Chelsea Carmichael - The River Doesn’t Like Strangers '2021
24bit
Artist | Chelsea Carmichael Related artists |
Album name | The River Doesn’t Like Strangers |
Country | |
Date | 2021 |
Genre | Jazz |
Play time | 01:00:17 |
Format / Bitrate | 24 BIT Stereo 1420 Kbps / 44.1 kHz |
Media | CD |
Size | 141 mb | 324 mb | 616 mb |
Price | Download $4.95 |
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Pre-order albumTracks list
Tracklist: 01. Chelsea Carmichael - There Is A Place (Its Not Here) 02. Chelsea Carmichael - All We Know 03. Chelsea Carmichael - Bone And Soil 04. Chelsea Carmichael - Myriad 05. Chelsea Carmichael - There Is You And You 06. Chelsea Carmichael - The Healer 07. Chelsea Carmichael - Noor 08. Chelsea Carmichael - The River Doesnt Like Strangers 09. Chelsea Carmichael - Hiaro/Hadali [quote]One thing you dont get on The River Doesnt Like Strangers is chorus after chorus of playing the changes 1950s or 60s style although Chelsea Carmichael can certainly do this on demand. Nor is there yards of minute improvisation around routines and familiar jazz licks that you might hear on a hundred records when players like to pretend they are their heroes and forget to be themselves. What you do however obtain is pithy statement, a lot of power and direct melodies that are grounded in an organic rhythmic development. Accessible, they have a catchy lilt to them but arent so simple that you tire of them either. The Warrington London-based player heard back in the summer live playing baritone saxophone with the Nu Civilisation Orchestra, is the first artist on Shabaka Hutchings label Native Rebel. Players joining the saxist choosing tenor on the record include Dave Okumu on guitar, Tom Herbert formerly of Polar Bear on bass, and Eddie Hick from Sons of Kemet with Shabaka producing. Choice Okumu-Herbert underpinning is significant in the fabric of the infrastructure of the sound in quite a few places and enhances the rawness that Carmichael especially cultivates on Noor when the saxist escapes the strictness of some of the settings on the record. Fractals right at the end is for me the best trip of all. Okumu is very atmospheric on it and Herberts insistent riffing is delicious. Carmichael finds a new angle on a melody that twists and turns highly melodically and morphs instead into an unlikely 21st century jazz lullaby. A very impressive album and one of the UKs best jazz releases of the year.[/qoute]
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Chelsea Carmichael
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