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Bertrand Chamayou - Letter(s) to Erik Satie '2023

Letter(s) to Erik Satie
ArtistBertrand Chamayou Related artists
Album name Letter(s) to Erik Satie
Country
Date 2023
GenreClassical Piano
Play time 01:10:08
Format / BitrateFLAC Stereo 2352 Kbps / 96 kHz
MP3 320 Kbps
Media WEB
Size 1145.59 Mb
Price$9.95
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  • MP3 320 kbps
  • Hi-Res 24-bit | upto 96 kHz
MP3 320 kbps   
1. Tracklist
2. 01. All Sides of the Small Stone, for Erik Satie
3. 02. 6 Gnossiennes: No. 1, Lent
4. 03. Prelude for Meditation
5. 04. 3 Gymnopédies: No. 1, Lent et douloureux
6. 05. 6 Gnossiennes: No. 2, Avec étonnement
7. 06. 6 Gnossiennes: No. 3, Lent
8. 07. A Room
9. 08. In a Landscape
10. 09. 3 Petites pièces montées: No. 1, De l'enfance de Pantagruel. Rêverie
11. 10. 3 Véritables préludes flasques : No. 1, Sévère réprimande
12. 11. 3 Véritables préludes flasques : No. 2, Seul à la maison
13. 12. 3 Véritables préludes flasques : No. 3, On joue
14. 13. 3 Gymnopédies: No. 2, Lent et triste
15. 14. Sports et divertissements: No. 9, Le bain de mer
16. 15. 6 Gnossiennes: No. 4, Lent
17. 16. Sports et divertissements: No. 2, La balançoire
18. 17. Swinging
19. 18. Gymnopédies: No. 3, Lent et grave
20. 19. 6 Gnossiennes: No. 5, Modéré
21. 20. 5 Nocturnes: No. 2, Simplement
22. 21. Sports et divertissements: No. 17, Le tango perpétuel
23. 22. Perpetual Tango
24. 23. 6 Gnossiennes: No. 6, Avec conviction et avec une tristesse rigoureuse
25. 24. 3 Sarabandes: No. 3 in B-Flat Minor
26. 25. 6 Pièces de la période 1906-1913: No. 6, Songe-creux
27. 26. Le fils des étoiles: Prélude du premier acte. La vocation
28. 27. Gnossienne No. 7
29. 28. Three Pages in the Shape of a Pear
30. 29. Dream
31. “Erik Satie and John Cage are UFOs in the world of music, because they envisioned music through a completely different prism,” says pianist . “They are pioneers in the sense that, for many people, they changed the very idea of what music must be.” With his album Letter to Erik Satie Chamayou pays tribute to two idiosyncratic, innovative and influential composers, one born in Normandy in 1866, the other in Los Angeles in 1912. There is a strong connection between them: Cage considered Satie a source of inspiration. Satie takes pride of place on the album with such pieces as the three Gymnopédies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following its rediscovery amongst the papers of his disciple James Tenney – whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: “I thought we should do something a little different – and I thought of Erik Satie. This was an opportunity to get really intimate with the piano … Satie is really a special case, a strange musician unlike anyone else.”
32. DOWNLOAD ALBUM [Hi-Res]

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