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Dazz Band - Fresh Takes (Live) '2018

Fresh Takes (Live)
ArtistDazz Band Related artists
Album name Fresh Takes (Live)
Country
Date 2018
GenreFunk
Play time 41:37
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 270 MB
PriceDownload $2.95
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Tracks list

Tracklist:

1. Swoop(Live) (05:04)
2. Knock Knock(Live) (05:27)
3. Joystick(Live) (05:42)
4. Let It Whip(Live) (07:41)
5. Let It All Blow(Live) (05:30)
6. There I Go(Live) (05:15)
7. Keep It Live(Live) (06:55)


 moreThe roots of the Dazz Band are in Mother Braintree and Bell Telephunk,
related bands active during the early to mid-'70s. (Studio recordings by both
acts didn't surface until 2017.) In 1976, the latter grew into Kinsman Dazz,
named after the Kinsman Grill Lounge -- where they were the house band -- and an
abbreviation of their "danceable jazz" concept. Signed to 20th Century Fox, they
debuted in 1978 with Kinsman Dazz, produced by Earth, Wind & Fire's Philip
Bailey and Ralph Johnson, and Tommy Vicari. The band recorded the 1979 follow-up
Dazz with the likes of Bailey, Vicari, and Pat Glasser. A ballad from each album
-- "I Might as Well Forget About Loving You," and then "Catchin' Up on Love,"
written by founding member Bobby Harris -- entered Billboard's R&B chart and
peaked within its upper half.

After two albums as Kinsman Dazz, the group signed with Motown and became known
as the Dazz Band. The lineup featured saxophonist Bobby Harris, lead vocalist
and trumpeter Sennie "Skip" Martin, trumpeter Pierre DeMudd, trombonist Ed
Myers, guitarists Michael Calhoun and Eric Fearman, keyboardist Kevin Kendrick,
percussionist Kenny Pettus, and brothers Issac Wiley and Michael Wiley
respectively on drums and bass. From the start, most of the members also sang
background -- their group harmonies an essential component of their attack. The
move to Motown brought about a long-term partnership with Reggie Andrews, an
educator, producer, songwriter, and musician then known most for his extensive
work with protégé Patrice Rushen (who coincidentally arranged the strings
for Kinsman Dazz). The Dazz Band made their Motown debut in 1980 with Invitation
to Love, through which Earth, Wind & Fire comparisons started to diminish with
help from Harris and Calhoun's "Shake It Up" (number 65 R&B) and the Calhoun and
DeMudd ballad "Invitation to Love" (number 51 R&B).

Reggie Andrews and close associate Leon "Ndugu" Chancler then presented the
group with a party anthem brought to life as the slick "Let It Whip" on the 1982
breakthrough second album, Keep It Live. A crossover smash, "Let It Whip" topped
the R&B singles chart, almost crowned the dance chart, and reached number five
on the Hot 100, driving the parent album to the top of the R&B albums chart,
number 14 on the Billboard 200, and eventual gold status. Call-and-response
follow-up single "Keep It Live (On the K.I.L)" became a number 20 R&B single,
and "Let It Whip" subsequently won Best R&B Performance by a Duo or Group with
Vocal at the 25th Annual Grammy Awards. By the end of 1982, the Dazz Band had
also released their third Motown album, On the One. The set yielded three
charting A-sides including the number nine R&B hit "On the One for Fun," another
Andrews/Chancler composition. The rapid development during these years included
some turnover in membership. Before the breakthrough, Ed Myers, Michael Calhoun,
and Kevin Kendrick were out of the band, and synthesizer player Steve Cox joined
up. Daytonian keyboardist Keith Harrison, formerly of Faze-O and Heatwave, was
added to the lineup between the 1982 LPs.

The Dazz Band cut three more Motown full-lengths. Reggie Andrews continued to
produce the band with Bobby Harris for 1983's Joystick and 1984's Jukebox.
Characteristically high-energy singles "Joystick," "Swoop (I'm Yours)," and "Let
It All Blow," followed by Andrews and Harris' sparkling quiet storm change-up
"Heartbeat," all placed either within or just outside the R&B Top Ten. The
high-tech "Let It All Blow," written by Harris and Keith Harrison, followed "Let
It Whip" and "Joystick" as the band's third Hot 100 single, and fared even
better on the U.K. pop chart, landing there at number 12. Harris produced the
Dazz Band's last Motown effort, Hot Spot. Released in 1985, Hot Spot added
ex-Pleasure guitarist Marlon McClain to the mix (for the long term) in place of
the departed Eric Fearman. It narrowly missed becoming the band's fifth straight
Top 20 R&B album despite a strong showing from the title song, which peaked
almost identically on the R&B singles chart.

After they parted ways with Motown, the Dazz Band were briefly signed to Geffen.
They released the Bobby Harris-produced Wild & Free in 1986 with former New
Birth vocalist Jerry Bell replacing Skip Martin as frontman, and Kenny Pettus
expanding his long-standing role as percussionist to replace Isaac Wiley at the
drum kit. Reggie Andrews returned to arrange strings. The swinging "Love M.I.A."
and rocking "Wild & Free" placed in the 40s of the R&B chart. Two years later,
smack in the middle of the new jack swing era, Rock the Room arrived as the
ninth Dazz Band LP. The band's lone RCA recording spawned a trio of charting
singles with varied production. "Anticipation," a collaboration with Eumir
Deodato, showcased new co-lead vocalist Juan Lively, previously one-half of
Voyeur (beside Michael Calhoun). The Ish Ledesma-produced "Single Girls" was
most successful, the band's last Top 20 R&B hit.

Bobby Harris continued to lead the Dazz Band through myriad lineup changes and
sporadic recording activity that contemporized their classic early-'80s funk
sound. In the late '90s, the group returned to the studio and independently
released Under the Streetlights, Double Exposure, and Here We Go Again in
consecutive years. During this phase, the band was co-fronted by Terry Stanton,
a new addition, and Skip Martin, who re-joined after a stint with Kool & the
Gang. Original Pleasure bassist Nathaniel Phillips became Marlon McClain's
bandmate again as a worthy replacement for Michael Wiley, who died in 1993.
Around this time, Harris organized the UWF All-Stars ("United We Funk") with
members of the Dazz Band and peers such as the S.O.S. Band, Con Funk Shun, the
Bar-Kays, and the Gap Band's Charlie Wilson, along with help from Tom Joyner as
presenter. The Dazz Band returned in 2001 with Time Traveler, a studio LP that
led with a cover of Norman Connors' "You Are My Starship." Five years later,
Stanton was murdered in Los Angeles. Pierre DeMudd died in 2017, followed by
Isaac Wiley in 2023. The Dazz Band have built on their legacy with Harris, Skip
Martin, Keith Harrison, and McClain forming the core of their continuing live
lineup. © Andy Kellman



Dazz Band - Fresh Takes.rar - 270.5 MB