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David Murray & Mal Waldron - Silence '2008

Silence
ArtistDavid Murray & Mal Waldron Related artists
Album name Silence
Country
Date 2008
GenreJazz
Play time 66:34
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 395 MB(+3\%) | 157 MB(+3\%)
PriceDownload $3.95
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Tracks list

Tracklist

1 Free for C.T. (Roach, Waldron) 10:47
2 Silence( Murray)3:34
3 Hurray for Herbie (Waldron) 7:57
4 I Should Care (Cahn, Stordahl, Weston) 12:40
5 Jean-Pierre (Davis) 10:07
6 All Too Soon (Ellington, Sigman) 7:12
7 Soul Eyes (Waldron, Wolfe) 14:17

personnel : 

David Murray: tenor saxophone, bass clarinet
Mal Waldron: piano

Before his passing, jazz piano legend Mal Waldron recorded these duets with
tenor saxophonist and bass clarinetist David Murray at a studio in Belgium,
finally issued some seven years later. The session has a somewhat hushed
quality, considering the extroverted nature of Murrays playing. But he has
always proved he is more than capable of nuanced, spirit-sensitive
expressionism, and with the blue-green tinged style of Waldron, they fit
beautifully together. Its a mix of standards, originals, familiar pieces from
the Waldron book, and at least one choice that is off the beaten path. The
centerpiece of any Waldron recording is his immortal composition Soul Eyes, in
this case 14 minutes of pure, unadulterated, genuine romance, with Murray on
bass clarinet breezing through the pianists languorous refrains. Another
well-rendered ballad I Should Care is molasses thick, trickling slow, and
extremely patient. It is a difficult chore not to rush the lugubrious tempo in
the smallest increment for even the most skilled jazzmen. A third ballad All Too
Soon has Murray leading out on tenor in his most restrained moments, and
Waldrons solo is simply captivating. One of the more compelling pieces in
Waldrons repertoire is Hurray for Herbie, a dark, rumbling piece that is
mysterious and delicious. Murrays melodic interpretation is thin and flattened
out as Waldrons repeat modal framework is as foreboding as it is deliberate and
unyielding. The anomaly is a version of the childlike Miles Davis tune
Jean-Pierre, as Waldrons piano goes deep into the gray spectrum of mixed colors
and Murray doesnt play cute. It seems the first two pieces are reversed, as
Silence is an upbeat and spastic reactionary bop piece, while Free for C.T. is a
quiet tune, contrasting lilting piano with scattershot and demonstrative but
harnessed bass clarinet. Regardless, these two play as one marvelously, with all
the depth and substance you could ever wish for. Listeners should be glad these
sessions were unearthed, for they are welcome additions to the legacy of two
great creative jazz icons.~Michael G. Nastos 

 EAC LogОтчёт EAC об
извлечении,
выполненном 25. августа
2009, 12:51 для диска:
David Murray \ Mal Waldron / Silence

Дисковод: Optiarc DVD RW AD-7200S Adapter: 2 ID: 1
Режим чтения:
Достоверный (C2: нет,
Точный поток: да,
Отключение кэша: да)
Коррекция смещения
при чтении: 48
Способность читать
области Lead-in и Lead-out : Нет

Выходной формат:
Внутренние
WAV-операции
 44.100 Гц; 16 бит; стерео

Другие параметры: 
 Заполнение
пропущенных сэмплов
тишиной : Да
 Удаление блоков с
тишиной в начале и
конце : Нет
 Установленный
внешний ASPI-интерфейс


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 Имя файла C:\Documents and Settings\1\Мои
документы\Downloads\David Murray Mal Waldron -
Silence.wav

 Пиковый уровень 99.9 \%
 Качество диапазона 100.0
\%
 CRC AFA593AF
 Копирование... OK

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