| 1. Tracklist |
| 2. 01. You Put It on Me |
| 3. 02. 1839 Blues |
| 4. 03. So Easy to Love You |
| 5. 04. I Wonder Who [Live] |
| 6. 05. Bad Avenue |
| 7. 06. Country Boy |
| 8. 07. Just to Be With |
| 9. 08. Blues Behind Closed Doors |
| 10. 09. She’s Too Much |
| 11. 10. When I Met My Baby |
| 12. 11. Double Trouble |
| 13. 12. You Can’t Lose What You Ain’t Never Had |
| 14. 13. I’m a Bluesman |
| 15. 14. Please Don’t Dog Me |
| 16. 15. Take the Bitter with the Sweet |
| 17. 16. Hard Luck Blues |
| 18. & the Teardrops proudly upheld the tradition of what a Chicago blues band should sound like. Their emphasis on ensemble playing and a humongous repertoire that allegedly ranged upwards of a few hundred songs gave the towering guitarist's live performances an endearing off-the-cuff quality: you never knew what obscurity he'd pull out of his oversized hat next. Born Morris Holt on August 7, 1937, the Mississippi native was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. Boyhood pal Magic Sam bestowed his magical moniker on the budding guitarist. Holt first came to Chicago in 1955, but found that breaking into the competitive local blues circuit was a tough proposition. Although he managed to secure a steady gig for a while with Robert Perkins' band , Slim wasn't good enough to progress into the upper ranks of Chicago bluesdom |
| 19. So he retreated to Mississippi for a spell to hone his chops. When he returned to Chicago in 1965 , Slim's detractors were quickly forced to change their tune. Utilizing the Teardrops name and holding onto his handle, the big man cut a couple of 45s for Ja-Wes and established himself as a formidable force on the South Side. His guitar work dripped vibrato-enriched nastiness and his roaring vocals were as gruff and uncompromising as anyone's on the scene. All of a sudden, the recording floodgates opened up for the Teardrops in 1979 after they cut four tunes for Alligator's Living Chicago Blues anthology series. After that, a series of tough-as-nails albums for Rooster Blues, Alligator, and a slew for the Austrian Wolf logo fattened Slim's discography considerably |
| 20. The Teardrops weathered a potentially devastating change when longtime second guitarist John Primer cut his own major-label debut for Code Blue, but with Slim and bass-wielding brother Nick Holt still on board, it became doubtful that the quartet's overall sound would change dramatically in Primer's absence. In 1996, Slim signed with Blind Pig and cut some of the most celebrated albums of his career, including Scufflin' in 1996, Black Tornado in 1998, Snakebite in 2000, and Blue Magic in 2002. A live recording taped in 2005 at the Sierra Nevada Brewery was released that same year on both DVD and CD as Anything Can Happen. Tin Pan Alley, a set of recordings made between 1992 and 1998 in Chicago and Europe, was released in 2006 by Austria's Wolf Records. Midnight Blues appeared in 2008, followed by Raising the Bar in 2010. Bad Boy, a collection of covers given the makeover, hit the streets in 2012. However, while on tour with the Teardrops in January 2013, Slim experienced breathing difficulties and was hospitalized first in Phoenixville, Pennsylvania and then in Philadelphia; he died there on February 21, 2013 at the age of 75. ~ Bill Dahl & Al Campbell |
| 21. Voir plus |
| 22. By any yardstick, Chicago guitarist John Primer has paid his dues. Prior to making The Real Deal for Mike Vernon's Atlantic-distributed Code Blue label, Primer spent 13 years as the ever-reliable rhythm guitarist with & the Teardrops. Before that, he filled the same role behind Chicago immortals Muddy Waters and Willie Dixon |
| 23. All that grounding has paid off handsomely for Primer. His sound is rooted in the classic Windy City blues sound of decades past: rough-edged and uncompromising and satisfying in the extreme. He's one of the last real traditionalists in town |
| 24. By the time he came to Chicago in 1963, Primer was thoroughly familiar with the lowdown sounds of Waters, Wolf, Jimmy Reed, B.B. and Albert King, and Elmore James. He fronted a West Side outfit for a while called the Maintainers, dishing out a mix of soul and blues before joining the house band at the Southside blues mecca Theresa's Lounge for what ended up being a nine-year run. Elegant guitarist Sammy Lawhorn proved quite influential on Primer's maturing guitar approach during this period |
| 25. Always on the lookout for aspiring talent, Willie Dixon spirited him away for a 1979 gig in Mexico City. After a year or so as one of Dixon's All-Stars, Primer was recruited to join the last band of Muddy Waters, playing with the Chicago blues king until his 1983 death. Right after that, Primer joined forces with ; their styles interlocked so seamlessly that their partnership seemed like an eternal bond |
| 26. But Primer deserved his own share of the spotlight. In 1993, Michael Frank's Chicago-based Earwig logo issued Primer's debut domestic disc, Stuff You Got to Watch. It was a glorious return to the classic '50s Chicago sound, powered by Primer's uncommonly concise guitar work and gruff, no-nonsense vocals. With the 1995 emergence of The Real Deal -- produced by Vernon and featuring all-star backing by harpist Billy Branch, pianist David Maxwell, and bassist Johnny B. Gayden, Primer's star appeared ready to ascend. He soon transferred back to the Wolf label for sets such as 1997's Cold Blooded Blues Man, 1998's Blues Behind Closed Doors, and 2000's It's a Blues Life |
| 27. DOWNLOAD ALBUM [flac] |
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