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Gianluca Cascioli - Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 & "Grande sonate pathétique", Op. 13 '2024

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Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 &
ArtistGianluca Cascioli Related artists
Album name Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 & "Grande sonate pathétique", Op. 13
Country
Date 2024
GenreClassical Piano
Play time 01:08:09
Format / Bitrate 24 BIT Stereo 5375 Kbps / 192 kHz
Media WEB
Size 286 mb / 2.55 gb
PriceDownload $8.95
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Tracks list

Tracklist

01. 2 Rondos, Op. 51: No. 1, Rondo in C Major
02. Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto
03. Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto
04. Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto. Allegro
05. Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo. Allegro
06. Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": I.
Grave - Allegro di molto e con brio
07. Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": II.
Adagio cantabile
08. Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": III.
Rondo. Allegro
09. Piano Sonata No. 12 in A Flat-Major, Op. 26: I. Andante con variazioni
10. Piano Sonata No. 12 in A Flat-Major, Op. 26: II. Scherzo. Allegro molto
11. Piano Sonata No. 12 in A Flat-Major, Op. 26: III. Marcia funebre sulla morte
d’un Eroe
12. Piano Sonata No. 12 in A Flat-Major, Op. 26: IV. Allegro



Beethoven's music has always lain at the heart ofGianluca Cascioli's research
into interpretation. Whatdistinguishesthe present workis above all the choice of
instrument: a fortepiano modelled on an 1805 Anton Walter built by Paul
McNulty,an instrument equipped with both a moderator and theuna cordastop, like
the one that Beethoven asked the same builder to make in 1802. The recording is
in fact dedicated to works composed and published between the years 1796 and
1802.

The interest in historical performance practices and original sources, which has
increasingly become a defining mark of Cascioli's performances, is another
evident characteristic of this new recording, which features, among other
things, arpeggiated chords, embellishments, ornamented fermatas and the use of
rubato.All decisions on such matters, however, are always firmly founded on the
sources, methods and treatises of Beethoven's own day, asthe artisthimself
explains in the interview included in the liner notes.Casciolihas now arrived at
his twelfth recording of works by thegreatcomposer-the first forArcana,after
many issued ondistinguishedlabels likeDeutsche GrammophonandHarmonia Mundi.



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Gianluca Cascioli


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