Advanced search
Artist
2024 0-9 z y x w v u t s r q p o n m l k j i h g f e d c b a

Luigi Attademo - D. Scarlatti: Sonatas for Guitar '2009

D. Scarlatti: Sonatas for Guitar
ArtistLuigi Attademo Related artists
Album name D. Scarlatti: Sonatas for Guitar
Country
Date 2009
GenreClassical Piano
Play time 00:51:45
Format / BitrateFLAC Stereo 550 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 203.37 Mb
Price$2.95
Add to cart

Play List

 
  • Quality
  • CD 16-bit | 44,1 kHz
CD 16-bit | 44,1 kHz
1. Tracklist
2. 01. Sonata in B Minor, Kk. 377
3. 02. Sonata in A Major, Kk. 208
4. 03. Sonata in A Major, Kk. 209
5. 04. Sonata in D Minor, Kk. 32
6. 05. Sonata in D Minor, Kk. 77
7. 06. Sonata in D Minor, Kk. 77
8. 07. Sonata in D Minor, Kk. 34
9. 08. Sonata in E Minor, Kk. 291
10. 09. Sonata in E Minor, Kk. 292
11. 10. Sonata in B Minor, Kk. 87
12. 11. Sonata in F Minor, Kk. 481
13. 12. Sonata in E-Flat Major, Kk. 476
14. 13. Sonata in D Minor, Kk. 213
15. The 600 or so sonatas for harpsichord by Domenico Scarlatti contain some of the most remarkable music for keyboard from the Barock era. The influence of these works can be detected in the sonatas of Haydn, Clementi, and Beethoven. The fact that these composers, who developed the piano sonata form to new levels virtuosity, and at a time when the piano was a ‘new’ instrument, developing constantly, were influenced by his examples, has lead to many performers re-appraising Scarlatti’s sonatas
16. How would they sound on other instruments? The modern concert grand is, today, no stranger to Scarlatti’s sonatas, but the guitar? The great Andres Segovia was one of the first to recognise that many of these sonatas would work for the guitar. His idea was not to imitate the harpsichord , but to bring out hitherto unexplored textures and colours contained in the music that only the guitar could realise. There wasn’t much in the way of period interpretation or slavish imitation of keyboard practice in Segovia’s approach. It was a marvellously ‘gut feel’ instinctive interpretation that divided opinion
17. In 1994 Claudio Giuliani attempted to navigate a path for guitarists through the purists and Segovia’s opposing positions and published a collection of Scarlatti’s sonatas that lie within the compass of the guitar
18. On this CD Attademo skilfully demonstrates that the two schools of thought can be brought together – Scarlatti’s genius as keyboard virtuoso, and the genius and instinctiveness of Segovia

Archive content

Related artists

Start radio

Luigi Attademo


Album