Theo Travis - Secret Island '1996
Artist | Theo Travis Related artists |
Album name | Secret Island |
Country | |
Date | 1996 |
Genre | Jazz |
Play time | 01:01:19 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 380 mb |
Price | Download $3.95 |
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Pre-order albumTracks list
Tracklist 01. Lulworth Night 02. The Crow Road 03. After the Storm 04. Waterlily Boogie 05. Details 06. Out of Sight, Out of Mind 07. Three People 08. Full Moon Rising 09. Nostalgia in Times Square This is the third CD the British saxophonist has recorded for the 33Jazz label and an exciting one it is. Theo Travis second album, View From the Edge, was voted Best British Jazz CD of 1994 by the Jazz on CD readers/critics poll. Travis musical interests are in no way limited to jazz. Since May 1999 he has been part of the group Gong, whose music has been described as cosmic-psychedelic-jazz-improvised-progressive rock-space metal, etc. The psychedelic influence is apparent on Crow Road, with Travis soprano attempting to excise or feed the demons those 1960s-culture drugs begot. This cut notwithstanding, Secret Island offers over 60 minutes of music of varying moods by Travis and his able band members, augmented from time to time with invited guests. Out of Sight, Out of Mind has a calypso beat laid down by Gary Hammonds congas and Marc Parnells drums. The opener Lulworth Night is a heady and quite pretty musical dissertation by Travis and pianist David Gordon. The only song on the play list Travis didnt write, Charles Mingus Nostalgia in Times Square, is done as sophisticated swing featuring some excellent work by Gordon in McCoy Tyner mode. On this cut (one of the albums highlight tracks), Travis tenor assumes a light, delicate sound as Gary Hammond again adds a subtle calypso beat on congas. Waterlily Boogie belies its title, which hints at a bouncy syncopated tempo yet the track turns out to be melancholy, a mood Rob Stathams bowed bass helps to create. While Stathams contribution is notable, the tune is built around a very thoughtful tête-à -tête between Travis tenor and Gordons piano, revealing that their long association has led to an intuitive sense where each fully understands the others improvisional intent. Details builds on Gordons measured opening chords which act as a segue to Travis thoughtful sax, as the bass plucks along at a much faster pace underneath in contrast. The sax player does some very ruminative noodling on this track, surrounded by chilling chords extracted from John Etheridges guitar. The liner notes include an exhortation that this CD sounds even better loud. Very bad advice. The melodic and harmonic subtleties are lost when the volume is turned up. Travis must have been wearing his Gong hat when he suggested this. Recommended. Tenor Saxophone, Soprano Saxophone – Theo Travis Guitar - John Etheridge Bass – Rob Statham Drums – Marc Parnell Percussion – Gary Hammond Piano – David Gordon