Lights - Little Machines (Deluxe Version) '2014
24bit
Artist | Lights Related artists |
Album name | Little Machines (Deluxe Version) |
Country | |
Date | 2014 |
Genre | Pop |
Play time | 00:50:17 |
Format / Bitrate | 24 BIT Stereo 2429 Kbps / 96 kHz |
Media | WEB |
Size | 1 gb |
Price | Download $8.95 |
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Pre-order albumTracks list
Tracklist --------- 01. Portal 02. Running with the Boys 03. Up We Go 04. Same Sea 05. Speeding 06. Muscle Memory 07. Oil and Water 08. Slow Down 09. Meteorites 10. How We Do It 11. Dont Go Home Without Me 12. Child 13. Lucky Ones 14. From All Sides Canadian singer/songwriter Valerie Poxleitner Bokan (aka Lights) has built a loyal fan base with her emotive, often poetic electronic pop. On her third full-length album, 2014s Little Machines, Lights delves even further into a lyrical, poetic sound with a set of songs consciously written with her audience in mind. In that sense, Little Machines works as a stylistic juxtaposition from her equally as melodic, if more aggressive and sonically adventurous 2011 album, Siberia. With that album, Lights paired with Brian Borcherdt and Graham Walsh of Torontos indie electronic ensemble Holy Fuck, to help her expand her musical palette. The result was a mature, electro-punk affair that proved Lights had grown beyond the twee, synth-and-folk artist she started out as. That said, she remained at her core a writer of anthemic, heartfelt songs and Little Machines finds her embracing this role with a renewed sense of vigor. Also, since releasing Siberia, Lights married Blessthefall frontman Beau Bokan in 2012, and a year later, the couple had their first child. All of this informs the album, adding to the sense that while Siberia may have revealed a more mature sound for Lights, Little Machines is, in its own way, an album of growth. Furthermore, with maturity often comes the sense that less is more, and certainly that adage applies here with Lights pulling back from the frenetic, blown-out layers of Siberia and focusing her efforts on immediately hummable songs produced with just the right balance of synth, guitar, and electronic beats. Cuts like Running with the Boys and Muscle Memory are still very influenced by 80s new wave, without ever coming off as retro. Similarly, with the exuberant Up We Go, Lights finds a comfortable niche somewhere in between the dance rock of Paramore and the anthemic, electronic pop of Ellie Goulding. Ultimately, its Lights songwriting and her knack for marrying her grand pop inclinations to thoughtful and relatable real world emotions, as she does on the poignant ode to fidelity Dont Go Home Without Me, that reveals this little machine has a big heart. ~ Matt Collar
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- 2016 Midnight Machines [2]
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