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Dexter Gordon - The Chronological Classics: 1943-1947 '1998

The Chronological Classics: 1943-1947
ArtistDexter Gordon Related artists
Album name The Chronological Classics: 1943-1947
Country
Date 1998
GenreJazz
Play time 72:33
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 171 MB(+3%)
PriceDownload $1.95
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Tracks list

Tracklist

01. I've Found a New Baby (4:40)
02. Rosetta (5:09)
03. Sweet Lorraine (4:55)
04. I Blowed and Gone (4:45)
05. Blow, Mr. Dexter (3:00)
06. Dexter's Deck (2:58)
07. Dexter's Cuttin' Out (3:12)
08. Dexter's Minor Mad (2:44)
09. Long, Tall, Dexter (3:04)
10. Dexter Rides Again (3:16)
11. I Can't Escape from You (3:16)
12. Dexter Digs In (2:59)
13. Mischievous Lady (2:48)
14. Lullaby in Rhythm (3:04)
15. The Chase, Part 1 (3:19)
16. The Chase, Part 2 (3:20)
17. Chromatic Aberration (3:06)
18. Talk of the Town (3:27)
19. Bikini (3:38)
20. Ghost of a Chance (3:04)
21. Sweet and Lovely (2:49) 

This magnificent album of progressive jazz from the mid-'40s contains the
earliest recordings released under Dexter Gordon's name. The opening session
finds him in the company of Nat King Cole and Harry "Sweets" Edison. While Cole
based much of his piano style on the creative accomplishments of Earl Hines,
Gordon named Roy Eldridge and Lester Young as primary influences. The
inspiration to emulate Prez, said Dex, "...came like a bolt out of the blue to
me...I readily identified with his ideas and concepts...." This is superbly
demonstrated in the relaxed jamming atmosphere of the first four tracks,
particularly "I Blowed and Gone." Gordon said that by the time he joined the
Lionel Hampton band in December of 1940, he'd been listening carefully to Prez
"for three or four years." By 1943 Gordon's saxophone voice had ripened under
that influence to the point where he was beginning to tell his own story. Then
one night in 1944 at Minton's Playhouse, Gordon sat in literally between Lester
Young and Ben Webster. Recording for Savoy in October of 1945, Gordon was teamed
with adventurous pianist Sadik Hakim, backed by Gene Ramey and Ed Nicholson.
These performances resemble Lester Young's Aladdin and early Clef recordings.
The second Savoy session from January 1946 has Leonard Hawkins blowing trumpet
and a wicked rhythm section in Bud Powell, Curly Russell, and Max Roach. As is
the case with most of the groups heard on this collection, the combination of
creative minds is stunning. And here Gordon establishes his wonderful personal
regimen of delivering slow, full-feature tenor ballads. Back in 1943, "Sweet
Lorraine" was shared with Nat Cole, who soon became closely identified with that
melody. "I Can't Escape from You" is the first real example listeners have of
Gordon the three-minute balladeer. Other forthcoming offerings in this vein are
"Talk of the Town" and "I Don't Stand a Ghost of a Chance with You." His next
session as a leader took place in Hollywood on June 5, 1947, with trombonist
Melba Liston, who was soloing with and writing arrangements for Gerald Wilson's
orchestra during this period (see Classics 976, the 1945-1946 volume of the
label's Wilson chronology). "Mischievous Lady" and "Lullabye in Rhythm" contain
what seem to be Liston's first solos recorded in a small-band environment. It's
a shame that this group didn't cut a dozen more sides together. One week later,
Gordon and Wardell Gray cut their famous two-part tenor blowout, "The Chase."
Since Charlie Parker's "Klactoveedsedstene," with its distinctive opening
clause, was recorded on October 28, 1947, it is interesting to hear the same
lick used to open and close "The Chase," recorded nearly five months earlier.
Which came first, the Bird or the egg? As "The Chase" proceeds, another riff
emerges, forming the basis for the theme and the beginning of the first solo. It
is based on Alphonse Picou's famous clarinet passage from "High Society," the
old New Orleans jazz anthem. Here is the great multi-generational span dance,
the new thing firmly grounded in the old. Every single record reissued here is
worth its weight in gold. Gordon's Dial recordings, especially "Chromatic
Aberration" and "Bikini," are full-blooded mature statements from a 24-year-old
master improviser wise beyond his years. Even in the face of all the great
records he would make in the years to come, this stash of Dexter Gordon's early
work should be cherished among his very best.
 EAC LogExact Audio Copy V1.6 from 23. October 2020

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Dexter Gordon / The Chronological Classics: Dexter Gordon 1943-1947

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TOC извлечённого CD

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