Joshua Redman - Timeless Tales '1998
Artist | Joshua Redman Related artists |
Album name | Timeless Tales |
Country | |
Date | 1998 |
Genre | Jazz |
Play time | 63:32 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 389 MB(+3\%) | 150 MB(+3\%) |
Price | Download $3.95 |
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Pre-order albumTracks list
Tracklist 01. Summertime 02. Interlude 1 03. Visions 04. Yesterdays 05. Interlude 2 06. I Had a King 07. The Times They Are A-Changin 08. Interlude 3 ( 09. It Might as Well Be Spring 10. Interlude 4 11. How Deep Is the Ocean? 12. Interlude 3 13. Love for Sale 14. Interlude 6 15. Eleanor Rigby 16. Interlude 7 17. How Come U Dont Call Me Anymore? personnel : Joshua Redman - Saxophone (Alto), Saxophone (Soprano), Saxophone (Tenor) Brad Mehldau - Piano Brian Blade - Drums Larry Grenadier - Bass Picking up on Herbie Hancocks New Standards idea, borrowing some old standards, and splitting the total down the middle, Joshua Redman lends his warm fatback tone, arching skyward passages and a post-bop quartet concept to ten popular songs of the 20th century. Richard Rodgers, Cole Porter, Jerome Kern, Irving Berlin, and the Gershwins share space with the Beatles, Joni Mitchell, Bob Dylan, Stevie Wonder and Prince -- distinguished songwriters all, yet the scorecard tells us that the oldsters tunes consistently receive more interesting treatment than the rock/folk songs. Yesterdays is flexible enough to turn almost into an acoustic funk thing; How Deep Is the Ocean saunters along very soulfully; the near cha cha rhythm on Love for Sale pulls some inspired heat from Redman. On the other side of the divide, The Times They Are A-Changin isnt very interesting, where even tricky rhythm changes and an Eddie Harris-like high note coda cant pump up an earthbound performance. Eleanor Rigby fragments under a jazz waltz treatment presumably planned with Coltranes My Favorite Things in mind (Redmans soprano sounds desperately out of gas at the close). Oddly enough, a broadly funky Harris approach pays off on Princes How Come U Dont Call Me Anymore, the sole exception to the pattern. This is not to say that the rock/folk material is intrinsically inferior to the Tin Pan Alley standards -- no way. They simply do not translate very well into the language of the young neo-boppers, or at least, these neo-boppers on this given day. Brad Mehldau (piano), Larry Grenadier (bass) and Brian Blade (drums) make up the technically faultless, flexible piano trio, and most of the selections are separated by short, untitled interludes that usually grow more or less out of the preceding pieces. ~ Richard S. Ginell, All Music Guide FLAC MP3
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