Imogen Cooper - Le temps perdu '2021
24bit
| Artist | Imogen Cooper Related artists |
| Album name | Le temps perdu |
| Country | |
| Date | 2021 |
| Genre | Classical Piano |
| Play time | 01:23:19 |
| Format / Bitrate | 24 BIT Stereo 2429 Kbps / 96 kHz |
| Media | WEB |
| Size | 286 mb / 1.47 gb |
| Price | Download $8.95 |
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Tracks list
Tracklist 01. Valse nobles et sentimentales, M. 61: I. Modéré, très franc 02. Valse nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense 03. Valse nobles et sentimentales, M. 61: III. Modéré 04. Valse nobles et sentimentales, M. 61: IV. Assez animé 05. Valse nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime 06. Valse nobles et sentimentales, M. 61: VI. Vif 07. Valse nobles et sentimentales, M. 61: VII. Moins vif 08. Valse nobles et sentimentales, M. 61: VIII. Épilogue 09. Sonatine, M. 40: I. Modéré 10. Sonatine, M. 40: II. Mouvement de Menuet 11. Sonatine, M. 40: III. Animé 12. Les Jeux deaux à la Villa dEste, S. 163 No. 4 13. Jeux deau, M. 30 14. Hungarian Rhapsody No. 13, S. 244/13 15. Thème et variations, Op. 73: Thème. Andante moderato 16. Thème et variations, Op. 73: Variation I. Lo stesso tempo 17. Thème et variations, Op. 73: Variation II. Più mosso 18. Thème et variations, Op. 73: Variation III. Un poco più mosso 19. Thème et variations, Op. 73: Variation IV. Lo stesso tempo 20. Thème et variations, Op. 73: Variation V. Un poco più mosso 21. Thème et variations, Op. 73: Variation VI. Molto più moderato 22. Thème et variations, Op. 73: Variation VII. Allegretto moderato 23. Thème et variations, Op. 73: Variation VIII. Andante molto moderato 24. Thème et variations, Op. 73: Variation IX. Quasi Adagio 25. Thème et variations, Op. 73: Variation X. Allegro vivo 26. Thème et variations, Op. 73: Variation XI. Andante molto moderato 27. Réminiscences de Lucia di Lammermoor de Donizetti, S. 397 28. 6 Pezzi, P. 44: No. 3, Notturno Borrowing from the title of Proust’s great novel, the latest recital by Imogen Cooper features a collection of pieces that she learnt as a teenager in Paris, or in her twenties working with Alfred Brendel in Vienna, but none of which she has performed on the concert platform, or really played at all in the intervening years. Cooper studied in Paris from 1961 to 1967 with Jacques Février (who had known Ravel well), Yvonne Lefébure (who had known Alfred Cortot), and Germaine Mounier. She started to wonder about the messages from her teachers she would find on her scores, and about the nature of memory. She was also interested to see if the repertoire she has acquired since she learnt these pieces would change her view, or shed new light on them. This highly personal recital is an exemplar of Imogen Cooper’s outstanding pianism and musicianship. All publication of the user fantastik - IsraBox