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Steven Osborne - Mussorgsky: Pictures from an Exhibition; Prokofiev: Visions Fugitives & Sarcasms '2013

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Mussorgsky: Pictures from an Exhibition; Prokofiev: Visions Fugitives & Sarcasms
ArtistSteven Osborne Related artists
Album name Mussorgsky: Pictures from an Exhibition; Prokofiev: Visions Fugitives & Sarcasms
Country
Date 2013
GenreClassical Piano
Play time 01:05:58
Format / Bitrate 24 BIT FLAC Stereo 1963 Kbps / 88.2 kHz
Media WEB
Size 927.13 Mb
Price$5.95
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  • Quality
  • Hi-Res 24-bit | upto 88.2 kHz
Hi-Res 24-bit | upto 88.2 kHz
1. Tracklist
2. 01. Mussorgsky: Pictures at an Exhibition: Promenade 1
3. 02. Mussorgsky: Pictures at an Exhibition: I. Gnomus
4. 03. Mussorgsky: Pictures at an Exhibition: Promenade 2
5. 04. Mussorgsky: Pictures at an Exhibition: II. Il castello vecchio "The Old Castle"
6. 05. Mussorgsky: Pictures at an Exhibition: Promenade 3
7. 06. Mussorgsky: Pictures at an Exhibition: III. Tuileries
8. 07. Mussorgsky: Pictures at an Exhibition: IV. Bydlo "The Oxcart"
9. 08. Mussorgsky: Pictures at an Exhibition: Promenade 4
10. 09. Mussorgsky: Pictures at an Exhibition: V. Ballet of the Chickens in Their Shells
11. 10. Mussorgsky: Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
12. 11. Mussorgsky: Pictures at an Exhibition: Promenade 5
13. 12. Mussorgsky: Pictures at an Exhibition: VII. The Market at Limoges
14. 13. Mussorgsky: Pictures at an Exhibition: VIIIa. Catacombae "Sepulcrum romanum"
15. 14. Mussorgsky: Pictures at an Exhibition: VIIIb. Cum mortuis in lingua mortua
16. 15. Mussorgsky: Pictures at an Exhibition: IX. The Hut on Fowl's Legs "Baba-Yaga"
17. 16. Mussorgsky: Pictures at an Exhibition: X. The Great Gates of Kyiv
18. 17. Prokofiev: Sarcasms, Op. 17: I. Tempestoso
19. 18. Prokofiev: Sarcasms, Op. 17: II. Allegro rubato
20. 19. Prokofiev: Sarcasms, Op. 17: III. Allegro precipitato
21. 20. Prokofiev: Sarcasms, Op. 17: IV. Smanioso
22. 21. Prokofiev: Sarcasms, Op. 17: V. Precipitosissimo
23. 22. Prokofiev: Visions fugitives, Op. 22: I. Lentamente
24. 23. Prokofiev: Visions fugitives, Op. 22: II. Andante
25. 24. Prokofiev: Visions fugitives, Op. 22: III. Allegretto
26. 25. Prokofiev: Visions fugitives, Op. 22: IV. Animato
27. 26. Prokofiev: Visions fugitives, Op. 22: V. Molto giocoso
28. 27. Prokofiev: Visions fugitives, Op. 22: VI. Con eleganza
29. 28. Prokofiev: Visions fugitives, Op. 22: VII. Pittoresco
30. 29. Prokofiev: Visions fugitives, Op. 22: VIII. Commodo
31. 30. Prokofiev: Visions fugitives, Op. 22: IX. Allegretto tranquillo
32. 31. Prokofiev: Visions fugitives, Op. 22: X. Ridicolosamente
33. 32. Prokofiev: Visions fugitives, Op. 22: XI. Con vivacità
34. 33. Prokofiev: Visions fugitives, Op. 22: XII. Assai moderato
35. 34. Prokofiev: Visions fugitives, Op. 22: XIII. Allegretto
36. 35. Prokofiev: Visions fugitives, Op. 22: XIV. Feroce
37. 36. Prokofiev: Visions fugitives, Op. 22: XV. Inquieto
38. 37. Prokofiev: Visions fugitives, Op. 22: XVI. Dolente
39. 38. Prokofiev: Visions fugitives, Op. 22: XVII. Poetico
40. 39. Prokofiev: Visions fugitives, Op. 22: XVIII. Con una dolce lentezza
41. 40. Prokofiev: Visions fugitives, Op. 22: XIX. Presto agitatissimo e molto accentuato
42. 41. Prokofiev: Visions fugitives, Op. 22: XX. Lento
43. has become one of the most valuable pianists recording today. His recent complete Rachmaninov Preludes release was critically acclaimed as the greatest modern version since Ashkenazy. Now he turns to further cornerstones of the Russian repertoire in this recording of Musorgsky’s Pictures from an Exhibition , and two sets of Prokofiev’s miniatures
44. Musorgsky’s masterpiece is one of the most popular programmatic works of the 19th century. Yet it is also a great pianistic challenge, with the spectacular textures of the climactic movement ‘The Great Gate of Kiev’ requiring the highest technical accomplishments
45. David Fanning writes of Prokofiev’s Visions fugitives: ‘Prokofiev supplies snapshots of his most characteristic moods—sometimes grotesque, sometimes incantatory and mystical, sometimes simply poetic, sometimes aggressively assertive, sometimes so delicately poised as to allow the performer and the listener to make up their own minds.’ Osborne’s subtle, yet brilliant use of colour and characterization makes him the ideal performer of this set. Sarcasms—as befits the title—is an experimental, provocative work, performed by Osborne with biting humour
46. DOWNLOAD ALBUM [Hi-Res]

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