W. C. Clark - From Austin With Soul '2002
Artist | W. C. Clark Related artists |
Album name | From Austin With Soul |
Country | |
Date | 2002 |
Genre | Blues |
Play time | 00:47:53 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 111 / 327 mb |
Price | Download $2.95 |
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Pre-order albumTracks list
Tracklist 01. Snatching It Back 02. Midnight Hour Blues 03. Ive Been Searching 04. Dont Mess Up a Good Thing 05. How Long Is a Heartache Supposed to Last? 06. Bitchy Men 07. Let It Rain 08. Got Me Where You Want Me 09. Got to Find a Lover 10. Get Out of My Life, Woman 11. Im Gonna Disappear 12. Real Live Livin Hurtin Man 13. I Keep Hanging On Although he records for Alligator -- Chicagos home of house-rocking music -- this long-awaited return from Austins founding father of the blues might just as well have been waxed during the glory years of Hi Records. As on his last release, guitarist/vocalist Clark meshes R&B with gospel, funk, and blues in a greasy Memphis soul stew that bubbles with passion. The delight Clark exudes in playing this music is evident on every track. His lead guitar playing sparkles, but is mostly reduced to fills and takes a back seat to the jaw-dropping singing that reaches out and grabs the listener. Like Al Green, with whom he shares a similar vocal approach, Clark testifies with every phrase. Not religious-based, this is still music grounded in the church no matter how funky and bluesy it is. When Clark states hes a Real Live Livin Hurtin Man, he might as well be preaching from the pulpit and saving souls. Divided halfway between covers and originals, Clarks versions of Clarence Carters Snatching It Back, Allen Toussaint by way of Lee Dorseys Get out of My Life Woman, O.V. Wrights Ive Been Searching, and even Oliver Sains warhorse Dont Mess up a Good Thing (with Marcia Ball providing the female duet part) find new life in this setting. He even rescues How Long Is a Heartache Supposed to Last? from obscure soulman Jimmy Lewis and makes it sound like the lost classic it is. Longtime associate Mark Kazanoffs tenor sax and production keep the album focused while playing to Clarks strengths: his searing voice and supple guitar work. When he does let loose on six-string during Im Gonna Disappear, its obvious hes got the chops to do more. But its that restraint that makes this such a satisfying comeback. Sadly, as of its release in 2002, this was the only W.C. Clark album available, a frustrating situation since anyone who experiences From Austin With Soul is going to want to hear more from this magnificent and classy soul/bluesman. All publication of the user fantastik - ISRABOX