David Murray & Mal Waldron - Silence '2008
Artist | David Murray & Mal Waldron Related artists |
Album name | Silence |
Country | |
Date | 2008 |
Genre | Jazz |
Play time | 66:34 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 395 MB(+3\%) | 157 MB(+3\%) |
Price | Download $3.95 |
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Tracklist 1 Free for C.T. (Roach, Waldron) 10:47 2 Silence( Murray)3:34 3 Hurray for Herbie (Waldron) 7:57 4 I Should Care (Cahn, Stordahl, Weston) 12:40 5 Jean-Pierre (Davis) 10:07 6 All Too Soon (Ellington, Sigman) 7:12 7 Soul Eyes (Waldron, Wolfe) 14:17 personnel : David Murray: tenor saxophone, bass clarinet Mal Waldron: piano Before his passing, jazz piano legend Mal Waldron recorded these duets with tenor saxophonist and bass clarinetist David Murray at a studio in Belgium, finally issued some seven years later. The session has a somewhat hushed quality, considering the extroverted nature of Murrays playing. But he has always proved he is more than capable of nuanced, spirit-sensitive expressionism, and with the blue-green tinged style of Waldron, they fit beautifully together. Its a mix of standards, originals, familiar pieces from the Waldron book, and at least one choice that is off the beaten path. The centerpiece of any Waldron recording is his immortal composition Soul Eyes, in this case 14 minutes of pure, unadulterated, genuine romance, with Murray on bass clarinet breezing through the pianists languorous refrains. Another well-rendered ballad I Should Care is molasses thick, trickling slow, and extremely patient. It is a difficult chore not to rush the lugubrious tempo in the smallest increment for even the most skilled jazzmen. A third ballad All Too Soon has Murray leading out on tenor in his most restrained moments, and Waldrons solo is simply captivating. One of the more compelling pieces in Waldrons repertoire is Hurray for Herbie, a dark, rumbling piece that is mysterious and delicious. Murrays melodic interpretation is thin and flattened out as Waldrons repeat modal framework is as foreboding as it is deliberate and unyielding. The anomaly is a version of the childlike Miles Davis tune Jean-Pierre, as Waldrons piano goes deep into the gray spectrum of mixed colors and Murray doesnt play cute. It seems the first two pieces are reversed, as Silence is an upbeat and spastic reactionary bop piece, while Free for C.T. is a quiet tune, contrasting lilting piano with scattershot and demonstrative but harnessed bass clarinet. Regardless, these two play as one marvelously, with all the depth and substance you could ever wish for. Listeners should be glad these sessions were unearthed, for they are welcome additions to the legacy of two great creative jazz icons.~Michael G. Nastos  EAC LogОтчёт EAC об извлечении, выполненном 25. авгуÑта 2009, 12:51 Ð´Ð»Ñ Ð´Ð¸Ñка: David Murray \ Mal Waldron / Silence ДиÑковод: Optiarc DVD RW AD-7200S Adapter: 2 ID: 1 Режим чтениÑ: ДоÑтоверный (C2: нет, Точный поток: да, Отключение кÑша: да) ÐšÐ¾Ñ€Ñ€ÐµÐºÑ†Ð¸Ñ ÑÐ¼ÐµÑ‰ÐµÐ½Ð¸Ñ Ð¿Ñ€Ð¸ чтении: 48 СпоÑобноÑÑ‚ÑŒ читать облаÑти Lead-in и Lead-out : Ðет Выходной формат: Внутренние WAV-операции 44.100 Гц; 16 бит; Ñтерео Другие параметры: Заполнение пропущенных ÑÑмплов тишиной : Да Удаление блоков Ñ Ñ‚Ð¸ÑˆÐ¸Ð½Ð¾Ð¹ в начале и конце : Ðет УÑтановленный внешний ASPI-Ð¸Ð½Ñ‚ÐµÑ€Ñ„ÐµÐ¹Ñ Ð¥Ð°Ñ€Ð°ÐºÑ‚ÐµÑ€Ð¸Ñтики диапазона Ð¸Ð·Ð²Ð»ÐµÑ‡ÐµÐ½Ð¸Ñ Ð¸ ÑÐ¾Ð¾Ð±Ñ‰ÐµÐ½Ð¸Ñ Ð¾Ð± ошибках Выбранный диапазон Ð˜Ð¼Ñ Ñ„Ð°Ð¹Ð»Ð° C:\Documents and Settings\1\Мои документы\Downloads\David Murray Mal Waldron - Silence.wav Пиковый уровень 99.9 \% КачеÑтво диапазона 100.0 \% CRC AFA593AF Копирование... OK Ошибок не произошло Конец отчёта
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