Paula West - Live At Jazz Standard 'April 17, 2012
Artist | Paula West Related artists |
Album name | Live At Jazz Standard |
Country | |
Date | April 17, 2012 |
Genre | Jazz |
Play time | 01:06:46 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 355MB |
Price | Download $0.95 |
Order this album and it will be available for purchase and further download within 12 hours
Pre-order albumTracks list
Tracks 1 Baltimore Oriole 2 Like A Rolling Stone 3 Wichita Lineman 4 Romance In The Dark 5 Man Wanted 6 Nature Boy 7 Dont Think Twice 8 Where Flamingos Fly 9 Pocketful Of Miracles 10 Softly As In A Morning Sunrise 11 My Romance Paula West is a West coast-based jazz vocalist who has only recorded sporadically under her own name, though the soulful alto deserves to be more widely known. Her live meeting with pianist George Mesterhazys Quartet was recorded at New York Citys Jazz Standard before an attentive audience, with the band including veteran guitarist Ed Cherry, bassist Barak Mori, and drummer Jerome Jennings. West isnt one to hog the spotlight, she gives the instrumentalists plenty of space to show off their chops, while they provide her perfect accompaniment. The singers sassy take of Baltimore Oriole has the vigor of Carmen McRae, while Mesterhazys lyrical setting of Nature Boy helps West take this oft-played chestnut down a different path, along with judicious use of reverb by the engineer to accent her vocal in spots. There are a few less commonly heard songs, including Wests playful take of Pocketful of Miracles and Leonard Feathers obscure Man Wanted, the latter in which she captures the essence of its whimsical nature. Mesterhazy doubles on organ for Wests soulful take of Romance in the Dark. The vocalists inclusion of two Bob Dylan tunes (Like a Rolling Stone and Dont Think Twice) adds some novelty, though her sincere rendition of Jimmy Webbs Wichita Lineman (forever associated with country singer Glen Campbells hit record) intersperses Moris arco bass, Cherrys subtle guitar inflections, and Mesterhazys understated piano. Its nice to hear a jazz singer like Paula West who is not only willing to explore new paths to familiar standards, but is willing to risk tackling vintage pop songs not usually played on jazz dates, and long overlooked works as well. Sadly, this CD may have been George Mesterhazys swan song, as he died in the spring of 2012, around the time of this CDs release. Ken Dryden