Elisabeth Leonskaja - Paris '2013

Tracks list

Tracklist

01. Valses nobles et sentimentales, M. 61: I. Modéré – tres franc
02. Valses nobles et sentimentales, M. 61: II. Assez lent – avec une
expession intense
03. Valses nobles et sentimentales, M. 61: III. Modéré
04. Valses nobles et sentimentales, M. 61: IV. Assez animé
05. Valses nobles et sentimentales, M. 61: V. Presque lent – dans un
sentiment intime
06. Valses nobles et sentimentales, M. 61: VI. Vif
07. Valses nobles et sentimentales, M. 61: VII. Moins vif
08. Valses nobles et sentimentales, M. 61: VIII. Epilogue – Lent
09. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: I. Allegro molto moderato e
grave
10. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: II. Presto vivace
11. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: III. Andante molto espressivo
12. Préludes pour piano, L. 117, Livre 1: III. Le vent dans la plaine
13. Préludes pour piano, L. 117, Livre 1: VIII. La fille aux cheveaux de lin
14. Préludes pour piano, L. 123, Livre 2: XII. Feux dartifice
15. La Plus Lente, L. 121


From the early 1800s to the end of the 1960s, Paris was the focal city of the
arts world par excellence. La Ville Lumière was the city of intellectualism,
a place which drew writers, artists and musicians from all over France and
overseas. Paris, where every topic became a theme for discussion, and every
discussion a reason to form a group, was the nursery from which every tendency
and movement was to bud during the following 150 years. But as always, there
were traditionalists who opposed this modern turn, and in a country whose
culture was innately non-conformist the stage was set for debate. In the
eighteenth century, the French were divided over whether music should follow
French tastes or be inclined to the Italian. Then came the Romantics and the
Wagnerians, Parnassianism, Naturalism, the Symbolists and the Impressionists,
and all the diverse stylistic movements that fell into the melting pot of
Expressionism.France was awash with influences, and composers of the time were
hugely affected in a way never before seen in history: by inspiration from
literature, visual arts and philosophy.

For decades now, Elisabeth Leonskaja has been among the most celebrated pianists
of our time. In a world dominated by the media, Elisabeth Leonskaja has remained
true to herself and to her music, and in doing so, is following in the footsteps
of the great Russian musicians of the Soviet era, such as David Oistrakh,
Sviatoslav Richter and Emil Gilels, who never wavered in their focus on the
quintessence of music despite working in a very difficult political environment.
Her almost legendary modesty still makes her somewhat media-shy today. Yet as
soon as she walks out on the stage, audiences can sense the force behind the
fact that music is and always has been her life’s work.

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