| 1. 1982’s Station M.X.J.Y., one of the definitive statements in the lexicon of dubbed-out ’80s post-punk and the sole LP from Bristol’s MAXIMUM JOY, was reissued earlier this year because reality is truly cyclical . A collaboration between an ex-POP GROUP guitarist, some former members of GLAXO BABIES, and teenage vocalist Janine Rainforth, MAXIMUM JOY lifted from many of the same primary sources as the other projects on their collective CVs, as well as their Y Records labelmates like the SLITS and PIGBAG—serrated post-punk, wobbly dub reggae, elastic funk, experimental jazz, etc. Janine’s ecstatic vocals, the fiery blasts of horns, and some scrabbling polyrhythms made their debut single “Stretch” an all-time mutant disco banger, but given the long-playing format of Station M.X.J.Y., the band seized the opportunity to really dig into some simmering and often largely instrumental grooves. “Do It Today” and “Searching for a Feeling” hit closest to the frenetic punk-funk energy of “Stretch,” leaving the LP’s more drawn-out, slow-burning tracks like “Mouse an’ Me” or “Let It Take You There” to soundtrack the morning after the dancefloor. If you’ve enjoyed the contemporary update of this particular sound by bands like the WORLD and NAKED ROOMMATE and haven’t fully worked your way backward yet, now is the time! |
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