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Gene Krupa - The Chronological Classics: 1941-1942 '1999

The Chronological Classics: 1941-1942
ArtistGene Krupa Related artists
Album name The Chronological Classics: 1941-1942
Country
Date 1999
GenreJazz
Play time 61:48
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 145 MB(+3%)
PriceDownload $1.95
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Tracks list

Tracklist

01. I Think of You (3:03)
02. How Do? (3:17)
03. Coppin' a Plea (2:38)
04. Bolero at the Savoy (2:50)
05. Skylark (3:09)
06. Bolero at the Savoy (2:52)
07. Thanks for the 'Boogie' Ride (3:11)
08. Keep 'Em Flying (2:54)
09. Day Dreaming (3:13)
10. Tropical Magic (3:03)
11. Night of Nights (2:53)
12. Pass the Bounce (2:55)
13. All Through the Night (3:08)
14. Ball of Fire (3:03)
15. Side by Side (2:55)
16. The Caissons Go Rolling Along (2:14)
17. Harlem on Parade (2:46)
18. The Marines' Hymn (2:27)
19. Fightin' Doug McArthur (2:55)
20. That's What You Think (3:12)
21. Me and My Melinda (3:10) 

Gene Krupa's big band made a sizable number of records for OKeh and Columbia
during the 1940s, with gaping holes in the chronology caused by a World War and
two AFM recording bans. The Classics reissue label presents all of this material
in chronological order, with this volume covering a time line from October 1941
to February 1942. The main attractions throughout are perky, sensual vocalist
Anita O'Day and trumpet archetype Roy "Little Jazz" Eldridge, who is
particularly exciting on the instrumental "Ball of Fire." This disc just happens
to contain some of O'Day's tastiest performances; "Skylark" and "Side by Side"
are richly rewarding, as is a previously unreleased take of Jimmy Mundy's
"Bolero at the Savoy." She also demonstrates a penchant for scat singing on the
disarmingly cool "That's What You Think." Safer and more conventional pop vocals
were emitted by Giovanni Alfredo di Simone, a wholesome young fellow from
Detroit known in the music business as Johnny Desmond. Given the
militaristically inclined material chosen by many of the big bands during the
months preceding the Japanese attack on Pearl Harbor, it is clear that the U.S.
was preparing for war. During Gene Krupa's recording session of June 5, 1941,
Howard DuLany had sung "'Til Reveille," a sentimental offering directed at armed
forces personnel who were separated from their loved ones (see Classics 1006,
Gene Krupa 1941, Vol. 2). On November 25, 1941, Johnny Desmond chortled away
during "Keep 'Em Flying," a zealous paean to the war effort that predates said
war by nearly two weeks. By January and February of 1942, Desmond was in full
harness with "The Marines' Hymn" and "The Caissons Go Rolling Along." By August
of that year Desmond would find himself playing cymbals in the United States Air
Force Band. His next involvement with a jazz-inflected big band would be as a
member of the Glenn Miller Orchestra. Meanwhile, Anita O'Day paid dutiful
tribute to "Fightin' Doug MacArthur" and even saluted Afro-American soldiery
with "Harlem on Parade," a cousin to Irving Berlin's "That's What the
Well-Dressed Man in Harlem Will Wear." These tracks prove that she could handle
any subject matter without copping out or losing her cool. Here, then, is a
variegated slice of history, packed with equal parts jazz and U.S. pop culture.
The CD booklet contains a vintage photograph of Anita O'Day, looking dolled up
and more than slightly dangerous.
 EAC LogExact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 13. October 2013, 10:42

Gene Krupa and His Orchestra / Chronological 1941-1942

Used drive : Optiarc BD ROM BC-5550H Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

 Track | Start | Length | Start sector | End sector 
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 1 | 0:00.32 | 3:02.45 | 32 | 13726 
 2 | 3:03.02 | 3:16.52 | 13727 | 28478 
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 4 | 8:57.18 | 2:49.68 | 40293 | 53035 
 5 | 11:47.11 | 3:08.44 | 53036 | 67179 
 6 | 14:55.55 | 2:51.58 | 67180 | 80062 
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 9 | 23:52.42 | 3:12.46 | 107442 | 121887 
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 11 | 30:08.11 | 2:53.04 | 135611 | 148589 
 12 | 33:01.15 | 2:55.19 | 148590 | 161733 
 13 | 35:56.34 | 3:07.49 | 161734 | 175807 
 14 | 39:04.08 | 3:02.60 | 175808 | 189517 
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 19 | 52:28.68 | 2:55.11 | 236168 | 249303 
 20 | 55:24.04 | 3:11.40 | 249304 | 263668 
 21 | 58:35.44 | 3:10.01 | 263669 | 277919 


Track 1

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Track 2

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Track 16

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Track 17

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Track 18

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Track 20

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Track 21

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All tracks accurately ripped

No errors occurred

End of status report

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