La Santa Cecilia - Buenaventura '2016
Artist | La Santa Cecilia Related artists |
Album name | Buenaventura |
Country | |
Date | 2016 |
Genre | |
Play time | 38:38 min |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 265 MB |
Price | Download $2.95 |
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In 2013, La Santa Cecilias Treinta Dias won a Grammy for Best Latin Rock Album. While the recognition was welcome, it was ill-fitting: La Santa Cecilia are a great pop band no matter what language they sing in. (Their ingenious cover of the Beatles Strawberry Fields Forever, from 2014s equally wonderful Someday New, proved it.) During the past two years, these Los Angelinos have become road warriors, playing clubs, concert halls, and festival stages across the U.S., Latin America, Canada, and Europe. Theyve gotten married and had children. The maturity from these experiences is revealed panoramically on the produced by Sebastian Krys-produced Buenaventura. La Marisoul Hernández (vocals), José Pepe Carlos (accordion and requinto), Miguel Oso RamÃrez (percussion), and Alex Bendana (bass) have become purveyors of Pan-American Music, a sound that spreads across Latin genres, rock, pop, Caribbean styles, and R&B. The sets first single, I Wont Cry for You, uses conjunto, swinging Dixieland jazz horns, blues, and a rock & roll backbeat -- thanks to in-the-pocket drumming from album guest Pete Thomas. Opener Sacudo la Pereza is a modern cumbia that leans heavily on rocksteady reggae and vintage pop-soul with a killer horn chart. Iconic Spanish rocker Enrique Bunbury assists La Marisol in delivering a rocked-up, boozy, passionate reading of Ramon Ayalas classic Tragos de Amargo Licor. Steve Berlin and David Hidalgo of Los Lobos assist on second single Nunca Más, a timeless, funky cumbia that exhorts listeners to empower one another in standing against bigotry, violence, and hatred. While a church organ introduces Here We Go Again, its actually a gorgeous waltz that weds country music and norteño (in Texas this happens every single day). This is among La Marisols finest performances on the album; the interplay between Carlos accordion and guest Bob Bernsteins pedal steel is gorgeous. Vámonos is a rootsy rock & roll and cumbia framed by a honky tonk piano, Thomass drums, and vocal assistance from Argentine rocker Fita Paez. The ranchera waltz Caminante Nocturno is adorned by the entire Latino Arts String Program from Milwaukee, Wisconsin, and reveals inseparable connections between classical and Latin folk music traditions. Pa Que Trabajar is a soulful cumbia with killer synth effects and rumbling bass that brings hooky pop-funk into the equation. Closer Sucede is a seamless intersection of ska, Latin pop, and rocking polka and conjunto. The spontaneous element in La Santa Cecilias music remains ever present thanks to their seamless juxtaposition of genres, excellent lyrics, and energy. Buenaventura is not just a step beyond their previous recordings, its a leap. The maturity, confidence, and sophistication on display here are reached by few bands -- especially at this still-early juncture. Given this stellar example, La Santa Cecilias Pan-American Music will hopefully become its own genre. Tracklist: 04. La Santa Cecilia - Nunca Más (3:36) 07. La Santa Cecilia - Vámonos (ft. Fito Páez) (3:36) 01. La Santa Cecilia - Sacudo La Pereza (3:54) 02. La Santa Cecilia - I Wont Cry For You (3:22) 03. La Santa Cecilia - Calaverita (3:20) 05. La Santa Cecilia - Here We Go Again (3:31) 06. La Santa Cecilia - Tragos De Amargo Licor (ft. Enrique Bunbury) (3:25) 08. La Santa Cecilia - Caminante Nocturno (ft. Latino Arts String Program of Milwakee, Wisconsin) (3:27) 09. La Santa Cecilia - Pa Que Trabajar (3:39) 10. La Santa Cecilia - Sucede (3:27)
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