Kristian Bezuidenhout - Mozart: Keyboard Music Vol. 3 '2012
24bit
Artist | Kristian Bezuidenhout Related artists |
Album name | Mozart: Keyboard Music Vol. 3 |
Country | |
Date | 2012 |
Genre | Classical Piano |
Play time | 01:09:02 |
Format / Bitrate | 24 BIT Stereo 2820 Kbps / 82.2 kHz |
Media | WEB |
Size | 1.12 gb |
Price | Download $9.95 |
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Pre-order albumTracks list
Tracklist 01. Sonata in B-Flat Major, K. 333: I. Allegro 02. Sonata in B-Flat Major, K. 333: II. Andante cantabile 03. Sonata in B-Flat Major, K. 333: III. Allegretto grazioso 04. Variations on Ein Weib ist das herrlichste Ding, K. 613: I. Thema 05. Variations on Ein Weib ist das herrlichste Ding, K. 613: II. Variation 1 06. Variations on Ein Weib ist das herrlichste Ding, K. 613: III. Variation 2 07. Variations on Ein Weib ist das herrlichste Ding, K. 613: IV. Variation 3 08. Variations on Ein Weib ist das herrlichste Ding, K. 613: V. Variation 4 09. Variations on Ein Weib ist das herrlichste Ding, K. 613: VI. Variation 5 10. Variations on Ein Weib ist das herrlichste Ding, K. 613: VII. Variation 6 11. Variations on Ein Weib ist das herrlichste Ding, K. 613: VIII. Variation 7 12. Variations on Ein Weib ist das herrlichste Ding, K. 613: IX. Variation 8 13. Fantasie in C Minor, K. 396 (Fragment, Completed by Maximilian Stadler) 14. Sonata in F Major, K. 332: I. Allegro 15. Sonata in F Major, K. 332: II. Adagio 16. Sonata in F Major, K. 332: III. Allegro assai In Volume 3 of his widely acclaimed traversal of Mozart’s music for solo keyboard, fortepianist Kristian Bezuidenhout plays a modern reproduction of an 1805 Viennese instrument by Anton Walter. The programme includes the well-loved Sonata in F major K. 332, alongside Mozart’s very last composition for piano, the Variations K. 613. Kristian Bezuidenhout was born in South Africa in 1979. He began his studies in Australia, completed them at the Eastman School of Music in the USA and now lives in London. He is a frequent guest artist with the Freiburger Barockorchester, the Orchestre des Champs-Élysées, the Orchestra of the Eighteenth Century, Les Arts Florissants, the Royal Concertgebouw Orchestra, The English Concert, the Chamber Orchestra of Europe and Collegium Vocale Gent, in many instances assuming the role of guest director. “Bezuidenhout offers a performance that brings out all [the Fantasias] intensity and passion...his refreshingly imaginative performances are marred only by a liking for exaggerated pauses between musical paragraphs. This disc comes strongly recommended.†(BBC Music Magazine) “the third volume of Bezuidenhouts Mozart keyboard msuic cycle attests to the young fortepianists remarkable technical polish and command, as well as his cultivated though sometimes overly studied interpretations...the Andante cantabiles legato and detached articulations and subtle harmonic stresses are conveyed with admirable expressive economy.†(Grmophone)