Denny Zeitlin - Early Wayne: Explorations of Classic Wayne Shorter Compositions '2016

Tracks list

Tracklist

01. Speak No Evil (7:17)
02. Nefertiti (8:01)
03. Ju Ju (7:42)
04. Teru (7:32)
05. Toy Tune (6:07)
06. Infant Eyes (8:41)
07. Paraphernalia (7:54)
08. Ana Maria (6:36)
09. E.S.P. (5:59)
10. Miyako (4:14)

personnel : 

Denny Zeitlin - Solo Piano

Pianist Denny Zeitlin's career in music started just a bit after saxophonist
Wayne Shorter showed up on the scene. Shorter's debut album, Introducing Wayne
Shorter (Vee Jay Records) arrived in 1959. Zeiltin's introduction to the jazz
listening public came in 1963, in a sideman stint on flutist Jeremy Steig's
Flute Fever (Columbia Records). A year later, in 1964, Shorter signed with Blue
Note Records and began releasing what would become a series of classic albums
for the label; and Zeitlin signed that year with Columbia Records and began
releasing his own set of consistently fine albums as a leader. Both men have
enjoyed long and lauded careers, Shorter joining Miles Davis in what would
become the Second Great Quintet; Zeitlin taking on the task of creating an
electro-symphonic soundtrack to the movie Invasion of the Body Snatchers (1978),
in addition to his ongoing explorations of the art of the piano trio, duo and
solo formats.
Zeitlin's celebration of Shorter's songbook is no new thing. He covered the
saxophonist/composer's "Footprints" on Labyrinth (Sunnyside Records, 2011);
"E.S.P." on his "Slick Rock (MaxJazz, 2004); and "Deluge" on the marvelous
Precipice (Sunnyside Records, 2010). With Early Wayne, the pianist, Zeitlin goes
all in, delving—in the solo piano mode—into the songbook of
Shorter's perhaps most fruitful composing period, the 1960s, with a couple of
tunes from the 70s stirred into the mix.
In terms of jazz standards, Shorter's early tunes are as familiar as
anybody's—distinctive and cliche-less, unfailingly modern-sounding, even
fifty years after they were written. And often covered. Zeitlin's immersion
there is something like an embrace of a jazz prayer book, where the readings of
those prayers are anything but rote exercises. They feel dynamic and joyful,
like rapturous and freewheeling interpretations time-tested truths.
The opener, "Speak No Evil," from Shorter's 1966 Blue Note album of the same
name, finds Zeitlin burrowing into the music, exploring unforeseen permutations
before shifting into the theme, with elasticity and a sparkling zest. He begins
"Nefertiti" with the theme, making the music sound venerable. Then he takes it
out on a tangent into a glistening probe of the melody's thesis—dark and
probing one moment, sprightly and radiant the next.
That's the template for the CD—a set of dynamic Zeitlin treatments of
Shorter's time-tested classics, infusing classic on-edge beauty with virtuoso
pianism and idiosyncratic imagination.~Dan McClenaghan
 EAC LogExact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 8. September 2017, 19:51

Denny Zeitlin / Early Wayne

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Track 1

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Track 2

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Track 3

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Track 4

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Track 5

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{Sunnyside}\05 Toy Tune.wav

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Track 6

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Track 7

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Track 8

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{Sunnyside}\08 Ana Maria.wav

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Track 9

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Track 10

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{Sunnyside}\10 Miyako.wav

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