| Symphony in F Major, K. 19a: I. Allegro assai |
| Symphony No. 1 in E-Flat Major, K. 16: I. Molto allegro |
| Symphony No. 1 in E-Flat Major, K. 16: II. Andante |
| Symphony in F Major, K. 19a: II. Andante |
| Symphony in F Major, K. 19a: III. Presto |
| Symphony No. 1 in E-Flat Major, K. 16: III. Presto |
| Judith, Act II: ?Sleep, gentle Cherub! Sleep descend? |
| Adriano in Siria, Act II: 'Ah, come mi balza il cor!' |
| Adriano in Siria, Act II: 'Deh lascia, o ciel pietoso' |
| Judith, Act I: ?O torment great, too great to bear? |
| Artaxerxes, Act I, Scene 2: 'Amid a thousand racking Woes' |
| Adriano in Siria, Act II; 'Cara la dolce amma' |
| The Capricious Lovers, Overture: I. Allegro |
| Artaxerxes, Act I, Scene 13: ?O too lovely, too unkind? |
| Harpsichord Concerto in D Major, Op. 1 No. 6: I. Allegro assai |
| The Capricious Lovers, Overture II: Allegretto |
| Harpsichord Concerto in D Major, Op. 1 No. 6: II. Andante |
| The Capricious Lovers, Overture: III. Allegro |
| Harpsichord Concerto in D Major, Op. 1 No. 6: III. Allegro moderato |
| The Capricious Lovers, Act I, Scene 8: 'Thus laugh?d at, jilted and betray?d' |
| Ezio: 'Non so d?onde viene' |
| Pharnaces: 'In this I fear my latest breath' |
| Va, dal furor portata, K. 21 |
| Berenice: 'Confusa, smarrita' |
| Solimano: 'Se non ti moro a lato' |
| The Guardian Outwitted: 'O Dolly, I part' |
| Symphony in E-Flat Major, Op. 7 No. 6: I. Allegro |
| The Maid of the Mill, Act III, Scene 1: 'To speak my mind of womankind' |
| The Maid of the Mill, Act II, Scene 8: 'Hist, hist! I hear my mother call' |
| Symphony in E-Flat Major, Op. 7 No. 6: II. Andante |
| Symphony No. 4 in D Major, K. 19: I. Allegro |
| Symphony in E-Flat Major, Op. 7 No. 6: III. Presto |
| Symphony No. 4 in D Major, K. 19: II. Andante |
| Symphony No. 4 in D Major, K. 19: III. Presto |
| Ezio: 'Caro mio bene, addio' |
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