Sarah Vaughan - Out Of Town (Live) '2025

Artist	Sarah Vaughan Related artists
Album name	Out Of Town (Live)
Country
Date	2025
Genre	Jazz,Vocal Jazz
Play time	44:35
Format / Bitrate	Stereo 1420 Kbps / 44.1 kHz MP3 320 Kbps
Media	CD
Size	193 MB
Price	Download $1.95

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Tracks list

Tracklist:

01. A Foggy Day (Live 1973)
02. The Summer Knows (Live 1973)
03. On A Clear Day You Can See Forever (Live 1973)
04. Round Midnight (Live 1973)
05. I'll Remember April (Live 1973)
06. Misty (Live 1973)
07. I Cried For You (Live 1973)
08. Rainy Days And Mondays (Live 1973)
09. Somewhere Over The Rainbow (Live 1973)
10. I'll Remember April (Reprise) (Live 1973)
11. Summertime (Live 1973)


Â moreVaughan sang in church as a child and had extensive piano lessons from
1931-39; she developed into a capable keyboardist. After she won an amateur
contest at the Apollo Theater, she was hired for the Earl Hines big band as a
singer and second vocalist. Unfortunately, the musicians' recording strike kept
her off record during this period (1943-44). When lifelong friend Billy Eckstine
broke away to form his own orchestra, Vaughan joined him, making her recording
debut. She loved being with Eckstine's orchestra, where she became influenced by
a couple of his sidemen, Charlie Parker and Dizzy Gillespie, both of whom had
also been with Hines during her stint. Vaughan was one of the first singers to
fully incorporate bop phrasing in her singing, and to have the vocal chops to
pull it off on the level of a Parker and Gillespie.

Other than a few months with John Kirby from 1945-46, Sarah Vaughan spent the
remainder of her career as a solo star. Although she looked a bit awkward in
1945 (her first husband George Treadwell would greatly assist her with her
appearance), there was no denying her incredible voice. She made several early
sessions for Continental: a December 31, 1944 date highlighted by her vocal
version of "A Night in Tunisia," which was called "Interlude," and a May 25,
1945 session for that label that had Gillespie and Parker as sidemen. However,
it was her 1946-48 selections for Musicraft (which included "If You Could See Me
Now," "Tenderly" and "It's Magic") that found her rapidly gaining maturity and
adding bop-oriented phrasing to popular songs. Signed to Columbia where she
recorded during 1949-53, "Sassy" continued to build on her popularity. Although
some of those sessions were quite commercial, eight classic selections cut with
Jimmy Jones' band during May 18-19, 1950 (an octet including Miles Davis) showed
that she could sing jazz with the best.

During the 1950s, Vaughan recorded middle-of-the-road pop material with
orchestras for Mercury, and jazz dates (including Sarah Vaughan, a memorable
collaboration with Clifford Brown) for the label's subsidiary, EmArcy. Later
record label associations included Roulette (1960-64), back with Mercury
(1963-67), and after a surprising four years off records, Mainstream (1971-74).
Through the years, Vaughan's voice deepened a bit, but never lost its power,
flexibility or range. She was a masterful scat singer and was able to out-swing
nearly everyone (except for Ella). Vaughan was with Norman Granz's Pablo label
from 1977-82, and only during her last few years did her recording career falter
a bit, with only two forgettable efforts after 1982. However, up until near the
end, Vaughan remained a world traveler, singing and partying into all hours of
the night with her miraculous voice staying in prime form. The majority of her
recordings are currently available, including complete sets of the
Mercury/Emarcy years, and Sarah Vaughan is as famous today as she was during her
most active years. Â© Scott Yanow



Sarah Vaughan - Out Of Town.rar -  193.7 MB

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