Celebration - Albumin '2014
24bit
Artist | Celebration Related artists |
Album name | Albumin |
Country | |
Date | 2014 |
Genre | Rock |
Play time | 00:41:15 |
Format / Bitrate | 24 BIT Stereo 1420 Kbps / 44.1 kHz |
Media | CD |
Size | 489 mb |
Price | Download $3.95 |
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Pre-order albumTracks list
Tracklist --------- 01. Razors Edge 02. Tomorrows Here Today 03. Walk On 04. Blood Is the Brine 05. 7Sensei 06. I Got Sol 07. Solstice Rite 08. Chariot 09. Only the Wicked 10. Dont Stop Dreaming After the release of their second 4AD album, 2007s brilliant The Modern Tribe, Celebration took a break from being at the whim of a record label. Instead, they issued their 2010 album, The Electric Tarot: Hello Paradise, via their own Friends Records. The bands newfound independence stretched to their music, which incorporated soul, psychedelia, and pop in even more freewheeling ways than anything theyd done before. For Albumins release, Celebration teamed with Simon Raymonde and Robin Guthries label Bella Union - a pairing that makes sense, since the bands delicate side is more than a little reminiscent of the Cocteau Twins -- but the bands fourth album is just as mercurial as their self-released output. Following Hello Paradises lead, they take their massive sound in directions that show they can do much more than glowering post-punk and glowing dream pop. As always, Katrina Fords huge but nuanced voice is the star, but Tony Drummonds keyboards are a close second, evoking carnivals, horror movies, and outer space at different points on Albumin. The album opens with a trio of songs that outline its ambitions: bursting to be heard, Razors Edge begins as sleek, Goldfrapp-y synth pop before morphing into proggy rock thats downright anthemic - a Celebration first. Written as a present for the birth of drummer David Berganders son, the hopeful Tomorrows Here Today marries the bands trademark shimmer to cheerful, Feist-like pop, but Celebrations intensity keeps its sweetness from seeming treacly. Meanwhile, Walk On borrows from girl group pop and gospel, transforming it into something equally fresh and traditional. However, the bands ambitions to do more with their music sometimes result in them doing too much; on Blood Is the Brine, which melds 50s piano pop with acid rock, and the bluesy jam I Got Sol, intriguing ideas fail to jell into anything focused, and its easier to appreciate the musicianship than the actual songs. Celebration return to their roots as the album draws to a close, with the storming Chariot serving as a reminder of former showstoppers like Hands Off My Gold (as well as how glorious Fords dark side is), while Dont Stop Dreaming makes for an idealistic finale. Even though Albumin doesnt quite hold together as a coherent statement, its a densely packed, often fascinating work and a welcome return. ~ Heather Phares