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3 Pairs of Boots - Boot Scootin' '2024

24bit
Boot Scootin'
Artist3 Pairs of Boots Related artists
Album name Boot Scootin'
Country
Date 2024
GenreAmericana,Country
Play time 00:40:47
Format / Bitrate 24 BIT Stereo 1420 Kbps / 44.1 kHz
Media WEB
Size 275 / 479 mb
PriceDownload $3.95
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Tracks list

Tracklist

01. Boot Scootin'
02. Tempt My Fate
03. Please Tell Me
04. Upon a High Horse
05. Long Rider
06. Reno
07. Lost & Found
08. Dark Sun Rising
09. My American Boy
10. Runaway

A tax accountant and a punk walk into a bar lugging their gear—and no,
that’s not the opening line of a bad joke. That’s 3 Pairs of
Boots, a California-based Americana duo whose fourth album, Boot
Scootin’, is out this Friday. Andrew Stern and Laura Arias, who married
within a year of meeting via his “singer wanted” ad, cite such
influences as Buffalo Springfield, the Byrds, Johnny Cash and Shania Twain, but
their sound also incorporates flashes of Fleetwood Mac and Tom Petty. I hear
Highway 101 in spots, too. 

To return to the lede: When they met, he was balancing a weekday career in San
Francisco with pursing music at night and on weekends, while she—though a
punk in spirit—sang in a hard rock/metal group and, later, an
’80s-styled rock band. It wasn’t until he sold his business in the
late ‘10s that music became a full-time gig.

Boot Scootin’ is a strong set of twang-infused Americana that features an
occasional AOR vibe. The lively title track ably conveys the mood of 9-to-5ers
seeking weekend relief by kicking up the dust on a dance floor. “Tempt My
Fate,” for its part, is a two-step delight that conjures “Ring of
Fire” while celebrating love, fate and faith. “Please Tell
Me,” which follows, injects a little whistling into the mix at its
start—and features a tremendous vocal from Arias. “Upon a High
Horse,” for its part, is a bluesy tour de force; its musical framework
reminds me to an extent Lone Justice’s second album, when they swapped
cowpunk for a sleeker sound. The scenic “Long Rider,” which follows,
unreels the journey that plays out over the course of a lifetime—and the
friends who lend support along the way. 

“Reno” is sure to stir thoughts of the Heartbreakers—but with
Stevie Nicks out front instead of Tom Petty—while lending apt advice to
those who hope to beat casino dealers. Arias has a distinctive voice, which is
on full display with “Lost & Found.” In it, she reflects on quitting
her life to start over again—something folks of a certain age will relate
to, I’m sure.

“Dark Sun Rising” finds Arias—in a therapeutic frame of mind,
no doubt—addressing someone who unstitched their heart from their sleeve
and pushed her away. “You’re like dark clouds cancelling the light
before the storm comes,” she sings,
though—oddly—there’s little venom being spit.
There’s a sadness, instead: “I carry you in my heart, my
starchild.” It sports a Fleetwood Mac sheen, much as “My American
Boy”—about a special someone—revisits the Heartbreakers
vibe. The acoustic-minded “Runaway” ends the album on a sweet note.



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