Tito Puente - El Rey Bravo / Tambo '1962, 1960 [2013]

Tracks list

This pairing of a supremely rare 1962 Tico LP and a heavy Afro-Cuban percussive
album from 1960 on RCA makes for essential early period listening by the
undisputed ‘King of the timbales’, Ernesto ‘Tito’
Puente. The recordings feature the cream of Latin musicians with Ray Barretto,
Carlos ‘Potato’ Valdes (present on both) and pianist/arranger Gil
López featuring among a host of others. The first album, ‘El Rey
Bravo’ is notable for the inclusion of an early version of what would
prove to be Tito Puente’s signature tune, ‘Oyé como va’
(Listen how it goes) which Santana re-envigorated some eight years later and, in
the process, greatly aided Puente’s career at a time when the big band
Latino sound had become somewhat passé for a new generation of Latin music
fans. A storming rendition of ‘Málanga con Yuca’ features an
incessant piano vamp and some wild flute from a then young Johnny Pacheco while
the instrumental ‘Tokio de noche’ fits very much into the
impressionistic attempts to depict Japan which other musicians at the time would
attempt, most notably Dave Brubeck and Horace Silver. Various folkloric rhythms
are showcased on the recording with the faster-paced
‘Gúaguancó’ being a steaming slice of a piano-led number
while ‘Son Montuno’ is only marginally less frenetic. The second
album is far more instrumental driven and could almost be described as a
introduction to Afro-Cuban percussion. However, a dancer’s delight of a
tune and sure to burn up the dancefloors of any era is the pacy big band plus
vocals ‘Traigo el coco seco’ (literally ‘My head is
dry’) while for Afro-Cuban specialists they need look no further than the
repetitive yet intoxicating rhythms of ‘Africa hablá’. This is
quite similar in nature to the kind of music that jazz drummer Art Blakey was
making on the two ‘Holiday for Skins’ volumes with a host of Latin
percussionists. A terrific duet of recordings, then, and how about pairing
Puente’s extremely rare ‘Carnival in Harlem’ with his
collaboration with La Lupe devoted to Puerto Rican music legend on
‘Homenaje a Rafael Hernandez’ (tribute to Rafael Hernandez)? Plenty
of music still to trawl in the immense Tito Puente archives, but this latest
offering will more than suffice for starters. íQue viva el rey! (Long live
the King!)
-- Tim Stenhouse


Tracks:

El Rey Bravo (1962)
01. Malanga con Yuca (2:32)
02. Oye Como Va (4:32)
03. Tokyo de Noche (2:35)
04. Tombola (2:29)
05. Traigo el Coco Seco (3:08)
06. Africa Habla (2:47)
07. Batacumba (2:24)
08. La Pase Gozando (3:21)
09. Tito Suena el Timbal (2:17)
10. Donde Vas (2:34)
11. Gato Miau, Miau (2:14)

Tambo (1960)
12. Dance of the Headhunters (3:12)
13. Call of the Junglebirds (2:27)
14. Rumba-Timbales (2:14)
15. The Ceremony of Tambo (2:36)
16. Velorio (2:12)
17. Cuero Pelao (2:11)
18. Jungle Holiday (2:24)
19. Guaguanco (2:32)
20. Ritual Drum Dance (3:27)
21. Witch Doctors Nightmare (2:38)
22. Son Montuno (2:55)
23. Voodoo Dance at Midnight (2:22)

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