Hopkinson Smith - Bach: Suites (Arr. for Lute) '2021
Artist | Hopkinson Smith Related artists |
Album name | Bach: Suites (Arr. for Lute) |
Country | |
Date | 2021 |
Genre | Classical Lute |
Play time | 02:25:45 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 613 mb |
Price | Download $4.95 |
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Pre-order albumTracks list
Tracklist CD1 01. 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prelude 02. 6 Cello Suites, No. 1 in G Major, BWV 1007: II. Allemande 03. 6 Cello Suites, No. 1 in G Major, BWV 1007: III. Courante 04. 6 Cello Suites, No. 1 in G Major, BWV 1007: IV. Sarabande 05. 6 Cello Suites, No. 1 in G Major, BWV 1007: V. Menuets I & II 06. 6 Cello Suites, No. 1 in G Major, BWV 1007: VI. Gigue 07. 6 Cello Suites, No. 2 in D Minor, BWV 1008: I. Prelude 08. 6 Cello Suites, No. 2 in D Minor, BWV 1008: II. Allemande 09. 6 Cello Suites, No. 2 in D Minor, BWV 1008: III. Courante 10. 6 Cello Suites, No. 2 in D Minor, BWV 1008: IV. Sarabande 11. 6 Cello Suites, No. 2 in D Minor, BWV 1008: V. Menuets I & II 12. 6 Cello Suites, No. 2 in D Minor, BWV 1008: VI. Gigue 13. 6 Cello Suites, No. 3 in C Major, BWV 1009: I. Prelude 14. 6 Cello Suites, No. 3 in C Major, BWV 1009: II. Allemande 15. 6 Cello Suites, No. 3 in C Major, BWV 1009: III. Courante 16. 6 Cello Suites, No. 3 in C Major, BWV 1009: IV. Sarabande 17. 6 Cello Suites, No. 3 in C Major, BWV 1009: V. Bourrées I & II 18. 6 Cello Suites, No. 3 in C Major, BWV 1009: VI. Gigue CD2 01. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: I. Prelude 02. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: II. Allemande 03. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: III. Courante 04. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: IV. Sarabande 05. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: V. Bourée 06. 6 Cello Suites, No. 4 in B-Flat Major, BWV 1010: VI. Gigue 07. 6 Cello Suites, No. 6 in D Major, BWV 1012: I. Prelude 08. 6 Cello Suites, No. 6 in D Major, BWV 1012: II. Allemande 09. 6 Cello Suites, No. 6 in D Major, BWV 1012: III. Courante 10. 6 Cello Suites, No. 6 in D Major, BWV 1012: IV. Sarabande 11. 6 Cello Suites, No. 6 in D Major, BWV 1012: V. Gavottes I & II 12. 6 Cello Suites, No. 6 in D Major, BWV 1012: VI. Gigue 13. 6 Cello Suites, No. 5 in C Minor, BWV 1011: I. Prelude 14. 6 Cello Suites, No. 5 in C Minor, BWV 1011: II. Allemande 15. 6 Cello Suites, No. 5 in C Minor, BWV 1011: III. Courante 16. 6 Cello Suites, No. 5 in C Minor, BWV 1011: IV. Sarabande 17. 6 Cello Suites, No. 5 in C Minor, BWV 1011: V. Gavottes I & II 18. 6 Cello Suites, No. 5 in C Minor, BWV 1011: VI. Gigue The complete Suites for Solo Cello by Bach, in the hands of lutenist/theorbo player Hopkinson Smith. This double album does restorative justice to a complete edition that up to now was split into two albums, appearing separately between 1981 (Astrée) and 2013 (Naive classique). It provides an opportunity to fully appreciate the art of Hopkinson Smith, this master of Renaissance and Baroque plucked string instruments, a performer and pedagogue who is honoured and respected by generations of early music practitioners. It also offers the chance of surveying in full Bach’s six Suites for Solo Cello (BWV 1007-1012) in the new, colourful light of their arrangement for lute and theorbo. Being on intimate terms with Bach’s music, having studied it for several decades, Hopkinson Smith is the perfect mediator of these dance movements, by turns virtuoso and contemplative, constantly highlighting the polyphonic possibilities of the solo cello, somehow intensified by the stirring sound of the plucked strings, while also bringing out the music’s energetic expressiveness and lyricism. It all emerges so naturally under his masterly hands, which have also crafted five of the six transcriptions – the Suite BWV 1011 arrangement being by Bach’s own work. ‘From the very first notes, one is struck by the sheer completeness of the performance’, wrote Classica in March 2013, awarding a Choc distinction to the first three Suites. The choice of keys, the ornamentation, the addition of the bass voices, the rhythmic flexibility, and the way the tempi are adapted to suit the resonance of the instrument: it has all been carefully throught through so as to reach the heart of Bach’s music. This tour de force has made these six works into benchmark recordings without equal, now integrated in this re-issue.
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