Slam Stewart - The Chronological Classics: 1945-1946 '1997

Artist	Slam Stewart Related artists
Album name	The Chronological Classics: 1945-1946
Country
Date	1997
Genre	Jazz
Play time	70:24
Format / Bitrate	Stereo 1420 Kbps / 44.1 kHz MP3 320 Kbps
Media	CD
Size	237 MB(+3\%)
Price	Download $1.95
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Tracks list

Tracklist

01. Play Fiddle Play (2:55)
02. Dark-Eyesky (3:00)
03. Laff Slam Slam (Laff Slam Laff) (3:00)
04. Jumpin at the Deuces (2:55)
05. Honeysuckle Rose (3:04)
06. Mood to Be Stewed (2:57)
07. The Voice of the Turtle (3:01)
08. Slammin the Gate (2:53)
09. Jingle Bells (3:01)
10. On the Upside Looking Down (3:13)
11. Time on My Hands (3:02)
12. A Bell for Norvo (2:44)
13. Haw Haw (2:48)
14. Dozin (2:35)
15. Talkin Back (2:56)
16. The One That Got Away (Three Feathers) (3:08)
17. Hop, Skip and Jump (2:34)
18. Sherry Lynn Flip (3:01)
19. Three Blind Micesky (2:41)
20. Blue, Brown and Beige (2:56)
21. Doctor Foo (3:01)
22. Coppin Out (2:57)
23. Blues Collins (3:01)
24. On Me, Oh My, Oh Gosh (3:01) 

For all the appearances Slam Stewart made on other peoples records, there werent
a whole lot of recordings issued under his name. What you get in this package
are five different bands, each operating with one foot in the swing tradition
and the other firmly planted on the new ground that critics and journalists
called be-bop. The Savoy session of January 30, 1945, is precious for the
presence of Erroll Garner. Play Fiddle Play closely resembles Bassology,
recorded a few years earlier with Slim Gaillard. The resemblance comes during
the last minute or so, as Stewart gradually works his way into the highest notes
obtainable on the instrument until he has it sounding like a viola. Laff Slam
Slam grows out of a simple set of variations on Volga Boat Men. A quintet
recording for the Continental label in May and July of 1945 featured Johnny
Guarnieri and Red Norvo. The pianist sings Honeysuckle Rose in close imitation
of Fats Waller, saying Yaz! so much that it almost becomes irritating. This
mimetic act was probably entertaining at cocktail parties, but like most Waller
impersonations, it probably wont feel right to anyone who really knows and loves
Fats Waller. Still and all, Guarnieri was one hell of a piano player. Leonard
Feather composed quite a number of the tunes heard here. His Mood to Be Stewed
is a wistful walk, while The Voice of the Turtle moves boldly over modern bop
terrain, something with which Norvo was quite comfortable at the time. On the
Upside Looking Down is remarkably cool and magnetically charged. A Bell for
Norvo is quite an excursion -- they really cook! Haw Haw sounds like it was
based on Paper Moon, Dozin is an ethereal reverie, and The One That Got Away is
fast and frisky, with Guarnieri demonstrating his ability to produce first-rate
stride piano. Garner returned for a trio session with Harold Doc West in
September of 1945, creating four sides that fit in nicely with everything else
being recorded for the tiny Manor record label (see Dizzy Gillespie 1945,
Classics 888). Blue, Brown and Beige feels a little bit like Satin Doll and the
eccentric Three Blind Micesky is pure delight. The last four tracks on this
wonderful collection were recorded in April of 1946 for the Musicraft label,
with young Billy Taylor at the piano. The bop element is stronger than ever.
Doctor Foo seems only circumstantially related to Coleman Hawkins Meet Doctor
Foo, although a closer comparison of the two compositions is probably in order.
Coppin Out shares many modern characteristics with Dizzy Gillespies Be Bop and
with certain ideas then being developed by Bud Powell. Oh Me, Oh My, Oh Gosh,
with a vocal by Stewart and the band, is a rare example of Stewart taking a
vocal without simultaneously bowing the bass. It comes as a pleasant surprise
and a tasteful conclusion to this most enjoyable portrait of Leroy Elliott Slam
Stewart.
Â EAC LogX Lossless Decoder version 20151214 (149.1)

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Slam Stewart / 1945-1946

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