Mickey Gilley - It Takes Believers '1984 / 2022

Tracks list

Tracklist:

01. Candy Man
02. Touch Me When We're Dancing
03. Playboy
04. We Got a Love Thing
05. Paradise Tonight
06. The Right Stuff
07. Heads I Go, Hearts I Stay
08. Hold On To the Feeling
09. It Takes Believers To Be Lovers
10. The Phone Call


 moreMickey Gilley was born in Natchez, Mississippi on March 9, 1936. Gilley
spent most of his childhood in Ferriday, Louisiana, where he spent time with his
cousins Jerry Lee Lewis, Jimmy Swaggart, and Linda Gail Lewis, who would share
his enthusiasm for playing the piano. As youngsters, Lewis, Swaggart, and Gilley
would sometimes play music together, and Mickey's parents saved up to buy him a
piano, but he wasn't initially interested in making a career out of performing,
especially after he married and settled in Houston, Texas. However, when Jerry
Lee's career began to take off, Gilley reconsidered, and in 1957, he released
his first single, "Ooh Wee Baby," on the local Minor Records label. The
following year, he moved up to Dot Records and "Call Me Shorty" was an exercise
in rock & roll boasting that, like his debut, bore more than a slight
resemblance to Jerry Lee's style. Neither achieved more than regional success,
and through the '60s Gilley cut singles for a variety of small labels and played
night spots in the Lone Star State, as his sound evolved from rockabilly boogie
to a mellower honky tonk country approach. In 1968, Gilley hit the national
country charts for the first time with "Now I Can Live Again," which peaked at
number 68, but there was no immediate follow-up, and Gilley settled into what
seemed like a career as a regional artist.

Gilley was a big enough name in Texas that in 1971 an entrepreneur in Pasadena,
Texas, Sherwood Cryer, approached him about going into business together, with
the singer lending his name to a nightclub Cryer planned to open. The club was
named Gilley's, and it became a success, with the singer often gracing the
stage. In 1974, Gilley launched a small label, Astro Records, to produce singles
for jukebox distributors in the Southwest, and one, "She Called Me Baby," became
an unexpected success when a disc jockey heard the flipside, "Room Full of
Roses," and began giving it airplay. As the record gained momentum, Playboy
Records picked it up for national distribution, and in April 1974, "Room Full of
Roses" became Gilley's first single to hit the top of the country charts. (It
also dented the pop charts, peaking at 50.)

Gilley's career went into high gear after "Room Full of Roses" finally gave him
his breakthrough. He scored two more number one country hits, "I Overlooked an
Orchid" and "City Lights," before 1974 was out, and his first album for Playboy,
Room Full of Roses, hit number one on the country album charts. Gilley continued
to dominate the country charts with hits like "Don't the Girls All Get Prettier
at Closing Time," "Bring It on Home to Me," and "She's Pulling Me Back Again,"
but Playboy had few others artists who were consistently selling records, and
the label folded in 1978. Epic wasted no time in signing Gilley to a record
deal, and his first album for the label, The Songs We Made Love To, arrived in
1979.

As Gilley's star rose, the Gilley's club became increasingly popular, growing
into the largest country music bar in the world, and in 1978, journalist Aaron
Latham wrote a piece about the scene at Gilley's for Esquire Magazine, titled
"The Ballad of the Urban Cowboy: America's Search for True Grit." Filmmaker
James Bridges adapted the story into a film, and 1980's Urban Cowboy, starring
John Travolta and Debra Winger and shot largely at Gilley's, became a major box
office hit, as did its soundtrack album, which featured Gilley singing "Stand by
Me." "Stand by Me" became yet another number one country hit for Gilley, and
crossed over to the pop charts, rising to number 22. Suddenly Gilley and his
nightspot were a nationwide sensation. Between 1980 and 1984, every single
Gilley released was a Top Five country hit, with nine of those thirteen songs
going to number one, and a chain of Gilley's Clubs opened around the country.
Gilley and Cryer had a falling out that led to the closing of the club in 1989,
by which time Mickey's recording career had begun to cool off. 1987's "Full
Grown Fool" was Gilley's last song to hit the country Top 20, and after leaving
Epic Records, he released an album for Airborne Records, Chasing Rainbows, in
1988.

However, Gilley was still a popular live act, and in the early '90s, he was one
of several veteran artists who opened their own theaters in Branson, Missouri, a
city that became a family-friendly vacation destination. Gilley enjoyed
considerable success in Branson, where he would relocate, and concerts became
his focus, though he did release a new album, Invitation Only, on Varese
Sarabande in 2003, as well as occasional live releases documenting his Branson
shows. In July 2009, Gilley was helping a friend move furniture when he tripped
and a couch fell on him. The accident left him with four crushed vertebrae, and
for a while he was paralyzed from the neck down. Extensive physical therapy
helped Gilley regain the ability to walk, and by the end of 2010 he was back
on-stage in Branson, though he could no longer play piano. In May 2018, Gilley
released Two Old Cats, a collaboration with vocalist Troy Payne; the album
appeared just four months after Gilley was temporarily sidelined after an auto
accident injured his leg. Mickey Gilley died in a hospital in Branson, Missouri
on May 7, 2022; he was 86 years old. ~ Mark Deming

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