Ry Cooder - Crazy About An Acoustic Guitar '2014
Artist | Ry Cooder Related artists |
Album name | Crazy About An Acoustic Guitar |
Country | |
Date | 2014 |
Genre | Rock |
Play time | 01:19:14 |
Format / Bitrate | Stereo 1420 Kbps
/ 44.1 kHz MP3 320 Kbps |
Media | CD |
Size | 414 mb |
Price | Download $3.95 |
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Pre-order albumTracks list
Tracklist 01. Too Tight Blues No. 2 02. FDR In Trinidad 03. The Tattler 04. Crazy About An Automobile 05. I Can Tell By The Way You Smell 06. Kentucky Blues 07. One Meatball 08. How Can A Poor Man Stand Such Times And Live 09. Preacher 10. Vigilante Man 11. Police Dog Blues 12. Comin' In On A Wing And A Prayer 13. Tuning - Song Intro 14. Great Dream From Heaven 15. Tuning - Song Intro 16. Floating Bridge 17. Tuning - Song Intro 18. Floating Bridge 19. Billy The Kid 20. Diddy Wah Diddy 21. Jesus Is On The Mainline 22. Going To Brownsville The Bottom Line, New York City, NY – May 16, 1974 – Too Tight Blues No.2, FDR In Trinidad, The Tattler, Crazy About An Automobile, I Can Tell By The Way You Smell, Kentucky Blues, One Meatball, How Can A Poor Man Stand Such Times And Live, Preacher, Vigilante Man WMMS FM Broadcast, “Radio Ranchâ€, Cleveland, OH – December 12, 1972 – Police Dog Blues, Comin’ In On A Wing And A Prayer, Tuning/Song Intro, Great Dream From Heaven, Tuning/Song Intro, Clean Up At Home, Tuning/Song Intro, Folding Bridge, Billy The Kid, Diddy Wah Diddy, Jesus Is On The Mainline, Going To Brownsville Ry Cooder’s multi-genre style mostly spans blues, country, gospel, folk, and calypso but ultimately knows no boundries. The late 60’s saw Ry as a session man and collaborator to many talents such as The Rolling Stones, Randy Newman, and Lowell George to name just a few. He is even rumored to have shown Keith Richards his 5-string open G tuning that Keith lives by now during these late 60’s sessions. The main portion of the disc was recorded at The Bottom Line in New York and features a solo performance that comes from an excellent crystal clear soundboard recording. A master of fingerstyle and downright dangerous with a slide, only his vocal lacks a bit but is good enough to accomplish exactly what he was after. What Ry delivers is no less than an amazing acoustic performance touching upon many acoustic styles. The show borders on what would now be considered a “Storytellers†type of concept. He shares an intimate rapport with the crowd and certainly captures the attention of those in his presence. He was releasing his forth LP, Paradise And Lunch, this month but only includes “Tattler†in this particular performance. A good portion of his material always included interpretations of traditional folk and “roots musicâ€. His mandolin playing on “Kentucky Blues†is incredible and other highlights from the show include “TooTight Blues No. 2â€, “Crazy About An Automobileâ€, “I Can Tell By The Way You Smellâ€, a humorous “One Meatballâ€, and an eight minute “How Can A Poor Man Stand Such Times And Liveâ€. This show was previously featured on the bootleg Travelin’ Man (Gold Standard) but this particular stereo version is reported to be superior to any previous release but slightly less complete missing “Billy The Kidâ€, “Diddy Wah Diddyâ€, and “Going To Brownsvilleâ€. The second half of the disc is taken from the WMMS FM Broadcast “Radio Ranch†from Cleveland, Ohio on December 12th, 1972. The sound quality is very good soundboard, although inferior to The Bottom Line gig. This broadcast is used to fill out the disc and doesn’t contain the complete tape. It is missing “Tattlerâ€, “You’re Gonna Need Somebody On Your Bondâ€, “FDR In Trinidadâ€, and “Dark Was The Nightâ€. This performance is similar in format to The Bottom Line where Ry tells a few stories during his song introductions. This again comes from a nice solo acoustic performance and Cooder is featured on mandolin for “Clean Up At Homeâ€, “Folding Bridgeâ€, “Billy The Kidâ€, and “Going To Brownsvilleâ€. There is a small drop-out at 2:09 in “Comin’ In On A Wing And A Prayer†that appears to be the only minor flaw in what is included from the broadcast. Godfather’s choice of artists never ceases to amaze me and has catered to the well rounded collector. These are both great recordings that definitely deserve the Godfather treatment, especially The Bottom Line performance. This comes packaged in the labels usual tri-fold cardboard sleeve with several pictures of Cooder throughout and includes a short essay. This along with the superb sound quality makes this a set definitely worth owning. All publication of the user fantastik - IsraBox
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