Klaus Schulze - La Vie Électronique, Vol. 2 '1972/2009
Artist | Klaus Schulze Related artists |
Album name | La Vie Électronique, Vol. 2 |
Country | |
Date | 1972/2009 |
Genre | Experimental |
Play time | 03:51:54 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 538.4 MB / 1.3 GB |
Price | Download $8.95 |
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Tracklist: ____________________________ Klaus Schulze - La Vie Électronique, Vol. 2 (2009) FLAC CD01 (5 / 1:19:30) ------------------------------------------------------- [20:40] 01. Klaus Schulze - North of the Yukon [16:12] 02. Klaus Schulze - Nightwind [11:37] 03. Klaus Schulze - Minuet [22:35] 04. Klaus Schulze - Signs of Dawn [8:28] 05. Klaus Schulze - Study for Phillip K. Dick Klaus Schulze - La Vie Électronique, Vol. 2 (2009) FLAC CD02 (10 / 1:19:44) ------------------------------------------------------- [6:01] 01. Klaus Schulze - Geburt der Moderne [7:22] 02. Klaus Schulze - Devil May Care [3:17] 03. Klaus Schulze - Les 7 boules de cristal [7:01] 04. Klaus Schulze - On a marché sur la lune [16:41] 05. Klaus Schulze - Der Schrecken vom Amazonas [1:32] 06. Klaus Schulze - Schier unendlich [10:26] 07. Klaus Schulze - Chaos [9:27] 08. Klaus Schulze - Gaia [7:14] 09. Klaus Schulze - Uranos [10:47] 10. Klaus Schulze - Electric Love Affair Klaus Schulze - La Vie Électronique, Vol. 2 (2009) FLAC CD03 (8 / 1:12:54) ------------------------------------------------------- [11:12] 01. Klaus Schulze - Land der leeren Häuser [14:48] 02. Klaus Schulze - Studies for Organ, Keyboards and Drumset [9:07] 03. Klaus Schulze - Memento Mori [9:50] 04. Klaus Schulze - Tooth of Time [9:25] 05. Klaus Schulze - Every Inch a King [7:07] 06. Klaus Schulze - Chronique scandaleuse [4:26] 07. Klaus Schulze - Con amore [7:02] 08. Klaus Schulze - Last Not Least ___________________ ABOUT THE ALBUM 3 disc(s) - 23 track(s) Total length: 03:51:54 Main artist: Klaus Schulze Composer: Klaus Schulze Label: M.i.G - music GmbH Genre: Experimental, Ambient, Berlin-School 16-Bit CD Quality 44.1 kHz - Stereo 1972 M. i. G. - music GmbH _________________________________________ ALBUM DESCRIPTION Volume Two (three CDs) in this series reissuing all the material found on the long out of print Ultimate Edition box sets (for more background on the series as a whole, see La Vie Electronique 1) is much more interesting than volume one, and the pick of the first six volumes. The music comes from 1972-1975 (but mostly 1972-1973), a rich period of experimentation, as Schulze was gradually forging what would be known as his "classic" sound, nearly palpable by "Blaue Stunde," the 38-minute piece from 1975 concluding the set. This second installment contains more finished works than the drafts-and-jams-packed volume one. "Das große Identifikationsspiel" (42 minutes) is a very good suite of rather experimental music written for a science fiction radio drama by Alfred Behrens. The 27-minute "Titanensee" was done with a ballet in mind, never to be produced; again, it is a strong work in Schulze's experimental vein. However, the undisputed highlight of volume two is a whole album's worth of collaborations with Hans-Jörg Stahlschmidt, a project that had been brought to completion, only to gather dust on a record company's shelves. On this set of tracks, Schulze steps outside of his usual style, his partner's acoustic guitar and vocals (Schulze also plays some acoustic backing) drawing the music close to Popol Vuh territory. For fans curious about Schulze's artistic development, this volume is the one to get, as you can see him trying out ideas and working on collaborations with other artists, and even other art forms. © François Couture /TiVo ______________________ Второй том (три компакт-диÑка) в Ñтой Ñерии, переиздающий веÑÑŒ материал, найденный на давно вышедших из печати бокÑ-Ñетах Ultimate Edition (Ð´Ð»Ñ Ð¿Ð¾Ð»ÑƒÑ‡ÐµÐ½Ð¸Ñ Ð´Ð¾Ð¿Ð¾Ð»Ð½Ð¸Ñ‚ÐµÐ»ÑŒÐ½Ð¾Ð¹ информации о Ñерии в целом Ñм. La Vie Electronique 1), гораздо интереÑнее, чем первый том, и выбор первых шеÑти томов. Музыка приходит из 1972-1975 (но в оÑновном 1972-1973), богатого периода ÑкÑпериментов, поÑкольку Шульце поÑтепенно Ñоздавал то, что было бы извеÑтно как его «клаÑÑичеÑкое» звучание, почти ощутимое «Blaue Stunde», 38-минутной пьеÑой 1975 года, завершающей Ñет. Ðта Ð²Ñ‚Ð¾Ñ€Ð°Ñ Ñ‡Ð°ÑÑ‚ÑŒ Ñодержит больше готовых работ, чем черновики и джемы первого тома. «Das große Identifikationsspiel» (42 минуты) — очень Ñ…Ð¾Ñ€Ð¾ÑˆÐ°Ñ Ñюита довольно ÑкÑпериментальной музыки, напиÑÐ°Ð½Ð½Ð°Ñ Ð´Ð»Ñ Ð½Ð°ÑƒÑ‡Ð½Ð¾-фантаÑтичеÑкой радиодрамы Ðльфреда БеренÑа. 27-минутный «Титанензее» был Ñделан Ñ ÑƒÑ‡ÐµÑ‚Ð¾Ð¼ балета, который никогда не будет поÑтавлен; опÑÑ‚ÑŒ же, Ñто ÑÐ¸Ð»ÑŒÐ½Ð°Ñ Ñ€Ð°Ð±Ð¾Ñ‚Ð° в ÑкÑпериментальном ключе Шульце. Тем не менее, беÑÑпорной изюминкой второго тома ÑвлÑетÑÑ ÑотрудничеÑтво целого альбома Ñ Hans-Jörg Stahlschmidt, проект, который был доведен до конца, только чтобы пылитьÑÑ Ð½Ð° полках звукозапиÑывающей компании. Ðа Ñтом наборе треков Шульце выходит за рамки Ñвоего обычного ÑтилÑ, акуÑтичеÑкой гитары и вокала Ñвоего партнера (Шульце также играет некоторую акуÑтичеÑкую поддержку), Ð¿Ñ€Ð¸Ð±Ð»Ð¸Ð¶Ð°Ñ Ð¼ÑƒÐ·Ñ‹ÐºÑƒ к территории Пополь Вух. Ð”Ð»Ñ Ð¿Ð¾ÐºÐ»Ð¾Ð½Ð½Ð¸ÐºÐ¾Ð², интереÑующихÑÑ Ñ…ÑƒÐ´Ð¾Ð¶ÐµÑтвенным развитием Шульце, Ñтот том - тот, который нужно получить, так как вы можете видеть, как он пробует идеи и работает над ÑотрудничеÑтвом Ñ Ð´Ñ€ÑƒÐ³Ð¸Ð¼Ð¸ художниками и даже другими формами иÑкуÑÑтва. © ФранÑуа Кутюр /TiVo *****************************
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