Sidney Bechet - The Chronological Classics: 1949, Vol. 2 '2001

Tracks list

Tracklist

01. I Can't Believe That You're in Love with Me (2:42)
02. Indiana (3:20)
03. Festival Blues (2:38)
04. I'm Through, Goodbye (2:49)
05. Love Me with a Feeling (3:20)
06. Waste No Tears (3:08)
07. Box Car Shorty (3:10)
08. The Broken Windmill (3:11)
09. Without a Home (3:08)
10. Ce Mossieu qui parle (3:40)
11. Buddy Bolden Story (3:40)
12. Bechet Creole Blues (3:16)
13. Anita's Birthday (2:43)
14. Les oignons (2:44)
15. Ridin' Easy Blues (3:13)
16. Blues in Paris (3:21)
17. Panther Dance (2:59)
18. Orphan Annie's Blues (3:31)
19. Happy Go Lucky Blues (3:25)
20. Klook's Blues (3:21)
21. American Rhythm (2:55)
22. Out of Nowhere (3:03)
23. Mon homme (2:57) 

During the last decade of his life, Sidney Bechet spent ever more of his time in
Europe, especially in Paris, where he was revered as a hero and cultural icon.
This tenth installment of Bechet's complete recordings in chronological order
presents three Parisian sessions and a Circle Records date with Bechet as
featured soloist with the Bob Wilber Orchestra in New York. Wilber's band
mingled seasoned old-timers like Pops Foster and Jimmy Archey with younger
talent like Dick Wellstood. The material dished up by this group is delightfully
varied. "I'm Through, Goodbye" is a smoothly bubbling strut, "Waste No Tears" a
thoughtful reverie, and "Without a Home" a sanguine study in blue. During the
sensuous "Love Me With a Feeling," Bechet talks to his woman about passion and
demonstrates precisely what he means with the soprano sax. "The Broken Windmill"
is a vigorous, slightly frantic stomp propelled by Pops Foster's booming bass.
"Box Car Shorty," billed as "A Dixieland Calypso," has an authentic West Indian
vocal by the Duke of Iron. Speaking of which -- "Ce Mossieu Qui Parle," the
opening track from Bechet's Parisian session of October 14, 1949, sounds like an
extension of his "Original Haitian Music" session with Willie "The Lion" Smith
from November of 1939, although here Bechet has more room to improvise over the
polyrhythmic changes. "Buddy Bolden Story," the famous melody established by
Jelly Roll Morton, contains a humorous anecdote told in French by Bechet in
conversation with Claude Luter after a bouncy introduction. "Bechet Creole
Blues" is deep and dark, as serious as your life. "Anita's Birthday" is actually
"Do the Hucklebuck," the pop song based on licks pilfered from Charlie Parker's
"Now's the Time." "Les Oignons" -- very popular among the French -- is a jaunty
hop dotted with periodic full stops. Bechet's rendition of Ma Rainey's "Ridin'
Easy Blues" is blown in huge gusts of soul. "Blues in Paris" is a slow interlude
for soprano sax and rhythm. "Panther Dance" is the old "Tiger Rag," served with
roasted peppers. The last six selections presented here are particularly
exciting, as listeners get to hear Bechet interacting with percussionist Kenny
"Klook" Clarke. They exchange ideas during a paired passage on "Klook's Blues"
and commandeer "American Rhythm" in its entirety as a saxophone/drum duet.
Clarke generates thunderous textures that presage what Art Blakey would sound
like ten years later.
 EAC LogExact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 19. February 2014, 21:10

Sidney Bechet / Chronological 1949 vol. 2

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Gap handling : Appended to previous track

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Sample format : 44.100 Hz; 16 Bit; Stereo


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 22 | 66:11.70 | 3:03.17 | 297895 | 311636 
 23 | 69:15.12 | 2:56.59 | 311637 | 324895 


Track 1

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All tracks accurately ripped

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