Mikael Ayrapetyan - Ekmalian: Piano Works '2022
24bit
| Artist | Mikael Ayrapetyan Related artists |
| Album name | Ekmalian: Piano Works |
| Country | |
| Date | 2022 |
| Genre | Classical Piano |
| Play time | 01:15:45 |
| Format / Bitrate | 24 BIT Stereo 2429 Kbps / 96 kHz |
| Media | WEB |
| Size | 262 mb / 1.11 gb |
| Price | Download $9.95 |
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Tracks list
Tracklist 01. Nocturne for Piano 02. Song Without Words 03. 10 Armenian Folk Songs: No. 1, Heriq Ordeakq 04. 10 Armenian Folk Songs: No. 2, Chem krna khaha 05. 10 Armenian Folk Songs: No. 3, Pzti tha 06. 10 Armenian Folk Songs: No. 4, Baher, duq kanancheceq 07. 10 Armenian Folk Songs: No. 5, Berdice dur ela, Alagyaz tesa 08. 10 Armenian Folk Songs: No. 6, Hov areq, Sarer jan 09. 10 Armenian Folk Songs: No. 7, Chakharyaq - No. 8, Zhohovrdakan 10. 10 Armenian Folk Songs: No. 9, Araz e heshtacel a 11. 10 Armenian Folk Songs: No. 10, Tsamtel 12. 3 Armenian Folk Esquisses: No. 1, — 13. 3 Armenian Folk Esquisses: No. 2, — 14. 3 Armenian Folk Esquisses: No. 3, — 15. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 1, Horurd horin anhasanrskihbn 16. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 19, Surb, Surb 17. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 23a, Amen, Hayr erknavor 18. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 23b, Hoki Astuco 19. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 9, Marmin Terunakan 20. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 27, Hayr mer 21. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 28, Ev end hogvo qu 22. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 29, Miayn surb - No. 30a, Miayn surb 23. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 31a, Ter vohormya 24. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 30c, Amen Hayr Surb 25. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 31c, Ter vohormya 26. Patarag (Excerpts Arr. M. Ayrapetyan for Piano): No. 32, Orhnyal e Astuac Makar Grigori Ekmalian, a student of Rimsky-Korsakov, played a significant role in the development of Armenian music in the 19th and 20th centuries, expanding its genre boundaries and contributing to the formation of a new national musical language. The folk-song arrangements represent Ekmalian’s skill in blending Armenian lyrical expressiveness with European stylistic colors. His magnum opus, the Patarag (Divine Liturgy) was canonized in 1895, and is still in use by the Armenian Church today. This album of world première recordings by the acclaimed Armenian pianist Mikael Ayrapetyan are performed from the composer’s unpublished manuscripts.