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Seiji Ozawa & Boston Symphony Orchestra - Mahler: Symphonies '2002

Mahler: Symphonies
ArtistSeiji Ozawa & Boston Symphony Orchestra Related artists
Album name Mahler: Symphonies
Country
Date 2002
GenreClassical
Play time 12:20:14
Format / BitrateFLAC Stereo 666 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 2823.24 Mb
Price$8.95
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Track list

CD 1 (FLAC) [53' 54'']
Symphonie No. 1 in D major
[composed: 1884-88; First performance: 1889]
[1]. I. Langsam. Schleppend (15'54'')
[2]. II. Kraftig bewegt (7'25'')
[3]. III. Feierlich und gemessen, ohne zu schleppen (10'34'')
[4]. IV. Sturmisch bewegt (20'01'')
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, october 1987
CD 2 (FLAC) [31' 13'']
Symphony No.2 in C minor "Resurrection"
[composed: 1888-94; First performance: 1895]
[1] I.Allegro maestoso. Mit durchaus ernstem und feierlichem Ansdruck (21'01")
[2] II.Andante moderato. Sehr gemächlich (10'12")
CD 3 (FLAC) [48' 38'']
[1] III.In ruhig fließender Bewegung (10'15")
[2] IV.Urlicht. Sehr feierlich, aber schlicht (4'54")
[3] V.Im Tempo des Scherzos. Wild herausfahrend (9'32")
[4] Maestoso. Sehr zurückhaltend - Wieder zurückhaltend (7'22")
[5] Sehr langsam and gedehnt (2'27")
[6] Langsam. Misterioso ("Aufersteh'n") (6'34")
[7] Etwas bewegter ("O glaube, mein Herz, o glaube") (7'32")
Kiri Te Kanawa, soprano ; Marilyn Horne, mezzo-soprano ; Tanglewood Festival Chorus
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, december 1986
CD 4 (APE) [52'33'']
Symphony No.6 in A minor
[composed: 1903-04; First performance: 1906]
[1] I.Allegro energico, ma non troppo. Heftig, aber markig (23'40")
[2] II.Scherzo. Wuchtig (13'38")
[3] III.Andante moderato (15'06")
CD 5 (APE) [64'46"]
[1] IV.Finale: Allegro moderato - Allegro energico (30'43")
Symphony No.3 in D minor
[composed: 1895-96; First performance of the complete symphony: 1902]
Part I
[2] I.Kraftig. Entschieden (33'54")
CD 6 (APE) [63'36"]
Part II
[1] II.Tempo di minuetto. Sehr markig (9'18")
[2] III.Comodo. Scherzando. Ohne hast (16'42")
[3] IV.Zarathustras Mitternaschtslied. Sehr langsam. Misterioso (10'20")
[4] V.Es sungen drei Engel. Lustig im Tempo und keck im Ausdruck (4'05")
[5] VI.Langsam. Ruhevoll. Empfunden (23'00")
Jessye Norman, soprano; Tanglewood Festival Chorus
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, February 1992 (No.6), April 1993 (No.3)
CD 7 (APE) [54'31"]
Symphony No.4 in G major
[composed: 1892, 1899-1901; First performance: November 25, 1901]
[1] I.Bedachtig. Nicht eilen - Recht gemachlich (16'20")
[2] II.In gemachlicher Bewegung. Ohne Hast (9'04")
[3] III.Ruhevoll. Poco adagio (20'24")
[4] IV.Das himmelische Leben. Sehr behaglich (8'35")
Kiri Te Kanawa, soprano (mov.IV)
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, November 1987
CD 8 (APE) [73'14"]
Symphony No.5 in C sharp major
[composed: 1901-1903; First performance: October 18, 1904]
Part I
[1] I.Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt (12'52")
[2] II.Sturmisch bewegt. Mit gro?ter Vehemenz (14'53")
Part II
[3] III.Scherzo: Kraftig, nicht zu schnell (17'46")
Part III
[4] IV.Adagietto: Sehr langsam (11'57")
[5] V.Rondo-Finale: Allegro (15'22")
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, September 1990.
CD 9 (APE) [62'43"]
Symphony No.7 in E minor
[composed: 1904-05; First performance: September 19, 1908]
[1] I.Langsam - Allegro risoluto, ma non troppo (21'11")
[2] II.Nachtmusik [1]: Allegro moderato (16'45")
[3] III.Scherzo [Schattenhaft] (10'35")
[4] IV.Nachtmusik [2]: Andante amoroso (14'07")
CD 10 (APE) [43'15"]
[1] IV.Rondo-Finale: Allegro ordinario - Allegro moderato ma energico (17'51")
Kindertotenlieder **
[composed 1901-1904; First performance: January 29, 1905]
[2] Nun will die Sonn' so hell aufgeh'n (5'30")
[3] Nun seh' ich wohl, warum so dunkle Flammen (4'59")
[4] Wenn dein Mutterlein (4'52")
[5] Oft denk' ich, sie sind nur ausgegangen (3'17")
[6] In diesem Wetter (6'33")
** Jessye Norman, soprano
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, March 1989 (No.7), December 1988 (Kindertotenlieder)
CD 11 (APE) [23'07"]
Symphony No.8 in E flat major
[composed: 1906; First performance: September 12, 1910]
Part I
[1] Hymnus: Veni, creator spiritus. Allegro impetuoso (23'07")
CD 12 (APE) [58'08"]
Part II (Final Scene from the second part of Goethe's Faust)
[1] Poco adagio (8'52")
[2] Waldung, sie schwankt heran. Chor und Echo (13'52")
[3] Uns bleibt ein Erdenrest. Die vollendeteren Engel (6'19")
[4] Dir, der Unberührbaren. Chor (15'07")
[5] Blicket auf zum Retterblick. Doctor Marianus (5'55")
[6] Alles Vergängliche. Chorus mysticus (6'02")
Faye Robinson, soprano I/Magna Peccatrix; Judith Blegen, soprano II/Una Poenitentium; Deborah Sasson, soprano III/Mater Gloriosa; Florence Quivar, contralto I/Mulier Samaritana; Lorna Myers, contralto II/Maria Aegyptiaca; Kenneth Riegel, tenor/Doctor Marianus; Benjamin Luxon, baritone/Peter Exstaticus; Gwynne Howell, bass/Peter Profundus
Tanglewood Festival Chorus; Boston Boy Choir
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, November 1980.
CD 13 (APE) [56'45"]
Symphony No.9 in D major
[composed: 1908-10; First performance: june 26, 1912]
[1] I.Andante comodo - (10'18")
[2] Mit Wut. Allegro risoluto - (5'39")
[3] Tempo I (11'27")
[4] II.Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - (2'39")
[5] Poco più mosso subito - (2'30")
[6] Ländler, ganz langsam (10'50")
[7] III.Rondo-Burleske: Allegro assai. Sehr trotzig - (12'41")
[8] Presto (0'33")
CD 14 (APE) [55'35"]
[1] IV.Adagio. Sehr langsam und noch zurückhaltend (26'10")
Symphony No.10 in F sharp minor (unfinished)
[composed: 1910; First performance: 1924]
[2] I.Andante - Adagio (29'14")
Boston Symphony Orchestra
Seiji Ozawa
Recorded: Symphony Hall, Boston, October 1989, April 1990 [Symphony No.10]
Philips 470 871-2

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