| 1. Tracklist: |
| 2. Reverence |
| 3. Grace |
| 4. Ephemeral |
| 5. Intuition |
| 6. Humanity |
| 7. Joy |
| 8. 7. Empathy |
| 9. 1. Lifelines |
| 10. 2. Firestorm |
| 11. 3. Nowness |
| 12. 4. In The Wind |
| 13. 5. Landslide |
| 14. 6. Synchronicity |
| 15. 7. Tightrope |
| 16. 8. Lamentation |
| 17. 1. Aural Landscape 1 |
| 18. 2. Aural Landscape 2 |
| 19. 3. Aural Landscape 3 |
| 20. 4. Aural Landscape 4 |
| 21. 5. Aural Landscape 5 |
| 22. 6. Aural Landscape 6 |
| 23. 7. Aural Landscape 7 |
| 24. 8. Aural Landscape 8 |
| 25. 9. Aural Landscape 9 |
| 26. 10. Aural Landscape 10 |
| 27. 11. Aural Landscape 11 |
| 28. 12. Aural Landscape 12 |
| 29. 13. Aural Landscape 13 |
| 30. 14. Aural Landscape 14 |
| 31. 15. Aural Landscape 15 |
| 32. 1. Long Days Journey Into Night |
| 33. 2. Ancient Sound |
| 34. 3. Footsteps In The Air |
| 35. 4. Black Paintings |
| 36. 5. Stillpoint |
| 37. 6. Drone Spirit |
| 38. 7. Quantum Jazz |
| 39. 8. In The Dark Park |
| 40. 9. In My End Is My Beginning |
| 41. Tschernobyl Diary |
| 42. 1. Aftermath |
| 43. outside quartet that could go anywhere and seemingly do anything |
| 44. In later years, Beirach took up a teaching post in Leipzig while Liebman travelled the world as founder and artistic director of the International Association of Schools of Jazz. Both are exemplars of the jazz tradition, with a masterful command of both inside and outside techniques. This collection of recordings – CD1 Empathy: Liebman and Beirach duos; CD2 Lifelines: Liebman and Beirach plus Jack DeJohnette; CD3: Aural Landscapes: Liebman solo; CD4 Heart of Darkness: Beirach solo; and CD5: Liebman and Beirach with Volxem and Leo Henrichs – comprises about five hours of intense, concentrated music-making. There's more than a hundred years of collective musical knowledge distilled here, for example, Beirach has studied the techniques of Schoenberg, Alban Berg and Anton Weber and the Darmstadt School, so when freedom and atonality emerges it is handled with a depth of knowledge and profundity that seldom surfaces in jazz |
| 45. Throughout, the duo show how they can take a kernel of a musical idea and develop and burnish it into a spontaneously conceived work that grows and evolves with organic logic. Both players have never quite been given the due for the masters they are; maybe this set will tip the scales a little more in their favour, but don't hold your breath |
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