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David Bromberg Band - The Blues, The Whole Blues and Nothing But the Blues '2016

24bit
The Blues, The Whole Blues and Nothing But the Blues
ArtistDavid Bromberg Band Related artists
Album name The Blues, The Whole Blues and Nothing But the Blues
Country
Date 2016
GenreBlues
Play time : 00:57:49
Format / Bitrate 24 BIT Stereo 2820 Kbps / 82.2 kHz
Media WEB
Size : 357 mb / 1.1 gb
PriceDownload $9.95
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Tracks list

	Tracklist
---------
01. Walkin' Blues
02. How Come My Dog Don't Bark When You Come 'Round?
03. Kentucky Blues
04. Why Are People Like That?
05. A Fool for You
06. Eyesight to the Blind
07. 900 Miles
08. Yield Not to Temptation
09. You've Been a Good Ole Wagon
10. Delia
11. The Blues, The Whole Blues and Nothing but the Blues
12. This Month
13. You Don't Have to Go

A strikingly gifted multi-instrumentalist with an intuitive understanding of
American roots music styles and a sly sense of humor, David Bromberg has earned
a following for his many solo recordings and has served as a sideman and
collaborator with some of the most respected artists in his field. David
Bromberg was born in Philadelphia, Pennsylvania on September 19, 1945, and spent
most of his childhood in Tarrytown, New York. As a teenager, Bromberg got hooked
on rock & roll and began exploring the blues, folk, and country artists that
informed early rock, such as Pete Seeger, Reverend Gary Davis, Muddy Waters,
Flatt & Scruggs, and Bill Monroe. When he was 13, Bromberg began learning the
guitar, and after graduating from high school, he attended Columbia University,
where he studied musicology and began playing Greenwich Village folk clubs. 

While his early gigs didn't pay much, he struck up friendships with a number of
noted musicians and began studying with his hero Reverend Davis. Bromberg's
guitar skills didn't go unnoticed, and he began accompanying a number of village
folk acts both on-stage and in the studio, including Tom Paxton, Tom Rush, Jerry
Jeff Walker, and Richie Havens. Bromberg was playing guitar with singer Rosalie
Sorrels when she was booked to play the 1970 Isle of Wight Festival in Great
Britain; Bromberg played an impromptu solo set after Sorrels was done, and he
went over well enough that he was offered a deal with Columbia Records as a solo
artist. Bromberg's self-titled debut was released in 1971, and featured the song
"The Holdup," a radio favorite that Bromberg co-wrote with George Harrison.
Between 1971 and 1976, Bromberg recorded six albums for Columbia and toured
extensively as well as maintaining a hectic schedule of session work, lending
his talents on guitar, Dobro, mandolin, and fiddle to albums by Bob Dylan, Carly
Simon, the Eagles, Ringo Starr, Willie Nelson, Gordon Lightfoot, Bonnie Raitt,
Doug Sahm, and many more. (Bromberg also produced an album for Dylan that has
yet to be released in full.) 

In 1977, Bromberg signed a new record deal with Fantasy Records, and issued his
first album for the label, Reckless Abandon; three more albums of new material
followed, but in 1980 Bromberg decided he was tired of the rigors of touring and
took a sabbatical from the road, occasionally playing sessions for friends and
staging occasional live shows but devoting most of his time to studying at the
Kenneth Warren School of Violin Making in Chicago. It wasn't until 1990 that
Bromberg released a new album, Sideman Serenade, and it was 2007 when his next
studio set appeared, Try Me One More Time, which earned a Grammy nomination as
Best Traditional Folk Album. In the meantime, Bromberg had established a
successful business building and repairing violins as well as dealing in quality
instruments, and in 2002 he opened a shop in Wilmington, Delaware, simply called
David Bromberg Fine Violins. In 2011, Bromberg returned with a new and ambitious
solo album, Use Me, in which he performed new songs written at his request by
some of his favorite tunesmiths, including John Hiatt, Guy Clark, Dr. John, Keb'
Mo', and David Hidalgo of Los Lobos. 



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