Brian Tyler - Yellowstone (Original Television Series Soundtrack) '2018

Tracks list

Tracklist
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01. Yellowstone Theme
02. Returning
03. Through the Ages
04. The River
05. Regret
06. Wandering
07. Reunion
08. Let them Come
09. Expansive Horizons
10. Dawn
11. Trapped Souls
12. Mourning
13. Adagio
14. Proud Thieves
15. Lost and Found
16. Burying Secrets
17. Valley of the Soul
18. Stratus
19. Unimagined
20. Crimes of Heritage
21. Impressions
22. Code White
23. Shame Hurts the Most
24. Yellowstone Main Titles

“Yellowstone” is an American drama television series created by
Taylor Sheridan and John Linson that premiered on June 20, 2018 on Paramount
Network. It stars Kevin Costner, Wes Bentley, Kelly Reilly, Luke Grimes, Cole
Hauser, Dave Annable and Gil Birmingham. Yellowstone follows “the Dutton
family, led by John Dutton, who controls the largest contiguous ranch in the
United States, under constant attack by those it borders — land
developers, an Indian reservation, and America’s first National Park. It
is an intense study of a violent world far from media scrutiny — where
land grabs make developers billions, and politicians are bought and sold by the
world’s largest oil and lumber corporations. Where drinking water
poisoned by fracking wells and unsolved murders are not news: they are a
consequence of living in the new frontier. It is the best and worst of America
seen through the eyes of a family that represents both”. Taylor Sheridan
and Kevin Costner, count me in. Brian Tyler wrote the score. 

After writing a marvellous romantic score this year with “Crazy rich
Asians” it’s time for a different kind of composition. The bar is
set high, mr. Tyler, by Carlos Rafael Rivera with his “Godless” for
Westerns. The main “Yellowstone” theme gives me hope as it’s
rich and that violin actually makes me think of “Godless”. This is
the kind of main theme I like for a family saga, broad and serious. The
atmosphere of the score is just right for this type of story with a lot of
strings that evoke the vast landscape where it takes place and a certain weight
in the music, the weight of the emotional baggage of the characters. The cello
elegantly intervenes every now and then to add to that emotional weight. I like
how the music is often laid back, quiet and once again I get that unmistakable
Americana feel of long nights under the stars, of communion with nature, of
something completely different from the busy soundscape of a city. Once again
Brian Tyler shows and explores his more sensitive side and this particular score
is far, far away from his usual bombastic action material. 

I have always been a fan of the quiet, sparse sound of recent Westerns;
something about that mood just sits right with me, it’s my kind of music,
reflective, unaggressive, natural. This is the kind of score that can very
easily become a classic, a landmark. Every time the bow touches the strings
means something, expresses and emotions and shows that this score was written
carefully, intimately, to paint a landscape faithful to that of the TV show.
It’s amazing how much the music can focus on the natural surroundings and
emotion without dealing with anything else. I can imagine being in Yellowstone
Natural park, just sitting there somewhere and listening to this particular
score while my mind roams freely. It’s also amazing how I was having
these very thoughts while listening to a cue named “Wandering”
without knowing the title before. The music just spoke to me that way and really
what can I ask more from a composer than for his intended musical message to get
to me intact. Brian Tyler’s music is that good, that honest. 

But it’s not all about dreamy and reflective; when the action changes in
the story, so does the music and the strings get more raw, more aggressive like
in the visceral and chilling “Let them come”; Brian Tyler turns the
lights and the magic off instantly and turns towards horror music. The strings
stay relevant except they are played differently, they are abused, tortured
instead of caressed in the more dramatic moments of the score. From violin to
guitar to cello the identity of “Yellowstone” lies with the strings
that Brian Tyler controls like a master puppeteer and which he uses to tug at my
own emotional chords. 

It’s with scores like “Yellowstone” that Brian Tyler proves,
time after time, that he has the talent and craft to be amongst the greatest
ever; it’s his incredible range and his ability to sometimes channel that
immense talent and magic to the maximum. I’ve been a bit critical of his
output in the past 2 or 3 years because I felt he had gotten too content and
wasn’t hungry for writing a great score anymore but in 2018 he just comes
out swinging with this and “Crazy rich Asians”, two extremely
different scores but both great in their own way. For me,
“Yellowstone” is one of his best non action compositions, an
intimate orchestral gem and an album that for me will become a classic and a
favourite, one of those scores I will gladly and often come back to. Mark this
as one of the best scores of 2018 and do not miss it. Next to the aforementioned
“Godless”, this is a Western score to remember, with the extra
Americana touch.

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