made his last recording with the Whiteman orchestra only weeks earlier
on September 13, 1929. Beiderbecke's combined absence and presence are eerily
evident. It's obvious why Mildred Bailey caught on so quickly as a vocalist; all
of her best traits -- sweetness, charm, passion and poise -- were evident from
the very beginning. Tougher than Annette Hanshaw and gutsier than Ruth Etting,
sometimes Mildred let loose like a sassy American girl; on "I Like to Do Things
for You" she even sounds like Helen Kane. At her best, Mildred Bailey was a
gifted interpreter of ballads and topical amusements; her superb abilities as a
jazz and pop vocalist are well represented by this first volume of her complete
recorded works.
 EAC LogExact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 7. March 2015, 12:08

Mildred Bailey / Chronological 1929-1932

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Null samples used in CRC calculations : No
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Gap handling : Appended to previous track

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TOC of the extracted CD

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 24 | 73:59.26 | 3:18.68 | 332951 | 347868 


Track 1

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