Slim Gaillard - The Chronological Classics: 1945, Vol.2 '1996

Tracks list

Tracklist

01. Scotchin with Soda (2:48)
02. Cuban Rhumbarini (2:50)
03. As Long as I Have Your Love (3:22)
04. Cement Mixer (3:19)
05. Atomic Cocktail (2:44)
06. Yep-Roc-Heresay (3:06)
07. Penicillin Boogie (2:35)
08. Jumpin at the Record Shop (3:13)
09. Drei Six Cents (2:44)
10. Minuet in Vout (2:59)
11. Tee Say Malee (2:51)
12. Navachord Boogie (3:01)
13. Baby Wont You Please Come Home (3:21)
14. Groovy Juice Jive (3:07)
15. The Hop (2:50)
16. Three Handed Boogie (3:02)
17. Dizzy Boogie (3:12)
18. Flat Foot Floogie (2:37)
19. Popity Pop (3:01)
20. Slims Jam (3:16) 

The nucleus of Slim Gaillards professional activity during December of 1945 was
a trio consisting of himself, singing bassist Tiny Bam Brown, and shuffle
drummer Zutty Singleton. The addition of pianist Dodo Marmarosa created a
modern-sounding quartet that hinted at stylistic changes very much in the air at
that time. Sixteen sides originally issued on the Atomic and Cadet labels
document this groups evolution over the course of three weeks. By 1945 Gaillard
had become extremely popular in the Los Angeles area, and his music was
beginning to sound quite different from that of his pre-war period. His
collaborations with Slam Stewart between the years 1938 and 1942 were peppered
with Stewarts inspired singing over the bowed bass. Bam Brown had a much
different approach, which was to echo Gaillards every utterance in a silly
little voice almost like that of a cartoon character. This was essentially a
bop-era vaudeville routine and it caught on quickly with West Coast audiences
eager for hip entertainment but largely distrustful of the less accessible face
of modern music as represented by serious, innovative young musicians from New
York. Gaillards topical humor made fun of everything in sight. During Jumpin at
the Record Shop he drops the names of famous DJs and popular entertainers, from
Carmen Miranda and Xavier Cugat to Spade Cooley, Bob Wills, Jack Benny, and Bob
Hope in addition to a solid roster of jazz luminaries including of course his
own bad self. On the Novachord Boogie Gaillard rocks away on what seems to have
been a rudimentary electric piano, sounding almost like a premonition of Sun Ras
Farfisa organ. But Gaillards main axe was the electrically amplified guitar, the
main force behind The Hop, which has a ferocious, explosive drum solo by Zutty
Singleton. This chronology builds up marvelously to the famous Slims Jam session
recorded for the Bel-Tone label on December 29, 1945, with an added front line
of Charlie Parker, Dizzy Gillespie, and Jack McVea, who Gaillard insists on
introducing as McVouty. These superb performances are greatly enhanced and
contextualized by this compilations unprecedented inclusion of all the records
made by Gaillards groups during December of 1945. Dizzy Boogie features Gaillard
at the piano and a cool bass solo with vocal accompaniment by Bam Brown, who
sounds more dignified than ever. Flat Foot Floogie and Popity Pop are
outstanding novelty jump tunes suffused with the leaders infectious sense of
humor. As a prime example of the intersection of innovative modern jazz and
immaculately hip shenanigans, Slims Jam, with Gaillard introducing each
participant in a smooth, laid-back voice, belongs among the very greatest
three-minute episodes in the entire history of recorded jazz.

 XLD LogExact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 10. July 2008, 11:36

Slim Gaillard / 1945 Vol. 2

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Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

 Track | Start | Length | Start sector | End sector 
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 1 | 0:00.33 | 2:47.45 | 33 | 12602 
 2 | 2:48.03 | 2:49.47 | 12603 | 25324 
 3 | 5:37.50 | 3:22.15 | 25325 | 40489 
 4 | 8:59.65 | 3:19.33 | 40490 | 55447 
 5 | 12:19.23 | 2:43.57 | 55448 | 67729 
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 8 | 20:44.08 | 3:13.00 | 93308 | 107782 
 9 | 23:57.08 | 2:43.42 | 107783 | 120049 
 10 | 26:40.50 | 2:59.35 | 120050 | 133509 
 11 | 29:40.10 | 2:50.55 | 133510 | 146314 
 12 | 32:30.65 | 3:01.20 | 146315 | 159909 
 13 | 35:32.10 | 3:20.53 | 159910 | 174962 
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 19 | 53:40.73 | 3:01.22 | 241573 | 255169 
 20 | 56:42.20 | 3:16.33 | 255170 | 269902 


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End of status report

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