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Don Henley - Universal Amphitheatre 1985 (Live) '2025

Universal Amphitheatre 1985 (Live)
ArtistDon Henley Related artists
Album name Universal Amphitheatre 1985 (Live)
Country
Date 2025
GenreRock,Country Rock,Pop Rock,Soft Rock,Folk Rock
Play time 1:12:33
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 440 MB
PriceDownload $3.95
Order this album and it will be available for purchase and further download within 12 hours
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Tracks list

Tracklist:

1. Building The Perfect Beast (Live) (05:12)
2. Dirty Laundry (Live) (05:55)
3. Drivin' With Your Eyes Closed (Live) (03:58)
4. You Can't Make Love (Live) (04:02)
5. You're Not Drinking Enough (Live) (05:04)
6. Them And Us (Live) (03:46)
7. Lilah (Live) (03:35)
8. Not Enough Love In The World (Live) (04:13)
9. Desperado (Live) (04:08)
10. Boys Of Summer (Live) (05:19)
11. All She Wants To Do Is Dance (Live) (05:13)
12. Sunset Grill (Live) (07:36)
13. Talking To The Moon (Live) (06:51)
14. Hotel California (Live) (07:32)


 moreBorn on July 22, 1947 in Gilmer, Texas, Don Henley was raised in Linden,
a small town in Cass County, Texas. His parents -- his WWII veteran father ran
an auto parts business, his mother taught -- instilled a love of music into him
at an early age but despite having some piano lessons, he didn't take to playing
music as a child. Henley instead was drawn to football and he played into high
school, when he suffered an injury that led him to switch over to the marching
band. There, he picked up drums and he took to it quickly, next playing in a
group called the Four Speeds with his guitarist friend Richard Bowden. Soon, the
band switched its name to Shiloh and the group was a going concern throughout
high school but Henley put his music career on the back burner once he attended
college. He spent a year at Stephen F. Austin University before transferring to
North Texas State University, where he was an English literature major. Henley
spent three semesters at North Texas State before returning home to Linden to
attend to his ailing father and, while he was there, he began playing with
Shiloh again. In 1968, Kenny Rogers -- who was then riding high after the Top 10
success of 1967's "Just Dropped In (To See What Condition My Condition Was In)"
-- caught a Shiloh show and encouraged the band to head out to Los Angeles to
take a shot at the big time.

Once out in Los Angeles, Shiloh recorded an eponymous album for the independent
imprint Amos in 1970, but the bigger breakthrough for Henley arrived when he met
guitarist Glenn Frey, a native of Royal Oak, Michigan who had also recently
relocated to L.A. and released an album on Amos. Singer Linda Ronstadt
contracted Frey to assemble a touring band, so he asked Henley to join him,
along with guitarist Bernie Leadon and bassist Randy Meisner, and this quartet
supported the singer just once -- at a July 1971 show at Disneyland -- but they
did back Ronstadt on her self-titled 1972 album. Before that album was released,
this quartet became the Eagles, signing a deal with David Geffen's Asylum
Records.

The Eagles' self-titled 1972 debut kicked off a decade of dominance for the
band. This debut featured the Top 10 hit "Witchy Woman" along with the Top 40
hits "Take It Easy" and "Peaceful Easy Feeling," a good start that was slowed
somewhat by the underperforming Desperado; it'd later eclipse its predecessor in
platinum certifications, but it went no further than 41 upon its 1973 release,
and none of its singles cracked the Top 10. Things started to rebound with
1974's On the Border, which gave the group its first number one Billboard hit
with the Henley-sung ballad "Best of My Love." One of These Nights was a major
hit in 1975, reaching the top of the Billboard charts thanks to "One of These
Nights," "Lyin' Eyes," and "Take It to the Limit." All these early hits were
gathered on 1976's Their Greatest Hits (1971-1975), a compilation that bought
the band time as they worked on their fifth album but wound up eclipsing all
their other records in popularity. Not only was it the first album certified
platinum by the RIAA, it would go on to sell 42 million copies worldwide, 29
million of those in the U.S., placing it in a dead-heat with Michael Jackson's
Thriller as the biggest album of all time. Before Their Greatest Hits
(1971-1975) reached such heights came Hotel California, the album that turned
the Eagles into superstars. Released in time for Christmas 1976, Hotel
California had a pair of chart-topping singles in "New Kid in Town" and "Hotel
California" ("Life in the Fast Lane" went to 11) and it not only reached number
one, it kept selling for decades, eventually earning 16 platinum certifications
from the RIAA. One more studio album followed: 1979's The Long Run, another
chart-topper that bore three Top 10 singles -- "Heartache Tonight," "The Long
Run," and "I Can't Tell You Why" -- before the group split.

Henley launched his solo career in 1982, first appearing as Stevie Nicks' duet
partner on the Top 10 single "Leather and Lace" and then releasing I Can't Stand
Still, an album he co-produced with Greg Ladanyi and co-wrote in large part with
Danny Kortchmar. Its first single, "Johnny Can't Read," didn't crack the Top 40
but "Dirty Laundry" became a big hit, reaching number three on Billboard (it'd
eventually earn a Gold certification, the only Henley solo single to do so).
Henley's big solo breakthrough arrived in 1984, when he released "The Boys of
Summer" as the first single from Building the Perfect Beast. Accompanied by a
sleek black & white video that ruled MTV (it won the MTV Video Music Award for
Video of the Year in 1985, becoming the second video to take that category),
"The Boys of Summer" climbed to number five and set up Building the Perfect
Beast as a smash. Over the next year, it racked up sales -- it peaked at 13 on
the Billboard 200 on its way to triple-platinum certification -- and also
generated three additional singles in 1985: the Top 10 "All She Wants to Do Is
Dance," "Not Enough Love in the World" (which peaked at 34), and "Sunset Grill"
(which peaked at 22).

Four years after this successful run of singles, Henley returned in 1989 with
The End of the Innocence, a moody, deliberative album that turned into his
biggest solo success, reaching number eight on the Billboard 200. Ultimately,
the album didn't generate as many hits as its predecessor -- the title track
went to eight, the same position as its parent album, while "The Last Worthless
Evening" topped out at 21; "I Will Not Go Quietly" and "If Dirt Were Dollars"
were Top 10 hits on Billboard's Mainstream Rock radio chart -- but the overall
record performed better, going platinum six times. On the heels of this success,
Henley slowly became entangled in a dispute over his record contract with Geffen
Records, culminating in the label's 1993 breach-of-contract suit against the
singer. While the legal battle played out, the singer mended fences with the
Eagles, a development that was instrumental in the 1994 settling of the lawsuit.
Geffen allowed Henley to leave the label in exchange for the rights to release
Hell Freezes Over, a 1994 reunion album by the group featuring four new studio
songs and 11 live acoustic renditions of their hits.

After Hell Freezes Over, the Eagles became a going concern, encompassing regular
concerts and, in 2007, a double-disc album designed in part to be the band's
last. As the Eagles rolled on, Henley continued with his solo career. He had an
adult contemporary hit with "Sit Down You're Rockin' the Boat," taken from the
soundtrack to the 1993 film Leap of Faith, and he released Actual Miles:
Henley's Greatest Hits in 1995, supported by the single "The Garden of Allah"
(this reached 16 on Billboard's Mainstream Rock radio chart). Over the next few
years, Henley was quiet but he finally returned in 2000 with Inside Job, his
first album for Warner Bros. Supported by the number one adult contemporary
single "Taking You Home," the album entered the Billboard charts at seven and
was certified platinum. Another prolonged period of solo inactivity followed --
much of this time was devoted to political concerns and the Eagles -- but in the
early years of the 2010s, he began working on a new country-oriented album
called Cass County. Co-produced by former Tom Petty & the Heartbreakers drummer
Stan Lynch, Cass County featured guest spots by Merle Haggard, Mick Jagger,
Miranda Lambert, Dolly Parton, and Martina McBride, and saw release in September
2015. © Stephen Thomas Erlewine



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